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Celebrate Summer With Our Favorite “Summer Movies”

Celebrate Summer With Our Favorite “Summer Movies” (photo)

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Memorial Day weekend marks the unofficial start of summer and the unofficial start of summer movie season. And when we say “summer movies” we typically mean the sort of stuff released during the summer: big, noisy, expensive blockbusters. But earlier today on his blog, Roger Ebert posted a great old episode of “Siskel and Ebert,” where the guys, dressed in their wackiest Hawaiian shirts, celebrated what they called “the movies of summer.” In other words, movies set in summer, or evocative of our own personal memories of summer.

True to form, many of their choices are deeply personal and highly eclectic: for example, instead of picking one of their classic beach movies, Siskel goes for Frankie and Annette’s reunion movie “Back to the Beach.” With my mind already on the warm weather, I thought I would chime in with a few more favorite “movies of summer.” And following their lead, these picks are completely subjective. When I think of “summer movies,” I think of these admittedly off-beat choices.


1. “Die Hard With a Vengeance” (1995)
Directed by John McTiernan

It’s all about those opening credits and that first scene, which rocked me back in my seat when I saw this film for the first time sixteen years summers ago. The Lovin Spoonful’s “Summer in the City” plays over steamy shots of Manhattan, culminating with the sudden explosion of bomb in a department store. “Die Hard With a Vengeance” is probably the third best “Die Hard” film, and I couldn’t possibly defend it as an objectively “good” movie. But my memories of going to see it and loving it as a kid back in May of 1995 are so strong. It’s the very first movie that came to mind when I began thinking about this piece. And it’s a great summer movie in both senses of the term —
all the frantic chases, fight scenes, and high-energy stunts leave you just as frazzled and overheated as John McClane.


2. “Body Heat” (1981)
Directed by Lawrence Kasdan

Maybe because of my overactive sudoriferous glands, summer makes me think of sweat. And in the context of movies, sweat makes me think of “Body Heat,” one of the few movies where the characters wear sweat stains loudly and proudly, like badges of honor. Clearly, Lawrence Kasdan didn’t work out any kind of product placement deal with an anti-persperant company for this movie; William Hurt spends half the movie with his shirt slick with perspiration and Florida humidity. He spends the other half naked Kathleen Turner, while the two plot to kill Turner’s wealthy husband in the middle of a brutal summer heatwave. “Body Heat” captures the way high temperatures can make any of us go a little crazy, with lust or with hatred. And it makes sweat, something I typically assign negative connotations, genuinely sexy.


3. “Before Sunset” (2004)
Directed by Richard Linklater

I’m not honestly sure when during the year “Before Sunset” takes place. It’s been a while since I’ve seen it, and looking at the trailer as Ethan Hawke and Julie Delpy stroll through the streets of Paris, we see fallen leaves at their feet, suggesting it’s probably September or October. But regardless of when “Before Sunset” is actually set, it feels like it’s set on one of those perfect summer days, when the air is warm but crisp and there’s a light breeze in the air. Thinking about that movie always evokes summer for me: I saw it for the first time on a broiling summer day with the woman who’d eventually become my wife and the imagery the movie calls to mind — those beautiful strolls through Paris, that amazing late afternoon light — gives me flashes of sense memory from my own life, back to meeting strange and exciting new people in my own travels, playing the guitar at friends’ apartments, nighttime walks in the city, and falling in love over a good conversation.


4. “Wet Hot American Summer” (2001)
Directed by David Wain

I never went to sleepaway camp, and I was sheltered from all the slasher movies and raunchy comedies set around sleepaways until I was older. So the phrase “sleep away camp” harkens to my mind the images from a film that makes fun of all those other movies, 2001’s “Wet Hot American Summer.” The movie was actually filmed during a real sleepaway camp’s off-season, when it was plenty wet (you can see rain falling outside cabin windows on several occasions) but not especially hot. Still, even if David Wain and his crew don’t really capture the literal atmosphere of New England summer, they do manage to capture the emotional atmosphere of those bygone days, capturing through their absurd humor and deadpan non-sequitors some of the sparkle of young love, or at least the dumb first crushes that feel like the end of the world when they don’t pan out. Even though “Wet Hot” features some really dark jokes, it’s tone is still sweetly innocent. Though they make fun of camp movies, Wain and the rest also seem to wish they could go back and relive their youths (even though the cast is all far too old for their roles, they all play them anyway, probably to get a little taste of fulfilling that wish). Also: for a silly movie, the opening credits, set around a campfire to Jefferson Starship’s “Jane,” sure are legitimately cool.


5. “The Sandlot” (1993)
Directed by David Mickey Evans

One of the interesting observations Siskel and Ebert make on their “Movies of Summer” show is that summer movies almost always seem to be set in the past, and tap into our feelings of nostalgia for the innocence of our childhoods. Summers as an adult never mean as much as summers as a kid. As an adult, summer basically means one week vacation and more uncomfortable commute to work. But for a kid, summer represents a brief taste of genuine freedom. All of that’s true certainly about “The Sandlot,” a movie so fond of the past that it’s structured as a warm remembrance in the mind of one of the main characters, who flashes back to the summer of 1962 — “the best summer of my life,” he says — the year when he moved to a neighborhood near Los Angeles and fell in with a group of kids who play a daily game of baseball on a local sandlot field. As a kid, this charming story entertained me to no end. Of course, now I realize it is nostalgic in the comical extreme: the entire flashback occurs in the midst of the most critical game in the Los Angeles Dodgers’ season. The narrator is the radio announcer for the Dodgers and his best friend plays for the team. Instead of basking in the fact that they’ve both wound their way through life to get to this incredible spot, he spends the entire movie looking back at their childhoods. And as a kid, I thought this was just about the coolest movie ever.


Well, how about it? Those are my five; what are your favorite “movies of summer?”

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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