DID YOU READ

Clarence Clemons, 1942-2011, a saxophone shredder

Clarence Clemons, 1942-2011, a saxophone shredder (photo)

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In a recent piece for Slate called “Bringing Saxy Back: The sax solo returns to pop music,” critic Jonah Weiner connected hits by Katy Perry and Lady Gaga to proclaim that “the saxophone is repopulating” pop music. In earlier decades, the shiny, serpentine cylinder had been a staple, used by everyone from No Wave noiseniks and Lou Reed to red-blooded American rock bands and Elton John. But with the ’90s–or the rise of grunge gruffness and indie irony, countered by the popularity of soft-jazz sax anti-icon Kenny G–the instrument fell out of favor, relegated to bit comedy and very minor musical roles.

Interestingly, Weiner claims that the saxophone suffered during the last two decades because it was wimpy, a one-time rock ‘n’ roll accessory that lacked much of rock ‘n’ roll’s requisite machismo. Better tools could be brandished. “Compare the fanboy hyperbole. A guitarist shreds. What does a saxophonist do? Blow? Cook?” It’s a notion to which any Bruce Springsteen devotee should take umbrage.

Clarence Clemons, who died Saturday in Florida from complications stemming from a stroke he suffered two weeks ago, was a shredder. Despite the PR and personnel troubles Weiner notes of the saxophone during the last 20 years, Clemmons was a commensurate showman, the sweaty, hulking centerpiece that always took high moments only higher. I only saw Clemons play live once, two years ago. I’d never before seen the E-Street Band, despite all the talk I’d heard of how they were a rock unit that couldn’t stop climbing. I was cynical upon going, a disciple upon leaving. When you thought their energy had peaked, they’d somehow get bigger, better, bolder. When I saw the E-Street Band, Springsteen himself crowd-surfed early in the show. That, somehow, was less inspiring than each time the band locked in as a tireless unit, when Van Zandt looked down at his hands, checking himself, while Clemons arched his back and puffed his cheeks to find just the right phrase or howl. Despite the warnings, I wasn’t ready for Clemons, a supreme showman among showmen. After that night, I always assumed I’d have another chance to see the E-Street Band, a touring machine for decades. I won’t, at least not with Clemons. I regret only seeing him once.

At least, as Weiner notes, Clemons lived long enough to see his instrument of choice return to favor. He was a professed Lady Gaga fan who played on two tracks on her latest record, as well as American Idol just before the stroke that finally killed him. What’s more, the saxophone is creeping back into the underground that Weiner suggests helped silence it. Last month, when I interviewed Bon Iver’s Justin Vernon, he talked about the sounds on his new record, including the saxophone. He studied Duke Ellington charts and recruited two modern giants of the instrument, Mike Lewis and Colin Stetson, to make his latest LP. “Colin and Lewis are literally my favorite living saxophone players–like Happy Apple is my favorite jazz group in the world,” he said, speaking with a candor that shut down any ironic winks the record could suggest. What was unhip, then, has returned somewhere near the top, just as the guy who carried the instrument through decades of what otherwise might have been atrophy has died.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
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Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
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Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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