DID YOU READ

From Steven Tyler to Régine Chassagne, five artists who shouldn’t go solo

From Steven Tyler to Régine Chassagne, five artists who shouldn’t go solo (photo)

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Yesterday, Thurston Moore released Demolished Thoughts, his fourth and inarguably best solo album in the three decades since he co-founded Sonic Youth. Unlike his previous song-oriented solo works, Demolished Thoughts finds its sound–lush, lonely, Beck Hansen-assisted rock, retextured with acoustics–and sticks with it from start to finish. After one of the most enviable and inspiring careers in indie rock, Moore continues to reinvent his image and offerings with unexpected approaches.

But it doesn’t work for everyone; in fact, everyone probably shouldn’t try it. Below, we look at five bandleaders who have yet to make a solo album, and why we hope it stays that way.

Steven Tyler: Several years ago, Guided by Voices frontman Robert Pollard released an infamous collection called Relaxation of the Asshole, a best-of culled from the worst of his drunken banter. Even if you dislike his band, it’s sort of an essential one-time listen. That’s about the best I’d hope for with a Steven Tyler album–a collage of his best moments in interviews, drawing heavily from his various exclamations and John Madden-like commentary on American Idol. (Go Scotty, right?) After all, Tyler has been writing and recording for nearly four decades, and his first solo quasi-hit, “(It) Feels So Good,” was released earlier this month. Prominently featuring dobro, acoustic guitar and an electric guitar solo that really makes us wonder where Joe Perry went, it’s a terribly inauspicious debut. Keep quipping, dude. Let the kids do the singing.

Chad Hugo: If the half of the band N.E.R.D. and the production team Neptunes that isn’t Pharrell Williams could tap the right record collection, his solo album–or at least a record released as Chad Hugo, with help from a few big-name friends–might actually work. With the sort of top-rate gear at dude’s disposal, think Toro y Moi with more gumption and production value. The more interesting possibility for the multi-instrumentalist, though, might be beat-based soundscapes built from drum samples and the keyboard, saxophone and guitar he apparently plays. I’m thinking the elemental post-classical music of Eluvium updated with bombast.

Please note, though, that interesting doesn’t always mean good: The combination of drifting soundscapes and idle electronic beats mostly seems like a good idea on paper. It often sounds less interesting than whatever instrumentals they’re playing down at the corner grocery these days.

Régine Chassagne: Honestly, our hopeful solo embargo applies to most of the prominent members of The Arcade Fire, including Win Butler. But Régine Chassagne reminds us of a championship football squad’s special teams outfit: She’s the master of her domain, rather that means reinventing Cyndi Lauper or standing at the helm of her band’s inexhaustible bombast. But you’d never let former Packers sprinter Desmond Howard run quarterback or play middle linebacker just because he’s good at punt returns, right? Chassagne’s zealous delivery and emphatic, occasional drumming are an essential component of The Arcade Fire’s power and popularity; but spread over an album, her lack of subtlety and dynamics might manage a migraine.

Colin Meloy: The Decemberists frontman actually has four solo collections to his name–a live record and three discs of songs by Sam Cooke, Shirley Collins and Morrissey. Cut from the context of his lush rock band, those records emphasize just how unabashedly he sings with that nasally creak of his. While it’s hard to get too riled as someone sings “Bring it on Home to Me” or “Jack the Ripper,” the thought of Meloy belting out his own vacuous attempts at being both literary and clever with no band to hide the bleat is just too much to stand. At least for me, most Decemberists records invoke the thought, “Dude, please shut the fuck up”; if Meloy’s singing by himself, mustering eloquence even that elementary might be impossible.

Robbie Robertson: Oh, yeah. Well, damn. Can’t save ’em all.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.

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Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.