DID YOU READ

John C. Reilly talks about “Terri”

John C. Reilly talks about “Terri” (photo)

Posted by on

My fantasy football team is named The Catalina Wine Mixer. Last year my annual New Year’s Eve party was “Step Brothers”-themed. In other words, I’m a pretty big fan of actor John C. Reilly‘s work, particularly when he gets to flex his comedic muscles. So I was pretty excited to talk to Reilly about his new movie “Terri,” directed by “Momma’s Man” filmmaker Azazel Jacobs. The movie, which opens this Friday, is a low-key story about a troubled teenager (Jacob Wysocki) and the relationship he forms with the kind high school vice principal (Reilly) who takes an interest in his case. “Terri”‘s warts-and-all depiction of the insanity of adolescence (and of life in general) is both funny and shocking, a refreshing change-of-pace for the coming-of-age genre, which produces so many boring, blandly nostalgic movies.

As an admirer of his work, I’ve spent a lot of time ruminating on Reilly’s comedic charms. His secret weapon, I think, is his unique mixture of casualness and sincerity. On screen, Reilly never looks like he’s trying to be funny, and he always looks like he means it, even if he’s playing a guy who needs the concept of marijuana explained to him. During our conversation, I asked Reilly about his own high school career, his recent string of excellent work, and his experiences on the set of “Fight For Your Right (Revisited),” the amazing short film by the Beastie Boys (Reilly plays the Mike D of the future). Oh, and for the gushy, fanboy portion of the interview where I bugged Reilly about the possibility of a “Step Brothers 2,” go here. Can you blame me for my excitement? It’s the effin’ Catalina Wine Mixer.

What sort of student were you in high school?

I was a solid C student because I was doing so many plays. I was a drama nerd, but I was also kind of a Zelig-like character; I would shift between different groups of people. But the people I spent most of my time with were either chorus or swing choir or the drama nerds.

So for this film, your wife [Alison Dickey, one of “Terri”‘s producers] actually gave you the screenplay?

Well first she gave me the manuscript, because this was going to be a book by Patrick Dewitt. And then he skipped the book and went from manuscript to script. But yeah, my wife has really good taste.

It’s a good thing you liked it.

Yeah, it is. I mean, I could have said no. It wouldn’t have been an issue. But we bounce a lot of stuff off each other anyway. And, yeah, she gave me the manuscript and that was really cool because you get a lot more detail in a manuscript than you get in a script. So we already knew the world and the layers of these characters through that. And then they wrote a script, and we did a reading, and it went great. And here we are.

I’ve seen a few movies lately with similar subject matter, but I thought the approach and also the tone of “Terri” was very different. I don’t want to say it’s dark but more… I’ve been searching for the word, but maybe “mature?” It’s not quite so wistful and nostalgic.

No, I don’t think it’s nostalgic. I don’t think Aza [Jacobs] really pushes any kind of agenda, either, as to what he thinks those years are about. There’s a lot of stereotypes and myths about outsider stories and a lot of times they’re told from the point-of-view of an adult. This movie really feels more immersive, like this is what it’s really like, for this kid anyway. And that’s really Aza. I think in the hands of another director it could have been very run of the mill, or it would have felt very much like other coming-of-age high school stories. But Aza’s the real deal. He made this a personal movie even though he didn’t write it, unlike his last film, “Momma’s Man,” which is very personal.

It just seems like so many teen movies are a little soft. This one has a a little bit of a harder edge to it, particularly that ending.

Yeah, well it’s got that hair-raising shed scene. I think everyone’s got at least one of those moments in their past.

Oh absolutely.

Where suddenly you’re hormonally in the right place and you’ve been left unsupervised and start to do risky things. That’s another example of how honest the movie is. It would have been a lot easier to get the movie made if we’d toned some of those things down. But it didn’t feel truthful to turn it down. These things happen. And worse.

Aza is a guy I’ve seen grouped in with that whole mumblecore group of filmmakers. You’ve worked with him now and you also worked with the Duplass Brothers on “Cyrus.” I’m wondering if you can compare their directorial styles for me.

To me, anyone that embraces the term “mumblecore” — I think it’s a diminutive way of encapsulating a group of people. What I’ve noticed from these people is that they’re all of a certain age, say in their late 20s to early 30s, they make films that are tired of cliched stories. [They] have come up through popular culture in their youth, being fed a lot of prepackaged stereotypical stories where you can guess the ending. So there’s a sophistication to what they want out of storytelling, and there’s a drive to be honest with their audience about what life is really like. Joe Swanberg and Mark and Jay Duplass and Aza do share that.

But with any group of artists, it’s never the artists themselves that group themselves together. Especially directors; they operate in this kind of vacuum of their own design. I guess the only similarity I can think of between Aza and Mark and Jay would have to be a real rigorous commitment to honesty from moment to moment. Like, “Does that feel true? Are we just trying to sell a bill of goods here? Is that really how I would react if I was in that situation?” And there’s patience; they also have the patience it takes to get that done.

You’ve done a lot of great little movies, all in a row. You’ve got “Terri” and “Cyrus,” you were terrific in “Cedar Rapids,” and you’ve got the movie that just played at Cannes [“We Need to Talk About Kevin”] coming out soon. Is it a conscious decision to, in basketball terms, go small?

[laughs] Yeah, so I did the triangle offense for a while.

I’m sorry, I’ve been watching a lot of the NBA playoffs.

I’ve just been posted up so many times that I decided to go small and try to collapse the defense. No I just try to do good movies. To me, it doesn’t make any sense to pick your work based on the size of the budget of the movie. I think that’s why a lot of people get well-known for something and they feel like “Well, now I’m a big movie star. So now I can only work on big productions with a lot of money.” Sometimes there’s good scripts that come along that have big budgets that you can do good work in but if you limit yourself to that scale eventually there’s going to be nothing great coming along. So you end up in mediocre things. So yeah I’m just looking for inspired people and good writing and whatever package that comes in, I’m open to.

You were also in what I’ve already decided is the best film of 2011, which is “Fight For Your Right (Revisited).”

Really?

Yes. That is a powerful piece of cinematic art. I’m just wondering what that shoot was like and whether there was a script at all or you guys just completely improvised your part.

No, there was a script. And then we goofed around with it a little.

[laughs] Just a little.

But it was mostly scripted what we did, yeah. I mean the pee fight was in the script —

Carefully choreographed, shot-by-shot, and storyboarded?

Well you’d have to ask Nathanial Hörnblowér that.

[laughs]



It was pretty exciting. It was like the “Cannonball Run” of the 2000s. I mean how many people? 70 well-known actors in 30 minutes? That’s like more than two actors per minute.

Yeah. And you sparked the pee fight too. You were the instigator. You will always have that on your resume.

Well Mike D is known for being someone who takes it to the next level. I’m actually really close friends with Mike and it was a true honor and pretty hilarious to get to…

…to pee on Elijah Wood?

It’s amazing how easy it is to make yourself look like Mike D, too. Seth doesn’t look anything like Mike, I don’t look anything like Mike, but you put that necklace on and the hat and the sunglasses and all of a sudden you’re like: “I kinda look like Mike D!”

It was pretty intimidating though, having those guys around. Cause even though we’re kind of goofing on them and stuff, part of you wanted to…

You had to be cool, too.

Yeah, you wanted them to feel like “Yeah, that’s right, you got it.” Which is preposterous. I mean what Will was doing as Ad-Rock, it was like “What?”

[As Will Ferrell, doing Ad-Rock] “We bring a super fresh dance contest from the future!”

[As Will Ferrell, doing Ad-Rock] “Old school, beat box shit!”

Will can make swearing so funny. I swear and it comes off a little angry, no matter how funny I’m trying to do it. If I use certain words with a certain intensity, it’s like ‘Whoa whoa whoa, buddy buddy!” Will does it and it’s almost like the more intense and more angry he gets the funnier it is somehow.

Watch More
JaniceAndJeffrey_102_MPX-1920×1080

Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

Posted by on

She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

JaniceAndJeffrey_106_MPX-1920x1080

IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

Watch More
IFC-Die-Hard-Dads

Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

Posted by on
Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

Watch More
IFC-revenge-of-the-nerds-group

Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

Posted by on
Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

geowash_flat

Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

Watch More
Powered by ZergNet