This browser is supported only in Windows 10 and above.

DID YOU READ

“Make Believe,” Reviewed

“Make Believe,” Reviewed (photo)

Posted by on

At one point in “Make Believe,” the mother of the aspiring 17-year-old magician Krystyn Lambert describes her daughter as finding a home in magic since “it’s a little world of oddballs.” Ordinarily, Krystyn wouldn’t fit the profile. Compared at one point to Britney Spears for a combination of looks and talent, the blonde from Malibu who serves as student council president at her high school wouldn’t appear to be an outsider, but in fact she’s clearly set apart in her drive.

J. Clay Tweel’s documentary tries its best to suggest otherwise, but “Make Believe” isn’t so much about a group of teenagers trying to find their way in the world as it is about the fact that they already know where they’re going. As older magicians such as Lance Burton and Ed Alonzo (best remembered as the Max’s resident illusionist on “Saved by the Bell”) explain throughout its 90-minute running time, the dexterity to perform split fans of cards and sleight of hand with ping-pong balls only comes with time, which incidentally is the one thing these kids haven’t had.

Still, the best of the best congregate every year in Las Vegas to compete at the World Magic Seminar, an event that brings out young magicians from across the globe, six of whom are profiled by Tweel before the third act gives way to a traditional competition doc. Whether the kids are from Japan, Cape Town, or Chicago, they not only find a common language in performing, but support each other and are supported by their families, some of whom are more than happy to allow their brood to forgo college plans, at least for a little while, to pursue magic.

The unexpected result is a film that’s actually less about generating dramatic tension about who will be crowned Teen World Champion or whether the subjects, all charismatic even without carrying around a deck of playing cards in their back pocket, will actually be able to make a career of it, than it has to do with the community that’s formed and the infrastructure in place to allow them to develop their skills away from the outside world.

In South Africa, Siegfried and Roy have sponsored a College of Magic for the past 20 years where we meet Siphiwe Fangase and Nkumbuzo Nkonyana, two teens who perform magic to escape the daily crime that plagues their streets. Likewise, Derek McKee, the youngest of the bunch, is taken in by the shopkeeper at a local magic shop in Littleton, Colorado to hone his craft and confront his personal shyness. Of course, Tweel milks the inherent warmth and surprise of seeing adolescents discover something they can own for themselves for the first time and then finding out that others share their passion, but there’s a possibly unintended yet interesting subtext of how insular the magic community can be and how it struggles to expand.

Although the film literally goes to great lengths to show how international a community it is, “Make Believe”‘s most fascinating sequence isn’t when the young magicians are on stage, but off of it at the World Magic Seminar where it isn’t lost on the audience that the event shares a marquee with Engelbert Humperdinck.

when the camera catches Magic Castle Jr. program founder Debra Zimmerman exalting Japanese sensation Hiroki Hara’s performance and the camera catches the normally poised Lambert wear a variety of expressions on her face from forced pleasantry to frustration and possible disappointment over her own performance as she’s made to wait awkwardly by the stage door. (Within the film, it arrives after Zimmerman suggested Lambert could be a superstar back in Los Angeles.) It’s hard to decide if Lambert was just caught off-guard since the film’s cinematography adheres pretty strictly to having a central focus, but it’s both a reminder that despite their age, these teen performers belong to a very adult world.

The scene is a rare glimpse at something that isn’t entirely positive and promotional about magic in “Make Believe,” and it would probably serve the film better if it allowed for more – after all, there’s surely some interesting territory to cover about young people drawn to a craft that’s based on mystery and deception, which is handled here in only the most kid-friendly terms. Yet taken on its own, “Make Believe” is entertaining enough purely from sharing in the joy of its stars, making sure that something permanent and good remains even in a medium where most everything is meant to disappear.

“Make Believe” opens in New York on May 13th and Los Angeles on May 25th. The film is also currently airing on Showtime.

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.