Five Things to Look Forward to at the 2011 Seattle Film Festival

Five Things to Look Forward to at the 2011 Seattle Film Festival (photo)

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It would be easy to call the Seattle Film Festival a “best of fest,” a collection of the world’s most impressive films culled from nearly every festival that happened since the 36th edition of the festival ended last June. In purely relative terms, Seattle doesn’t boast a ton of world premieres amongst the 441 films they’ll show during the next 25 days, though SIFF definitely has more than most other festivals half their size. Instead, they bring the world to their doorstep with an unparalleled array of international and regional cinema that makes it a rare and precious event unto itself. Unfortunately, I have just a weekend in Pacific Northwest, where I’ll be reporting from over the next week, but given the amount of films we’ve already seen at other festivals, we can certainly make some recommendations for the fest, which kicks off tonight with a premiere of the drama “The First Grader” and continues through June 12th. (A full schedule can be found here.)

– The festival will pay tribute to Ewan McGregor on May 22nd with the “Trainspotting” actor onhand to discuss his career following a screening of his latest film “Beginners,” which will also bring out writer/director Mike Mills. The honor couldn’t come at a more appropriate time since McGregor’s on a roll and not only will the festival show oldies but goodies “The Pillow Book” in advance of his arrival on May 20th and “Moulin Rouge!” on May 22nd, they’re also screening “Perfect Sense,” his latest collaboration with “Young Adam” director David Mackenzie straight from Sundance that’s a romance set against the onset of a worldwide outbreak of a mysterious virus that robs people of their senses. Unfortunately, the festival itself was robbed of its planned tribute to Al Pacino when he was nominated for a Tony Award, so the McGregor tribute will be an even more exclusive opportunity to hear an actor talk about his craft at the fest.

ToyStoryHawaiianVacation_05182011.jpg-The sheer size of the Seattle Film Festival allows for experiences well beyond the average movie. Angelenos already know about the wonders of Shadoe Stevens’ remixes of film soundtracks from his frequent stops at the Cinefamily, but he’ll be treating folks up north to his E.L.O.-scored version of Douglas Fairbanks’ “The Thief of Baghdad” on May 26th. Meanwhile, cinephiles will appreciate the May 28th screening of all 270 minutes of Portuguese director Raul Ruiz’s historical epic “Mysteries of Lisbon” while families will surely crowd the AMC Pacific Place on May 22nd when the festival will have representatives from Pixar onhand to present the American premiere of a new “Toy Story” short “Hawaiian Vacation” as well as footage from “Cars 2.”

However, the two films that I can vouch for as films to catch on the big screen – or in one case, the really big screen – are Sean Casey’s doc “Tornado Alley” (June 4th and 6th), which sees the “Storm Chasers” star take his act to IMAX as he captures the wonder and devastation of being inside the eye of the storm, and Will Eubank’s “Love” (May 21st, 22nd and June 11th), a sci-fi epic scored by Angels & Airwaves that toggles between the grandeur of outer space and the grit of a Civil War battlefield when an astronaut staves off loneliness by reading the journal of a soldier. Both have incredible stories behind them, as interviews I did with Casey and Eubank attest, and are well worth checking out in the special setting only a festival can provide.

Submarine_05182011.jpg– Two films that would’ve made my top 10 list last year if they had opened in the three months after they premiered at the Toronto Film Festival will just have to wait for this year’s list, though audiences in Seattle won’t have to be as patient to see them. This weekend, “IT Crowd” star Richard Ayoade is scheduled to accompany his beautiful and brilliant directorial debut “Submarine” to the festival before it opens in limited release on June 3rd. Of the proud British tradition of “Angry Young Men” films, except for the fact its protagonist is but a mere 15 years old, “Submarine” is a rare coming-of-age story that feels completely original even as it burrows deep into one’s nostalgia for the recounting of Oliver Tate’s first love, which corresponds to the marriage of his parents (Sally Hawkins and Paddy Considine) falling apart. The film screens May 20th and 22nd.

And while we’re on the subject of sharply funny and expertly observed films, Seattle will also host Spanish madman Alex de la Iglesia’s latest, “The Last Circus,” which follows the story of a man deigned from his youth to be a sad clown under the big top and seeks revenge for his lowly role as the sidekick to the happy (but evil) clown who keeps the acrobat that the sad clown covets under his thumb. For whatever reason, de la Iglesia hasn’t found the same international acclaim as his compatriot Pedro Almodovar, but he’s quite worthy of comparison both in terms of his skill as a filmmaker and his wild tendencies. “The Last Circus” screens on May 28th and 31st.

Without hesitation, we can also suggest Tom Twyker’s highbrow but slightly sleazy love triangle drama “3 (Drei)” (May 20th and 21st), Mike Ott’s modest fish-out-of-water tale “Littlerock” (May 27th and 28th), Rachid Bouchareb’s Oscar-nominated gangster flick “Outside the Law” (May 20th and 28th), Evan Glodell’s epic breakup thriller “Bellflower” (June 1st and 2nd), Dave Boyle’s lovely, delicate road trip comedy “Surrogate Valentine” (May 29th and 30th), and the Swedish black comedy “The Sound of Noise” (June 5th and 9th) about musical terrorists. In the days ahead, expect many more.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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