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Kanye bootlegs himself: Why you should hear the rapper’s Coachella recording

Kanye bootlegs himself: Why you should hear the rapper’s Coachella recording (photo)

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On Monday, Kanye West released a free recording of his entire 96-minute set from last month’s Coachella. Split into 32 tracks, the show gathers most of West’s hits–or at least glimpses of them–into one compressed, downloadable file. To that end, it reads a little like a greatest hits mixtape, gathering “Gold Digger” alongside a crowd-gone-crazy version of “All of the Lights,” “Power” right beside a thundering rendition of “Jesus Walks.” It’s a testament to Kanye’s pop status, a reminder that–for all his controversy, ego, Twitter tangents and genuinely surprising ideas–he’s got hits, and we know them. I’ve been listening to the set again and again all week, and each time, I’m surprised anew by West’s canonical barrage.

But if you’ve ever been a jam-band junkie, or simply listened to most any live recording, you know that concert tapes often sound sort of crummy. They’re not initially mixed for headphones, and they’re not the proper avenue for crafting flawless takes of tunes from multiple takes. They require a certain suspension of expectations, so that you hear unnecessary echo, muffled or garbled segments and crowd noise as atmosphere, not distractions. West’s Coachella tape is no different: One portion of “Jesus Walks” sounds horrible, and one of the set’s few guests, Bon Iver’s Justin Vernon, out-sings West into shameful submission on “Monster.” He and Pusha T never quite nail the timing of “Runaway,” either. All the strange interludes and monologues are here, too, stripped of their flashing-lights and ballerina-accompanied mystique. You just have to listen.

It’s a strange look for one of the most recognizable pop stars in the world, releasing imperfect versions of his biggest hits for free simply because he can. You don’t generally consider hip-hop to be the domain of live releases, as the ship is generally run pretty tightly by a DJ who plays the instrumental track upon request and stands back to let the artist deliver the verses and hooks people know from the radio. West played with a full band, sure, but you get the sense that even this set is one that leaves little margin for error and is bound to be repeated. But on these tracks, even without watching video of the night, there’s the inescapable feeling that West is busting his ass, leaving all his energy and emotion on the stage. From the moment the crowd first freaks out until he has them waiting for more during a “Chariots of Fire” interlude, you understand that he’s the bandleader and the crowdleader, a puppet master capable of a performance with as much movement and structure as the best rock set. It’s a musical movement that bears circulating.

Writing for Spin after the performance, William Goodman described West’s Coachella set as the rapper’s “bold, singular artistic moment.” By releasing the live recording of the set for free, you get the sense that West feels the same way, too. Perfect engineering or no, this tape shows that West is an entertainer unafraid of any form’s natural bounds.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.