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Toni Collette’s “Mental” Note and the Wave of ’90s Nostalgia Soon Hitting Theaters

Toni Collette’s “Mental” Note and the Wave of ’90s Nostalgia Soon Hitting Theaters (photo)

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Toni Collette is returning to Australia to work with director PJ Hogan for the first time since the two collaborated on their breakthrough film “Muriel’s Wedding” 17 years ago on a comedy called “Mental,” in which Collette is expected to star as a caretaker for a politician’s family of seven that has recently seen their matriarch admitted into the psychiatric ward. The film will not only serve as Hogan’s first in his native country since “Muriel’s,” but it’s also the latest indie production to suggest that soon audiences could relive the glory days of ’90s, or at least enjoy a nostalgic kick of seeing many of its filmmakers reunite.

Late twentysomethings, you knew this day was coming with the pop cultural markers all around. For years, you’ve had a fond spot in your heart for “The Goonies,” A-Ha and “Choose Your Own Adventure” books, but could only embrace it at a remove from those children of the ’70s that started developing their own personal tastes in their teens and you could only watch as the “Star Wars” prequels, “Indiana Jones and the Kingdom of the Crystal Skull” and even as recently as “The Expendables” sent ripples through the spines of hardwired movie geeks that saw their progenitors in theaters rather than from worn VHS tapes.

Personally, I began to worry/anticipate this day as early as 2003 when 1987’s “Can’t Buy Me Love” was remade with a racial twist into the Nick Cannon-Christina Milian romcom “Love Don’t Cost a Thing,” but this year alone, it’s a group of films with far better pedigrees that’ll start to filter through theaters possibly as soon as this fall when Whit Stillman’s “Damsels in Distress” will mark the first film from the “Metropolitan” director in more than a decade, updated to include current indie darling Greta Gerwig as a college student who falls in with a clique that aims to treat their depressed peers.

Then “Clueless” fans can expect their day of reckoning with “Vamps,” the romantic comedy that once again puts Alicia Silverstone at the center of an Amy Heckerling production where she’ll play a bloodsucker alongside Krysten Ritter who has trouble with her lovelife. And it was recently announced in Austin that cameras are rolling on a remake of Richard Linklater’s seminal 1991 film “Slacker,” backed by the Austin Film Society, which commissioned a host of local filmmakers ranging from collectives such as the Alamo Drafthouse, who came up with the idea, and the University of Texas’ Reel Women chapter to veteran helmers such as Jay Duplass (“Cyrus”) and Bradley Beesley (“Fearless Freaks”) to recreate scenes from the landmark film. The film is already scheduled to premiere in Austin on August 31st with Linklater in attendance, all to benefit the very worthwhile Texas Filmmakers Production Fund.

It isn’t limited to films – this year alone will see the return of rock bands Soundgarden and a reinvented Sublime, now called Sublime with Rome (a reference to the lead singer that’s replaced the late Bradley Nowell), but apparently 20 years has been decided upon as the right time to recycle pop culture. For “Arrested Development” fans waiting for the long-rumored movie version or the next White Stripes album, you may want to set your clocks for 2020.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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