Has 3D jumped the shark?

Has 3D jumped the shark? (photo)

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Okay, first of all, I have no idea whether it’s “3D” or “3-D.” The article I’m going to quote in a minute from The New York Times uses “3-D,” but movie posters like this, this or this all say “3D.” I’m a man of the people, so I put the question to Twitter: 3-D or 3D? Two out of every three responses I got ignored the question completely and replied “2D!”

In other words: who cares, we hate it either way.

Not a good sign for the movie studios who have invested so much money in the format, which is the point of that Times piece by Brooks Barnes. Apparently “Transformers: Dark of the Moon” director Michael Bay is working overtime to encourage people to see his movie in 3(-)D rather than 2(-)D, despite the increasing public perception that the format is a ripoff. Bay notes that the film was shot in 3D by James Cameron’s “Avatar” crew, and that he adjusted his signature run-and-gun visual style to suit the technical demands of shooting in three dimensions. He told the Times “If this was having my name on it, I was determined to make it technically perfect… we’ve spent an enormous amount of time making sure the eye is transitioned from shot to shot.” According to the article, Paramount spent an extra $30 million shooting “Transformers” in 3D.

I like 3D in theory (yeah, I’m going without the dash, it’s just easier to type). As a single tool in a filmmaker’s toolkit, I think it has a lot of potential. But a lot of things work better in theory than in reality — time travel, supply-side economics, “Star Wars” prequels — and so far 3D is one of them. I’ve enjoyed some of the films shot in 3D, but like most of the people on my Twitter feed, I’ve been burned over and over by movies shot in 2D and then hastily converted to 3D in post production. Since I live in New York City, where a 3D ticket can set you back $18, I’ve been burned more than most.

From the start of the recent 3D craze, there’s been a debate over what a modern 3D movie should be. Should modern 3D have dimensional gimmicks, like the old paddleball in the lens gag? Or should it just present a more immersive experience? To me, if I’m paying extra for something, I want to feel the difference. Maybe the most interesting quote in today’s Times piece comes from Paramount vice chairman Rob Moore.

“The consumer has had a reaction to bad 3D and subtle 3D,” Moore says. “They’re tired of sitting in a theater thinking, ‘Wait, is this movie in 3-D or not?’ Well, with ‘Transformers’ people are going to leave saying, ‘You absolutely must see this in 3-D.'”

“Subtle 3D?” Who wants to pay five dollars for subtlety? By diminishing if not completely rejecting the very thing that made 3D special, the format may have jumped the shark.

The straw that broke the camel’s back for me was “Thor,” which I saw in such dimly projected 3D that I could barely make out what was going on throughout the extended opening action sequence and many of the night scenes. Subtle is one thing; invisible is another. When I saw “Green Lantern” last week to discuss it on The /Filmcast, I did something I had never done before: I actively sought out a 2D screening. I was glad I did; the movie looked clear and bright. I didn’t miss the 3D for a single second.

I’ve heard from some friends that the “Green Lantern” 3D was better than the average post-production conversion job. But I’ve also heard from others that it was just as bad as the rest. Which is part of the problem: there’s so little consistency from theater to theater with these 3D movies. Sometimes you pay extra and get an extra dimension; other times you pay extra for a movie projected blurry and a pair of glasses that bring it into focus. What we need is some sort of consumer guide website devoted to cataloguing the 3D experience at movie theaters, pointing out which ones are doing it correctly and which ones aren’t so that you know where to go to spend your money. For seventeen bucks, you deserve at least three dimensions.

If you’re going to see “Transformers” are you going in 2D or 3D? Let us know in the comments below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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