DID YOU READ

“Judy Moody” and the Rarity of Indie Family Films

“Judy Moody” and the Rarity of Indie Family Films (photo)

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When John Schultz was in elementary school, his favorite classroom activity was when the teacher would hand out a vocabulary list of 20 words and he would have to write a story that employed all of them. “I loved that challenge of here’s what you have to work with. Make it work,” Schultz said.

It shouldn’t be all that surprising then that the director is making his third indie feature, but it is refreshing that with this week’s “Judy Moody and the Not Bummer Summer,” he’s aiming to entertain today’s elementary school kids by working in the indie world’s least prolific genre, the family film. Oddly, in the considerably more ungoverned area of the medium that’s wide open to personal coming-of-age stories and cinematic anarchy, few are made with the intention of appealing to all audiences.

Less unusual has been Schultz’s career path, though it still might strike some as peculiar. After directing the scrappy, amiable music comedy “Bandwagon” with Sundance staple Kevin Corrigan in the lead in 1996, Schultz followed it up with a steady stream of studio work that tended towards the young such as “Like Mike” and “Aliens in the Attic.” Disney has long mined the indie ranks for unusual choices: Joe Nussbaum went from directing the short “George Lucas in Love” to this year’s “Prom,” and when they looked for a director for “The Lizzie McGuire Movie” in 2003, “Trick” director Jim Fall wasn’t the obvious guy for the job. For Fox, this summer alone will see the director of the pitch black “The House of Yes” (Mark Waters) tackle Jim Carrey’s “Mr. Popper’s Penguins” and the romantic drama “Big Eden” (Thomas Bezucha) handling the teen fantasy “Monte Carlo.”

SarahSiegelMagnessJohnSchultzJudyMoody_06092011.jpgBut whereas most of those films have felt as if they were stepping stones for other gigs, only a handful of filmmakers including Robert Rodriguez, who will soon launch his fourth “Spy Kids” in August, and Schultz, a tall, lanky man in person with the goofy grin of an eternal 12-year-old, seem genuinely invested in making features for the young. As limited a number as that is, there seem to be even fewer production companies with the will to invest in them and the few that do, such as Walden Media, have gravitated towards larger-scale projects such as “The Chronicles of Narnia.”

Having already gone the indie route before for 2003’s “When Zachary Beaver Came to Town,” Schultz proved to be an attractive candidate to “Judy Moody” producer Sarah Siegel-Magness, who herself was fighting an uphill battle for the rights to the bestselling book series over production companies with studio support. After defying the odds with “Precious,” which had yet to premiere at Sundance during her pursuit of the “Moody” rights, Siegel-Magness won the trust of the similarly modest Massachusetts publisher Candlewick Press by offering the book’s author Megan McDonald a chance to write the screenplay and keeping the amount of cooks in the kitchen to a minimum.

“We both seemed to share the idea that you could make quality commercial films independently,” Schultz said of Siegel-Magness, whose company Smokewood partnered with Relativity Media to release the film. “Not have to dumb it down and make it with an independent spirit, but for a mass audience at the same time.”

Recalling how he once spent a week on a studio film discussing the color of a character’s T-shirt, Schultz says now that “Judy Moody” has been his most satisfying experience on a film since “Bandwagon” as far as maintaining his creative freedom, something that can be felt in the film’s go-for-broke visual style and even its score, for which the director was able to employ the all-too-rare luxury of an 80-piece orchestra. And having completed a film her own kids could watch without a major studio logo in front, Siegel-Magness hopes it’s music to the ears of both families and filmmakers, especially since while the “Harry Potter” series have already been turned into films, somehow the novels of cherished authors like Judy Blume haven’t been.

“We’re charting a brand new expedition into whether this works or it doesn’t, which is scary,” said Siegel-Magness. “But I feel like if it does work, I hope that we encourage other filmmakers not to be afraid to go after some of these bigger properties because what we bring to the table in terms of creativity and a more loosely run structure can make these films something completely new and different.”

Do you think there should be more family films produced independently? Let us know in the comments below or on Twitter or Facebook.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.