DID YOU READ

“Beautiful Boy,” Reviewed

“Beautiful Boy,” Reviewed (photo)

Posted by on

“Beautiful Boy” is tough in every sense of the term. A film that deals with the aftermath of a school shooting from the perspective of the parents who raised the assailant, it’s the type of subject matter that would rather be left unexplored by most and doesn’t go out of its way to suggest you sympathize with Kate and Bill (Maria Bello and Michael Sheen), a couple in the suburbs who already sleep in separate rooms after their son Sammy (Kyle Gallner) has left for college.

Keeping up the charade of a connected family has become an afterthought for both parents and son — Sammy barely registers interest when Kate calls to suggest they take a vacation together to Miami after school finishes up and Bill takes his dinner alone in the afternoon after telling Kate, “I think you’re putting a lot of pressure on one vacation.” As it turns out, they never do make it to the beach and one of the most interesting aspects of Michael Armbruster and Shawn Ku’s script is that the cause of the family’s collective unhappiness isn’t dwelled upon, dissipating from the moment an officer arrives at their door to inform them that there’s been a shooting at their son’s college and Kate’s collapse into tears as soon as she hears ominously, “There’s more…”

As a story, “Beautiful Boy” depends on those two words, perhaps too much as its 100-minute running time wears on, since the grieving process isn’t all that cinematic, especially when it’s in the service of a suicidal mass murderer. Yet as a director, Ku often literally gets out of the way of his performers to show the emotional and logistical steps the parents must take to accept their loss and reclaim the lives before, even if they know what they’re going back to is equally unsettled.

MichaelSheenBeautifulBoy_05302011.jpgOwing a debt to the likes of Paul Greengrass, the camera hides behind in corners, from the backseats of cars or over the shoulders of its characters, catching moments, rather than seeking them out, an approach that makes Bill weeping in the shower or Kate’s confusion at hearing a description of her son on television feel tastefully observed rather than mawkishly manipulative. The work of cinematographer Michael Fimognari, who also did an impressive job with the low-budget frat hazing thriller “Brotherhood,” unexpectedly leads to the film’s bravura moment – an unmediated fight in a hotel room between the two, who are forced into seclusion by the media attention – which is unedited and unhinged from any stationary position, as if it’s finally out in the open along with the thoughts of the parents who cling onto memories of who they remember they once were while no longer recognizing the person in front of them.

Bello and Sheen are equally fearless in their performances, though the limitations of their characters’ circumstances and ultimately, the predictability of the story conspire to result in something stagey, where their raised voices drown out a gently constructed narrative when a subtle expression would do. There’s no doubt this is what Ku asked for – the film’s introduction with Sammy reading an essay outlining the potential trouble ahead suggests that there will be punctuation marks instead of periods at the end of “Beautiful Boy” and when they start arriving, it becomes obvious the premise has worn thin, leaving Bello and Sheen with little to play but the broadest of emotions. However, they never resort to playing the victim, a quality that sets “Beautiful Boy” apart, even if it can only stay above the fray for so long.

“Beautiful Boy” opens in New York and Los Angeles on June 3rd.

Do you want to see “Beautiful Boy”? Let us know in the comments below or on Twitter or Facebook

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.