Seattle Film Fest 2011: “Happy, Happy,” Reviewed

Seattle Film Fest 2011: “Happy, Happy,” Reviewed (photo)

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Not to paint the good people of Norway with the same brush, but if the country’s recent films are any indication, the problem of sexual dissatisfaction amongst women is making it frostier for some in the country than the usual climate in winter. Only weeks ago at the Tribeca Film Fest, Jannicke Systad Jacobsen’s “Turn Me On, Goddammit” won a screenplay prize for the story of a young woman whose openness about her horniness leads her to be ostracized from her small village, and then there’s “Happy, Happy,” Anne Sewitsky’s Sundance winner which contrary to its title deals with the discontent of two married couples in Norwegian wilderness and in particular, the sexual awakening of Kaja, a cheery housewife who, upon tiring of her husband’s rejection of her advances, winds up in the arms of another.

Although the logline may sound like it may come from the Ingmar Bergman wing of Scandinavian cinema, “Happy, Happy” leans more towards the Aki Kaurismaki corner, punctuated with musical interludes from a quartet of vocalists singing American gospel music and dispatching a gentle sense of humor throughout even if what’s happened to poor, naïve Kaja is quite tragic. A foster child who married too young after high school, Kaja is stuck in a loveless marriage to a husband (Joaquin Rafaelsen) far more interested in hunting moose and a young son who clearly prefers his pa’s company when he’s not torturing the newly arrived adopted black child of Elisabeth (Maibritt Saerens) and Sigve (Henrik Rafaelsen), the couple that’s moved in next door from the big city.

Kaja clearly admires the couple’s sophistication — upon discovering Elisabeth is an attorney, she asks in awe, “Isn’t that hard?” But she’s far more taken with the excitement they bring since her own enthusiasm has waned significantly with a family that rarely speaks to her about anything. In fact, they even have a game in the morning to drive her out of the house by staring at her intently. It’s actually during a nighttime game with Elisabeth and Sigve where Kaja’s able to exact some small revenge on her husband, confessing during an after-dinner “Couples Game” that she hasn’t had sex in a year, which combined with Elisabeth and Sigve’s admission that they’d accept their partner having an affair, sets off an interesting chain of events for both pairs.

HappyHappy2_05232011.jpgEven without the unexpected jolts of the brightly-attired men’s chorus that pops up periodically, “Happy, Happy” shines when its lead Agnes Kittelsen is on screen. As Kaja, she’d be hard to dislike as an overeager woman who simply let a bad choice metastasize into a life she only now realizes she doesn’t want, but to play the role with a dimmer switch as the light slowly drains from her eyes is much more of an accomplishment than one would think.

Yet even as Kittelsen is allowed the room to dial down her performance, Sewitsky doesn’t exactly do herself the same favor as the film makes a sharp right turn from light comedy in the first half to a more serious relationship drama in the second when infidelity rears its ugly head while trying to keep some of the more lighthearted elements in place. Instead of adding a sense of realism, the tonal shift takes something away from the loose, entertaining vibe that’s effortlessly established from the beginning, making a running gag involving Kaja’s son acting as a slavemaster to Elizabeth and Sigve’s adopted child deeply troubling, especially when there’s no real payoff, and the film’s resolution stumbles towards poignancy, though it seems as though Sewitsky felt the need to say something important to counterbalance the film’s silliness.

Cultural differences may contribute to the film’s feeling of unevenness as it travels abroad, but it’s interesting to note that both “Happy, Happy” and the aforementioned “Turn Me On, Goddammit” were directed by first-time directors who may overcompensate with quirk to sneak in some genuinely provocative heroines who take control over their own destiny. In both cases, it’s arguable that the filmmakers share the confidence issues of their protagonists, a product of inexperience and wispy plotting, though likewise, each claims a small victory in simply breaking away from the pack. Clearly, coming out of the cold means more than just the snow outside in “Happy, Happy” and the warmth of Sewitsky’s debut drifts in as a welcome breeze.

“Happy, Happy” currently does not have U.S. distribution. It will play the Seattle Film Festival tonight at 8:30.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.


It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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