DID YOU READ

Sony Reveals Sci-Fi Western “Starhawk” for PS3

Sony Reveals Sci-Fi Western “Starhawk” for PS3  (photo)

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The two genres may look like they’re lightyears apart but the Western’s actually influenced scienc-fiction from the latter’s earliest days. Star Trek famously began as a embryonic pitch for a “Wagon Train”-style show in space and the whole steampunk subgenre owes itself to anachronistic engineering advances happening before they were supposed to.

So, Sony Computer Entertainment’s just-announced “Starhawk” stands in a long tradition of howdy, partner/warp drive entertainment. The PS3 manufacturer showed off the game to a crew of journalists in Austin last week at the city’s famous Alamo Drafthouse theater. In addition to being home to the Lightbox Interactive development studio that’s making the game, Austin’s a city that celebrates the frontier spirit of the Old West, making it a perfect fit for “Starhawk.”

EmmettGraves.jpgThe game takes place in a far-future reality where humanity’s spread out to the stars. The push into space discovers new elemental resources. One such resource, a transdimensional force called rift energy, also goes by the name “blue gold.” The hunt for blue gold created a frenzied social mania called the Rush, where everyone’s trying to get rich off of the valuable element. But, working with rift energy is dangerous and prolonged exposure can cause human beings to mutate in freakish husks called Outcasts. Outcasts become horribly disfigured and worship the huge dimensional tears where rift energy flows from. Since outcasts hold blue gold as sacred, the human rift miners trying to lay claim to it come in constant conflict with the Outcasts, who scavenge technology and weaponry from their former human lives.

Lead character Emmett Graves is one such prospector, traveling to distant planets in search of blue gold with his tech-savvy partner Sidney Cutter. But a horrible accident exposes Graves to dangerous levels of rift energy, but instead of mutating, he lives in a tenuous state of near-explosion. Cutter builds a regulator that Graves wears to stabilize the blue gold coursing through his body. The game opens as Graves and Cutter take on a contract on a small moon named Dust. In the single-player section of “Starhawk”I played, Graves gets into a running gunfight with the Outcasts. You don’t use cover in “Starhawk,” and have stay constantly on the move in order to stay alive. Lightbox take a slightly different approach to enemy AI in the game, attaching the bad guys’ awareness to an environmental radius. So, the Outcast roam throughout a territory and, if you start to fight on the periphery, they’ll swarm to your location. It’s different than path-based game design enemy movements are more predictable. It’s tougher to prepare for a fight if you don’t know exactly when it’s going to happen.

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The other key mechanic of “Starhawk” is the Build-&-Battle system. While players fight off scabs (the derisive name for Outcasts) At the end of the first skirmish of the level I played, I planted a blue gold extractor and secured an area. This gives you points to spend on battlefield assets. Before the next wave of Outcasts came, I got time to drop a tower that would spawn computer-controlled human partner characters who helped me fight off the mutates. You can also build pod bunkers that spawn weapons for you and your AI partners to use or towers that serve as launchpads for Hawks, the giant, tank-like mech suits that you can get in and fly around in. The AI seems pretty clever at this point: they’ll jump into empty vehicles and head to objectives and will base their engagement of enemies on how you play. So, if you stay on the ground to fight the Outcast, they’ll follow suit. Jump into a Hawk to rain death on your oppponents and they’ll do the same. The combo of Build-&-Battle and the AI programming allows for a nice scalability of strategy. You can play at a bit of a remove, building assets to the point where you don’t need to fire a bullet yourself and let your Rift Miner allies do all the work. Or you can get you hands dirty and let the AI follow your lead to provide back-up.

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All these principles follow through to the multiplayer portions of “Starhawk,”too. Groups of players will face off as either Outcast or Miner, with each player able to build assets. But, each side shares a pool of points so that there needs to communication and management. During some of the session, my side had built too many vehicle garages and didn’t have enough points to build a Hawk tower. The humans we were fought against didn’t make the same mistake, building enough Hawk towers to trounce us soundly. The maps we played on seemed big enough to contain lots of action but not so sprawling as to feel desolate.

Lightbox makes no apologies as to their use of Western tropes in the making of “Starhawk.” But, since they’re making a big game full of reckless battles on a lawless frontier, the DNA fits, even if it is flying tanks you ride instead of horses. They’re not talking much about the game’s single-player storyline yet, preferring to leave the mystery of what the larger purpose of Graves’ continued blue gold-infused existence will be. Where “Starhawk” feels most promising, though is in the fusion of styles and ideas it brings together. It’s got the immediate action of a third-person run-and-gun shooter, the strategy of a tactics title and the methodical planning of a tower defense game. It looks gritty and shiny at the same time, too, making the most of the PS3’s processing hardware. I can’t say that “Starhawk” a surefire winner yet, but I like what I’ve seen so far to keep it on my radar moving forward.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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