DID YOU READ

“Louder Than a Bomb,” Reviewed

“Louder Than a Bomb,” Reviewed (photo)

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I own hundreds of books and not a single one of or about poetry. I have no favorite poets or poems. I can’t and don’t write poetry. Basically, there are few things I enjoy less in this world than poetry, something that will probably come as no surprise to anyone familiar with the assortment of poop jokes, “Seinfeld” references, and comic book-isms that I call writing. I am such a Philistine, I may as well be from Philistia. I say this not to boast (I’m frankly a little ashamed), but so you understand my approach to the documentary “Louder Than a Bomb,” a film about high school poets. And that approach was this: an open mind and complete and total disinterest. So if this movie can win me over, it can win anyone over.

This movie won me over.

And, yes, much of these kids’ poetry is good; some of it very good, some of it transcendently good. But even before I connected with their words, I connected to their struggle, which is a universal one for kids of a certain affliction, namely awkwardness, sensitivity, empathy, a love of art, and all the assorted other characteristics that make certain kids outsiders. Some of the teenagers in the film come from privilege, others from poverty. But they all share the same passion to find their voice and their place in the world. I could relate to that. I never wrote poetry in high school — other than that really awkward one about Spider-Man written from the perspective of his identical clone — but I could relate to that.

The film’s structure will look familiar to anyone who’s seen “Spellbound,” “Wordplay,” or any of the other recent documentaries about the fascinating and sometimes eccentric personalities that coalesce around unusual intellectual competitions. In this case that competition is Louder Than a Bomb, the world’s largest high school poetry slam contest. Directors Jon Siskel and Greg Jacobs focus on four students from four different high schools battling for top prize, exploring their lives and motivations and then follow their journey through said competition. I don’t know how they found this topic or selected their subjects, but they did a phenomenal job. These kids are brilliant, charming wordsmiths, passionate performers and wise beyond their years.

My favorite was Nate Marshall, who truly embodies LTAB’s philosophy that “the point is not the points; the point is the poetry.” Marshall, from “as South as you can possibly be” in South Chicago, in a neighborhood where he can stand in one place and point out the places where he’s been jumped, has spent six years competing in poetry slams, not for the adulation or thrill of victory, but for the sheer love of the art form. Now in his senior year of high school, Marshall worries less about his chance to finally win Louder Than a Bomb than instilling his passion for and knowledge of slam in the next generation of poets at his school, Whitney Young Magnet High. In the way that he generously gives to others, cares for his family, acts as surrogate father or big brother or uncle for whoever needs him, and expresses himself with beauty and clarity, Marshall is an mensch. I’ve got maybe a dozen years on this kid and sat watching him in this film, jaw dropped, eyes moist, thinking to myself, “I want to be Nate Marshall when I grow up.”

I would bet that most people who see this film will feel a similar way. My only critique of Siskel and Jacobs’ work would be their time management. Any slam poet knows pacing is key, and Siskel and Jacobs’ isn’t always ideal. They follow four high schools, but they lose a couple of them for long stretches of the film. Their clear favorites are Lamar Jordan and the rest of the team from Steinmetz High, who channel their experiences living in a rough neighborhood into poems of startling ferocity. I suppose the Steinmetz team is the most cinematic — they suffer from the worst bouts of writers’ block and have the most intense battles with their coach — but they also seem to unbalance what begins as an ensemble film. The young men and women of Steinmetz are fantastic, but I would have liked to have seen more of Nate Marshall, Nova Venerable from Oak Park and River High (who uses poetry to release all of her rage about her alcoholic father and to share all of her love about her diabetic, autistic brother), and Adam Gottlieb from Northside Prep (an ebullient personality with another wise-beyond-his-years perspective on life).

A full half of this 100 minute movie takes place during the various rounds of Louder Than a Bomb. Siskel and Jacobs’ approach isn’t overtly cinematic — there aren’t tons of angles or quick cuts or elaborate camera movements — but the poets and poems themselves are. As I listened to these teenagers express themselves, I realized how rarely you get to hear a poet read their own work outside the world of poetry slams. Even for someone as allergic to poetry as I am, it felt like a privilege to get to witness that, and to see young people take the disadvantages they’ve been handed by life and flip them into advantages.

That’s what Nate and the rest of his peers do. And they do it not to win, but to inspire and be inspired. Some of the characters are more obsessed with winning than others, but by the end they all realize the friendships they’ve made and art they’ve witnessed transcends where they placed in the competition. Remember, at Louder Than a Bomb the point is not the points, the point is the poems. In “Louder Than a Bomb,” poems aren’t the point either. The point is the poets.

“Louder Than a Bomb” opens Wednesday in New York City.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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