DID YOU READ

A “Sucker Punch” musical number, deleted no more

A “Sucker Punch” musical number, deleted no more (photo)

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An action kung fu sci-fi thriller musical? Zack Snyder‘s latest film, “Sucker Punch,” certainly sounded like an interesting stew of influences and interests. You don’t see too many movies with both samurai robots and show-stopping dance routines. It’s a unique combination.

But when “Sucker Punch” finally made it to theaters, the musical sequences were almost totally gone, removed as part of eighteen minutes of footage cut to bring the film down to the PG-13 rating demanded by the studio. But tomorrow, the Extended Cut of “Sucker Punch” comes out on Blu-ray, with all the excised footage back in place. And speaking of the excised footage, here is a look at an aforementioned musical number, back from the dead:

Here’s how the film’s producer Deborah Snyder described the scene to The Playlist back in March:

“The biggest thing we took out of the film, in the credit sequence we have the [musical montage] of [Roxy Music’s] ‘Love Is The Drug’ (sung by Carla Gugino and Oscar Issac) and that was actually conceived as a glimpse of what life was like in the every day brothel world and the shows they put on. It was actually at the beginning of the movie in its entirety, but we took it out because when we put it in the film it just looked like the place was too much fun and there wasn’t enough jeopardy. It was really elaborate and beautiful and in the next sequence Baby Doll [Emily Browning] is crying to get out and [it didn’t work tonally].”

There’s your reason to remove it from the film, now here’s your reason for wanting to see it: “Sucker Punch” was clearly a crazed kooky passion project for Snyder, consolidating all of his loves and obsessions into one messy, wild work. And if you’re gonna go the passion project route, you have to go all out. Don’t hold back when you’re making your deranged love letter to pop culture; give us the whole derangement. Who cares if it’s tonally wobbly, and all the narrative pieces don’t fit together? That’s the point of the passion project and the old kamikaze auteurism: throw yourself up there in all your complexity and confusion and let us sort through it. Dense is good, man.

That’s why I’ve been waiting to see “Sucker Punch” in this director’s cut. Now DVD stores can file the movie the way Zack Snyder always intended: in the “Samurai Robot Musicals” section.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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