DID YOU READ

“Make Believe,” Reviewed

“Make Believe,” Reviewed (photo)

Posted by on

At one point in “Make Believe,” the mother of the aspiring 17-year-old magician Krystyn Lambert describes her daughter as finding a home in magic since “it’s a little world of oddballs.” Ordinarily, Krystyn wouldn’t fit the profile. Compared at one point to Britney Spears for a combination of looks and talent, the blonde from Malibu who serves as student council president at her high school wouldn’t appear to be an outsider, but in fact she’s clearly set apart in her drive.

J. Clay Tweel’s documentary tries its best to suggest otherwise, but “Make Believe” isn’t so much about a group of teenagers trying to find their way in the world as it is about the fact that they already know where they’re going. As older magicians such as Lance Burton and Ed Alonzo (best remembered as the Max’s resident illusionist on “Saved by the Bell”) explain throughout its 90-minute running time, the dexterity to perform split fans of cards and sleight of hand with ping-pong balls only comes with time, which incidentally is the one thing these kids haven’t had.

Still, the best of the best congregate every year in Las Vegas to compete at the World Magic Seminar, an event that brings out young magicians from across the globe, six of whom are profiled by Tweel before the third act gives way to a traditional competition doc. Whether the kids are from Japan, Cape Town, or Chicago, they not only find a common language in performing, but support each other and are supported by their families, some of whom are more than happy to allow their brood to forgo college plans, at least for a little while, to pursue magic.

The unexpected result is a film that’s actually less about generating dramatic tension about who will be crowned Teen World Champion or whether the subjects, all charismatic even without carrying around a deck of playing cards in their back pocket, will actually be able to make a career of it, than it has to do with the community that’s formed and the infrastructure in place to allow them to develop their skills away from the outside world.

In South Africa, Siegfried and Roy have sponsored a College of Magic for the past 20 years where we meet Siphiwe Fangase and Nkumbuzo Nkonyana, two teens who perform magic to escape the daily crime that plagues their streets. Likewise, Derek McKee, the youngest of the bunch, is taken in by the shopkeeper at a local magic shop in Littleton, Colorado to hone his craft and confront his personal shyness. Of course, Tweel milks the inherent warmth and surprise of seeing adolescents discover something they can own for themselves for the first time and then finding out that others share their passion, but there’s a possibly unintended yet interesting subtext of how insular the magic community can be and how it struggles to expand.

Although the film literally goes to great lengths to show how international a community it is, “Make Believe”‘s most fascinating sequence isn’t when the young magicians are on stage, but off of it at the World Magic Seminar where it isn’t lost on the audience that the event shares a marquee with Engelbert Humperdinck.

when the camera catches Magic Castle Jr. program founder Debra Zimmerman exalting Japanese sensation Hiroki Hara’s performance and the camera catches the normally poised Lambert wear a variety of expressions on her face from forced pleasantry to frustration and possible disappointment over her own performance as she’s made to wait awkwardly by the stage door. (Within the film, it arrives after Zimmerman suggested Lambert could be a superstar back in Los Angeles.) It’s hard to decide if Lambert was just caught off-guard since the film’s cinematography adheres pretty strictly to having a central focus, but it’s both a reminder that despite their age, these teen performers belong to a very adult world.

The scene is a rare glimpse at something that isn’t entirely positive and promotional about magic in “Make Believe,” and it would probably serve the film better if it allowed for more – after all, there’s surely some interesting territory to cover about young people drawn to a craft that’s based on mystery and deception, which is handled here in only the most kid-friendly terms. Yet taken on its own, “Make Believe” is entertaining enough purely from sharing in the joy of its stars, making sure that something permanent and good remains even in a medium where most everything is meant to disappear.

“Make Believe” opens in New York on May 13th and Los Angeles on May 25th. The film is also currently airing on Showtime.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.

SAE SDCC 2017

SDCC OMG

Stan Diego Comic-Con

Stan Against Evil returns November 1st.

Posted by on
Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.