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Brian Cox Arms Up For Directorial Debut “Lady,” Raises Sword For “Ironclad”

Brian Cox Arms Up For Directorial Debut “Lady,” Raises Sword For “Ironclad”  (photo)

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In order to understand what Brian Cox went through on “Ironclad,” one must spoil a climactic plot point in the film, so if you’d prefer to remain unsullied, please dive right into the Q & A. But if not, you should place yourself in Wales in November, where as director Jonathan English recalls, “It was freezing cold, raining, windy as hell and Brian spent most of that day on his knees in the mud with a very thin cotton shirt on” as Paul Giamatti‘s King John berated him for helping lead a revolt against the throne before punishing him. (You can see an exclusive clip from the film here.)

“I was worried in the cold and the wet and having his hands chopped off and him catapulted against castle walls, what’s it going to be like?” English casually remembers now. “And Brian was amazing. He never complained once.” Although the bits about the behanding and the catapult are merely part of the movie magic involved in the gory medieval tale of a group of soldiers who rise up against the king after he’s defied his own signing of the Magna Carta, it’s a refreshing to know that the image of the unshakable Cox that has been cemented into the minds of moviegoers through his roles as diverse as the original Hannibal Lecter in “Manhunter” to the surly headmaster in “Rushmore” and yet again this summer in “Rise of the Planet of the Apes,” is the one he radiates offscreen as well.

BrianCoxIronclad3_06072011.jpgSoon, Cox will actually require that temperament behind the camera as he embarks on his first feature as a director, “Our Lady of Jackson Heights,” which he discussed along with finally working with his one-time student Giamatti on “Ironclad,” his desire to do more onscreen fighting, and the need for more independent British productions in an all-too-brief chat recently.

Do these kind of roles where you’re swinging a sword around hold a special appeal for you?

They’re part of my heritage, really. I used to do a lot of fencing in the theater and a lot of horse riding in the early days, so I’m used to it in a way. Ifyou’re classically trained like I am, it’s a little bit like mother’s milk to me. I enjoy it. And I don’t get the opportunity to do it all that often, so that was one of the fun things about doing it. I wanted to do a lot more fighting than they let me do because of insurance reasons because I’m not a kid anymore. But I had a great time doing it, particularly the riding. Anything to get on a horse.

What’s the challenge for you on a movie like this?

With a relatively independent movie like this, the challenge is to see if we can get it done, given the time that we’ve got to make it in. I think Jonathan did a great job. He’s a great delegator. He had a wonderful director of photography and a wonderful camera operator and a great cast. And a great fight director.

BrianCoxIronclad2_06072011.jpgYou’ve said it was a point of pride for you that this was produced in England.

Also, the fact it was done in Wales. We don’t make the movies that we should make. We’ve never really had an industry back home. And it saddens me in one way because I think the potential that is there is enormous and we’ve missed out on it a little bit to our detriment. I want to see us do more of that kind of movie. But we do need the tax breaks. We do need the studios. We do need the support of the government. We see a lot of what’s happening in Europe like films being made in Prague, Bulgaria, Serbia, films being made everywhere.

In the early days when I started, we had a lot of great people around and we could do amazing stuff with very little budgets and I’d like to see that happen again. That was what was so good about working in Wales – the problem is always the weather, but especially [for] a film like this, it was actually the best kind of weather to be working in because in fact, it’s very real. These guys did fight these battles and wear these kinds of costumes and they were soaking wet. Not only were you wielding your sword and dealing with somebody who was wearing 150 pounds of armor, the terrain was pretty primitive. So in a sense when you get those elements together, it’s quite exciting.

It also must’ve been exciting to work with Paul Giamatti, who you once taught in a Shakespeare class many years earlier.

I did. Well, Paul is astonishing. He really is astonishing. The big speech that he has, he did it in one take. He didn’t even have any rehearsal, he just came in and hit the ground running.

Did you remember him as a good student?

Oh yeah. He was always very quiet. He’s very self-effacing. His focus is the work and always has been.

Is it true you’re thinking of making your directorial debut soon with “Our Lady of Jackson Heights”?

Yes. Well, I’d been trying to direct for a long time and this is written by an old friend of mine, Mickey Abbate. It’s a slight reworking of “Oliver Twist,” except it’s set in New York and it’s about these kids dealing this drug called “Numb” — instead of pickpockets, they’re runners of this drug and it’s about the kind of subculture.

Does it feel like the right time to get behind the camera?

I’ve tried to make a film for many years and it didn’t happen. I’ve always wanted to make a film. Charles Laughton, who’s a great hero of mine only ever made one film and it happens to be one of the great films ever, which is “The Night of the Hunter.” It’s full of his kind of imagination and creation and how you do things and just in the way he used the studio, I just thought it was a fantastical way of using the studio.

I’ve directed a couple of times in the theater, but I wouldn’t make a habit of it because it’s too consuming. I admire these young directors who kind of work for 10, 12 years on a movie. I worked with Rupert Wyatt and it took ages for him to get a movie made [with “The Escapist”] and then we finally got his movie made. I worked on that for three years [both as an actor and producer]. Again, [“Our Lady of Jackson Heights”] is a dark subject. It has Dickensian tones to it, but I think it’s a really, really interesting film, so hopefully we’re going to try to get it made this winter.

“Ironclad” is now available on VOD and will open in theaters on July 8th.

Will you want to see Brian Cox make his directorial debut? Let us know in the comments below or on Twitter or Facebook.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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