This browser is supported only in Windows 10 and above.

DID YOU READ

“Beautiful Boy,” Reviewed

“Beautiful Boy,” Reviewed (photo)

Posted by on

“Beautiful Boy” is tough in every sense of the term. A film that deals with the aftermath of a school shooting from the perspective of the parents who raised the assailant, it’s the type of subject matter that would rather be left unexplored by most and doesn’t go out of its way to suggest you sympathize with Kate and Bill (Maria Bello and Michael Sheen), a couple in the suburbs who already sleep in separate rooms after their son Sammy (Kyle Gallner) has left for college.

Keeping up the charade of a connected family has become an afterthought for both parents and son — Sammy barely registers interest when Kate calls to suggest they take a vacation together to Miami after school finishes up and Bill takes his dinner alone in the afternoon after telling Kate, “I think you’re putting a lot of pressure on one vacation.” As it turns out, they never do make it to the beach and one of the most interesting aspects of Michael Armbruster and Shawn Ku’s script is that the cause of the family’s collective unhappiness isn’t dwelled upon, dissipating from the moment an officer arrives at their door to inform them that there’s been a shooting at their son’s college and Kate’s collapse into tears as soon as she hears ominously, “There’s more…”

As a story, “Beautiful Boy” depends on those two words, perhaps too much as its 100-minute running time wears on, since the grieving process isn’t all that cinematic, especially when it’s in the service of a suicidal mass murderer. Yet as a director, Ku often literally gets out of the way of his performers to show the emotional and logistical steps the parents must take to accept their loss and reclaim the lives before, even if they know what they’re going back to is equally unsettled.

MichaelSheenBeautifulBoy_05302011.jpgOwing a debt to the likes of Paul Greengrass, the camera hides behind in corners, from the backseats of cars or over the shoulders of its characters, catching moments, rather than seeking them out, an approach that makes Bill weeping in the shower or Kate’s confusion at hearing a description of her son on television feel tastefully observed rather than mawkishly manipulative. The work of cinematographer Michael Fimognari, who also did an impressive job with the low-budget frat hazing thriller “Brotherhood,” unexpectedly leads to the film’s bravura moment – an unmediated fight in a hotel room between the two, who are forced into seclusion by the media attention – which is unedited and unhinged from any stationary position, as if it’s finally out in the open along with the thoughts of the parents who cling onto memories of who they remember they once were while no longer recognizing the person in front of them.

Bello and Sheen are equally fearless in their performances, though the limitations of their characters’ circumstances and ultimately, the predictability of the story conspire to result in something stagey, where their raised voices drown out a gently constructed narrative when a subtle expression would do. There’s no doubt this is what Ku asked for – the film’s introduction with Sammy reading an essay outlining the potential trouble ahead suggests that there will be punctuation marks instead of periods at the end of “Beautiful Boy” and when they start arriving, it becomes obvious the premise has worn thin, leaving Bello and Sheen with little to play but the broadest of emotions. However, they never resort to playing the victim, a quality that sets “Beautiful Boy” apart, even if it can only stay above the fray for so long.

“Beautiful Boy” opens in New York and Los Angeles on June 3rd.

Do you want to see “Beautiful Boy”? Let us know in the comments below or on Twitter or Facebook

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.