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Helena Bonham Carter Talks “Toast,” Perfumes, and Hypnotizing Johnny Depp

Helena Bonham Carter Talks “Toast,” Perfumes, and Hypnotizing Johnny Depp (photo)

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Despite the fact that Helena Bonham Carter is currently in England filming Tim Burton’s reimagining of the ’60s TV series “Dark Shadows,” she’s sending her best to America. And she isn’t alone. As the digital distributor Emerging Pictures did last fall for a selection of Australian hits that wouldn’t have made it to U.S. theaters otherwise, the company is teaming up with the Film Society of Lincoln Center and the UK Film Council to bring a group of six acclaimed British films Stateside, kicking off with “Toast,” a ’60s set coming-of-age story based on food writer Nigel Slater’s memoir with Freddie Highmore as his teen surrogate who must compete for the attention of his gruff father against a cleaning woman (Bonham Carter) whose heavenly lemon meringue pie masks the tartness she demonstrates upon becoming the boy’s stepmother.

However, that’s nearly the only thing about the series dubbed “From Britain With Love” that isn’t sweet, considering that after a run at the Film Society of Lincoln Center’s brand new Elinor Bunin Monroe Film Center in New York beginning on June 11th, “Toast” and a collection of other British gems including Peter Mullan’s “NEDs” (the blackly comic Scottish delinquent comedy I heartily approve), the comedy “A Boy Called Dad,” the drama “Third Star” with up-and-comer Benedict Cumberbatch (“War Horse”), the post-traumatic stress disorder character study “In Our Name,” and the rambunctious soccer travelogue “Africa United” will be in theaters from Bay Harbor, Maine to Los Angeles. For the occasion, Bonham Carter got on the phone to discuss her delightful turn as the devilish Mrs. Potter and the unique distribution of “Toast,” as well as her newfound appreciation for cleaning products, how perfumes are integral to finding her characters and how she’s channeling a family member for her latest part.

“Toast” is taking an interesting distribution path to the States and apparently, it did in England as well. Do you like to keep tabs on your films after you’re done filming?

As usual, I pray that they’re just going to get seen somehow. [laughs] But this is definitely back to front because when we made it, it was a BBC film, [so] it was going to be made for television then released theatrically after and I just thought, goodness, how’s that going to work? But I’m fine with it being on television because at least with television, you know you’re going to get an audience, [and] I’m glad that the American audience might come to see it. I saw it being played in a cinema and it played just as well as on television, interestingly enough.

You’ve really shown a commitment to these smaller-scale homegrown films like this and “Sixty-Six.” Has that been harder to do these days?

I’m always attracted to lower budget, not because it’s lower budget, but because they tend to be better scripts. It’s the scripts that tend to be the small arthouse film [that] tend to be more actor-led and character driven. Those are the stories that seem to fall within my taste range. But it’s often been the case, I’ve done so many countless small, independent films that really 3.2 people have seen, so you never know. You do it for the joy of the part and not necessarily expect anyone to see the final product.

HelenaBonhamCarterFreddieHighmoreToast_06102011.jpgWhat drew you to “Toast”?

I was always conscious of Nigel [Slater]. I just loved the story and the character. I’ve played lots of queens lately — The Red Queen [in “Alice in Wonderland”] and Elizabeth in “King’s Speech” — so I thought, “Oh, time to play a cleaner!” Seems a natural progression, or just to be at the other end and do something completely different. And actually, [Mrs. Potter] just seemed like such a mix and obviously somewhat mentally ill. I’m always attracted to people who’ve got a good level of insanity because it’s fascinating to me how on earth people ended up behaving like that. And I loved [director] S.J. [Clarkson]’s vision of it, the kind of “Amelie”-esque kind of style and you just have an intuitive feeling with a character like, Oh, I feel comfortable with wanting to bring many, many different colors to her.

You actually got a sample of the real Mrs. Potter’s perfume made up to get into character. How do details like that help and do you usually go to such lengths to get to the truth of who you’re playing?

I usually do, actually. My son, one of his friends’ mothers is a perfumer and for a few characters now, we discuss the character and she makes up a perfume. It really does help. Obviously, you can’t smell it offscreen — it’s not a scratch-and-sniff performance. But for me it helps because it brings a whole atmosphere. [Recently] I did “Enid” on television [a biopic of the British children’s author during the ’40s and ’50s], which I had sort of this white powder essence and it was such a period smell of its time. Then [for “Toast”], Topaz is this really cheap 1960s perfume that Nigel’s stepmom wore, which bizarrely I wore at lunch once with Nigel and he really was in shock. I could see him go pale because he just thought it was a ghost appearing, in fact it was just the smell.

I think smells like sounds can be so much immediately affecting. I tend to do a smell for each part, really. I’m playing an alcoholic now, so I’m just smelling of bourbon and cigarettes. But I could do a line of perfumes of all my characters. “Harry Potter” was just a mixture of poisonous plants – Belladonna, poison ivy, grass, a sort of wet grass – it’s a horrible smell, but it really does help.

Although the real Mrs. Potter is no longer with us, was it daunting to have Nigel on set and portraying someone from his life?

Because he’s a writer and has written about her, Nigel’s just a fount of detail, so anything I wanted to know, like what kind of magazine or cigarette or lighter [she used], he remembered everything immaculately. Really, I was sort of channeling all the details he sent me. I knew anyway right from the start because I didn’t look anything at all like the real Mrs. P, she wasn’t actually called Mrs. Potter, and it’s not autobiographical – this isn’t a documentary. I said to Nigel, I’m [not] going to be able to play his stepmom because I didn’t look like her and I was going to make different choices. It’s an amalgam of Nigel’s memory of her, but from a child’s point of view and a somewhat biased child’s point of view, [so] what I put into her [was] a seed of the real Mrs. P, but it’s a drama ultimately, so you make the choices that are going to suit the drama and just try and make it more entertaining than feeling you have to be obliged to recreating the truth.

HelenaBonhamCarterToastOpeningCredits_06102011.jpgDid you get to keep the cool box prop with your name on it in the opening credits?

Yeah, I did! [laughs] Wasn’t it great? I love it, particularly because if anyone knows me personally, they know domestic cleaning has never been my strong point, so it’s very ironic — I thought triumphant. And the part did actually introduce me to the joys of Cillit Bang — I don’t know, do you get Cillit Bang there?

No, but I’ve heard you sing its praises before. What is it?

The man who owns Cillit Bang, he’s a multi-billionaire. I think he’s the most wealthy man, practically. It’s a fantastic detergent- literally, it’ll clear anything. It’s so satisfying because I hadn’t really appreciated how therapeutic cleaning was until I was practicing as Mrs. P and using my different detergents. The cause and effect – the instant effect of the clean hall or a kitchen surface, there’s just a sense of well-being. Hmm…and the smells. [laughs as she coos] It was a whole new pleasure for me, a whole new world.

You’re on the set of “Dark Shadows” now, How’s that been going?

It’s only just started. We’re gently getting into it and that’s the ’70s, I just suddenly thought I know this period and funny enough, the woman who made all the film for “Toast” and how to do a lemon meringue pie is doing all the food on “Dark Shadows.” In fact, she taught me how to do pies on “Sweeney Todd,” so Katherine Tidy is responsible for all my cooking in every single film. She was cooking the breakfast because we have a few dinner scenes in this.

I’ve read that your mother, who’s a psychotherapist, often reads your scripts before you decide to take a role. What were her thoughts on playing a psychiatrist in “Dark Shadows”?

Well, I have other problems. [laughs] But no, I’m definitely borrowing from her, seething into the psychiatrist that I’m playing. But [the character’s] got other problems. My mom being a psychotherapist, I’ve been brought up with that whole psychoanalytical terrain. But I’m not sure my mom will feel flattered to know that I’m basing the alcoholic psychiatrist on her, but we’ll see.

Was it Dustin Hoffman who said you always end up playing some member of the family? And it is true. As I get older, I keep recognizing bits of either my mom or my aunt or my granny [in my performances]. As everyone, you do end up becoming your mother, but also as you’re acting, I find out you become every member of your family, bits come out without you really wanting them to come out. My great-grandmother definitely came out of Enid [Blyton in “Enid”]. My mother said, “oh my God, this is unmistakable.” We’ll see with Dr. Hoffman, but it’s fun being a doctor. I get to hypnotize Johnny [Depp] and do all sorts of things to him.

“Toast” will open the “From Britain With Love” series in theaters around the country between June 11th and July 9th, beginning with a run at New York’s Elinor Bunin Monroe Film Center starting June 11th. A full schedule covering dates for all the films around the country can be found here.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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