DID YOU READ

“Florent: Queen of the Meat Market,” Reviewed

“Florent: Queen of the Meat Market,” Reviewed (photo)

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Jeez, this is one hell of a restaurant.

Restaurant Florent, to be exact, a funky diner-slash-brasserie-slash-bistro in New York’s Meatpacking District. Owned and operated by French transplant Florent Morellet since the mid-1980s, the place was a haven for artists, eccentrics, outsiders, and regular neighborhood folks for several decades. As the documentary “Florent: Queen of the Meat Market” opens, all sorts of celebrities and cultural elites pay homage to the place, many of them standing right in front of the restaurant. That’s where we see the stencil on the window: “Serving 24/7 until the bitter(sweet) end: June 29.” And then below it in all capital letters: “AU REVOIR.” So we know this movie does not have a happy ending.

The story of “Florent” is a story of New York City; in other words, a story of change. When Morellet moved to the Meatpacking District it was still a working meat market. Almost singlehandedly, according to this film and the people in it, Morellet turned the area into the coolest place in town. Whether that is overstating the case, it’s clear that Morellet is a true renaissance man: a restauranteur, a political advocate, a cartographer, an artist, a philanthropist, even a children’s book author. He’s also got at least a few contradictions at his core: he loves preserving and restoring old things (like his diner, which he bought from its original owners, or the largest fireboat on the eastern seaboard, which he bought from the FDNY), but he hates nostalgia in all its forms. Given how intensely nostalgic this film is for his restaurant and for the days when the Meat Packing District was a haven for artists instead of yuppies, I wonder how he feels about it.

Yes, here’s yet another disaster we can blame on yuppies. Morellet was ultimately a victim of his own success; the transformation he helped create in the neighborhood eventually priced him out of his own restaurant. It’s a familiar story these days. Earlier this week the Upper East Side institution Elaine’s announced it, too, was closing after decades in the business. These amazing, unique places make it safe for banks and stores and cupcake bakeries; once they’ve brought in the money, they’re given the boot.

Director David Sigal lets his affection for Florent shine through, and he’s assembled a truly impressive list of celebrity testimonials, from Julianne Moore to Diane von Furstenberg to Isaac Mizrahi. His one mistake, I think, is to backload all of the actual narrative in the film — Morellet’s struggle to renew his expiring lease, his eventual decision to close, and his six week celebration of the artists and customers who made his restaurant special — into his documentary’s final 20 minutes. The rest of “Florent” is one endless series of talking heads and quirky anecdotes. It may have made more sense to organize the entire film around the closing, which then becomes the impetus to journey through the place’s history. It also would have been nice to see more of Morellet living his day to day life, rather than just constantly explaining what his day to day life is like. For documentary about such an unusual man, this is not a very unusual film.

Still, it is a fairly entertaining one, and for New Yorkers, a good conversation starter on the state of our city. Should we preserve places like the Meat Packing District? Or do we let progress and prosperity take their course? Maybe the most interesting thing about “Florent” is the fact that the film and its subject might have totally different answers to these questions.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.