DID YOU READ

“The Stunt Man” On Blu-ray: The Ultimate “Double” Feature

“The Stunt Man” On Blu-ray: The Ultimate “Double” Feature (photo)

Posted by on

We don’t think much about stunt men in this business because we’re not supposed to think much about stunt men. But consider what it must be like to risk your life on a daily basis, doing the things they won’t let a guy who looks like a more rich, famous, and handsome version of you do because they’re too dangerous, with no shot at riches, fame or additional handsomeness. That inequity — stars getting adoration for things a stunt man does — could drive a man crazy. And maybe that’s what I like best about Richard Rush’s film “The Stunt Man,” out today for the first time on Blu-ray. It may not be the most accurate depiction of Hollywood moviemaking, but it’s a very believable depiction of the mind of a stunt man. On a bad day, it must feel like the world is out to kill you.

Admittedly, Rush had a lot more on his mind when he made “The Stunt Man” than just plumbing the depths of a body double’s soul. “The Stunt Man” is a classic passion project: overflowing with ideas, bursting with ambition, bloating under the weight of its loose ends. It’s an action film, a deconstruction of action films, a movie about movies, a love story, an anti-war film, a meditation on how perception colors reality, and a Biblical parable about a director as an all-powerful God and a stunt man as his Job-like test subject. “The Stunt Man” isn’t just a movie; it’s every movie. It’s an action director trying to make his “The Tree of Life:” an attempt to distill the totality of the universe and filmmaking into a single microcosmmic story of a single Hollywood production.

That production is run by Peter O’Toole’s mad and madly charismatic film director Eli Cross (O’Toole reportedly based his portrayal on his “Lawrence of Arabia” director David Lean). A grungy Vietnam vet and fugitive from the law named Cameron (Steve Railsback) wanders into the middle of Cross’ movie shoot and accidentally causes the death of a stuntman. Since he can’t afford for the police to shut him down, Cross makes Cameron a deal: replace the dead stunt man and he won’t turn him over to the cops. With no other options, Cameron agrees. But working for a director so unfazed by the death of one employee makes him wonder: would he care at all if it happened again? And with an already damaged psyche from the war and its aftermath, Cameron isn’t in the best frame of mind to be jumping from buildings, leaping from explosions, or play fighting guys with machine guns. One way or another, this job will kill him.

Rush’s presentation of a movie set is less informed by the realities of filmmaking than a cynic’s perverse nightmare of it. Action sequences of the film-within-a-film stretch to near-satirical length and feature long takes of such complexity and barely organized chaos they would make Martin Scorsese howl with jealousy. But it all makes sense when you realize you are seeing this place not as it truly is, but as it appears to one very screwed up and bewildered veteran. The role of point-of-view in film is just one of the many elements of cinematic syntax that Rush gives a good tweaking; note the POV shot early in the film from O’Toole’s perspective as he munches on an apple and delivers the line “That’s your point of view.”

With his autocratic demeanor and penchant for floating in and out of scenes on a camera crane, it’s easy to read Cross as some sort of deity (his last name certainly helps too). Of course, you can also read him as a stand-in for Rush. After all, the themes of Cross’ movie are the same as Rush’s, and the two men seem to share a similar stance on war and a similar obsession with this material. But we should also note that if “The Stunt Man” has a villain, it’s Cross, and that it takes a far more sympathetic view of its lowly stunt man than its brilliant but cruel director. If the film is autobiographical, it’s also a stinging self-critique.

Even as it flails around with aspirations to high art, “The Stunt Man” is still a blast to watch; it has pretentions, but it’s not pretentious. Rush keeps us in the dark about Railsback’s crimes and O’Toole’s motives, inviting us to sit back, relax, and enjoy the confusion. Characters are rarely what they seem, and motivations shift constantly, even within individual scenes. That means even at its worst — and some of Railsback’s love scenes with Cross’ leading lady (Barbara Hershey) are pretty painful — it is always an engaging mind-fuck.

The same goes for the new Severin Blu-ray of the film as well. New exclusive features include a delightful, rambling O’Toole recollecting the making of the film, plus interviews with Rush, Railsback, Hershey, and co-star Alex Rocco, and a post-screening Q&A at L.A.’s New Beverly Theater. The most entertaining extra, though, is one from the long out-of-print collector’s edition of the first “Stunt Man” DVD. Entitled “The Sinister Saga of the Making of ‘The Stunt Man,'” it features unbelievably entertaining anecdotes from the long and messy production and unbelievably cheesy video editing effects of said anecdotes as Rush himself recites them while he walks around his mansion, or gasses up and then flies the camera around on his private jet. The inside baseball details and casual declarations of massive ego (and, y’know, the ride in the private jet!) are so collectively absurd, that the film rivals the mad vibe of Robert Evans’ audibook of “The Kid Stays in the Picture.” “The Sinister Saga” is sort of the perfect sequel to “The Stunt Man:” another messy, passionate statement destined for cult status.

“The Stunt Man” is available today on Blu-ray or DVD from Severin Films. Are you a fan? Tell us in the comments below or on Twitter and Facebook!

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet