DID YOU READ

Mind yr openers: Future Islands and Titus Andronicus upstage Okkervil River

Mind yr openers: Future Islands and Titus Andronicus upstage Okkervil River (photo)

Posted by on

Last night, Okkervil River headlined a sold-out concert at the Cat’s Cradle, the long-time and legendary North Carolina stopover between Atlanta and Washington, D.C. The Cat’s Cradle holds just more than 500 people, meaning that any two of the three bands on Wednesday night’s bill–Okkervil River, Titus Andronicus and Future Islands, combining for one of the summer’s biggest indie tours–could have sold out the show just fine. The Cradle appearance was the second of the month-long tour, and excitement was high. After all, Future Islands are a Baltimore band, but they’re actually kids from nearby Raleigh. What’s more, neighboring Durham was one of the first towns outside of New England to fall for Titus Andronicus, back before a big record deal and Pitchfork laurels. This was the kind of show, then, where tickets were sold in parking lots, where long-faced indie kids stood close to the entrance in hopes of someone having a spare. It was also the sort of show where you wondered just what Okkervil River is thinking.

Musically, the bill made no sense from the start: Okkervil River makes finely orchestrated, careful indie folk, led by proudly loquacious frontman Will Sheff. It’s well-rehearsed stuff, with little room for error or improvisation. The set was a carousel of instruments, with members swapping out guitars and positions between songs as though they were playing a public game of hot potato.

But Titus Andronicus makes willfully sloppy music, backing their Springsteen-meets-Danzig rants about life in New Jersey with a shoegazer’s feedback, Sousa-sized melodies and a rhythm section that only acknowledges the difference between loud and louder. Patrick Stickles howls and swears and slurs, sometimes only barely clinging to coherence. At one point, a guitar amplifier started feeding back uncontrollably, but no one cared; they just went for it.

Future Islands is three dudes–a keyboardist who stares at his hands, a bassist who stares straight ahead, and Sam Herring, who sings like a cross between Jack Black, Baby Huey and David Tibet. They make electronic soul with a big, thumping pulse, shaping the perfect frame for Herring’s onstage antics. He dances, growls and slaps himself, pushing the emotional hurt of his electronic songs to a visceral hope. They’re one of the most thrilling bands on the road right now.

So, sonically, it didn’t fit, but there was the hope–or the thought, at least–that the bill might gel on the strength of its respective frontpeople. Sheff, Stickles and Herring are a proud triumvirate of leaders, each at the center of their own universe of sound and story. When Herring sings about the woman whose infidelity became the inspiration for these songs, you get the sense that he’s pondered the situation just as much as Stickles has dissected and analyzed his youth, or as much as Sheff has catalogued and parlayed the neuroses he finds in his orbit. But Sheff came off as precious and stiff, with none of the aplomb, ease or enthusiasm of the bands before him.

Neither Titus Andronicus nor Future Islands had ever headlined the Cat’s Cradle; for them, it was a new treat, a chance to see how they sounded in the big room, how they looked for the large crowd. Honestly, they looked inspiring, two bands doing what they have long done with disregard for the careful nature of their hosts. The crowd expelled more energy for the short opening sets than they did for the long headlining performance. They clapped when Stickles demanded it, went crazy when Herring implied it with a slap to his own face and a dip of the hip to the left or right. For Sheff and his perfectly rehearsed pathos, they listened until they started to leave, the exhaustion of a dance party and a shout-along ostensibly leaving no room for introspection. Nominally, it was Okkervil River’s night; in actuality, you sort of pitied their folly.

So, have you ever gone to a show in hopes of seeing the headliner, only to be stunned by the opener and bored by the time the main act hit the stage? Tell us about it.

Watch More
JaniceAndJeffrey_102_MPX-1920×1080

Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

Posted by on

She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

JaniceAndJeffrey_106_MPX-1920x1080

IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

Watch More
IFC-Die-Hard-Dads

Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

Posted by on
Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

Watch More
IFC-revenge-of-the-nerds-group

Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

Posted by on
Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

geowash_flat

Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

Watch More
Powered by ZergNet