DID YOU READ

“Florent: Queen of the Meat Market,” Reviewed

“Florent: Queen of the Meat Market,” Reviewed (photo)

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Jeez, this is one hell of a restaurant.

Restaurant Florent, to be exact, a funky diner-slash-brasserie-slash-bistro in New York’s Meatpacking District. Owned and operated by French transplant Florent Morellet since the mid-1980s, the place was a haven for artists, eccentrics, outsiders, and regular neighborhood folks for several decades. As the documentary “Florent: Queen of the Meat Market” opens, all sorts of celebrities and cultural elites pay homage to the place, many of them standing right in front of the restaurant. That’s where we see the stencil on the window: “Serving 24/7 until the bitter(sweet) end: June 29.” And then below it in all capital letters: “AU REVOIR.” So we know this movie does not have a happy ending.

The story of “Florent” is a story of New York City; in other words, a story of change. When Morellet moved to the Meatpacking District it was still a working meat market. Almost singlehandedly, according to this film and the people in it, Morellet turned the area into the coolest place in town. Whether that is overstating the case, it’s clear that Morellet is a true renaissance man: a restauranteur, a political advocate, a cartographer, an artist, a philanthropist, even a children’s book author. He’s also got at least a few contradictions at his core: he loves preserving and restoring old things (like his diner, which he bought from its original owners, or the largest fireboat on the eastern seaboard, which he bought from the FDNY), but he hates nostalgia in all its forms. Given how intensely nostalgic this film is for his restaurant and for the days when the Meat Packing District was a haven for artists instead of yuppies, I wonder how he feels about it.

Yes, here’s yet another disaster we can blame on yuppies. Morellet was ultimately a victim of his own success; the transformation he helped create in the neighborhood eventually priced him out of his own restaurant. It’s a familiar story these days. Earlier this week the Upper East Side institution Elaine’s announced it, too, was closing after decades in the business. These amazing, unique places make it safe for banks and stores and cupcake bakeries; once they’ve brought in the money, they’re given the boot.

Director David Sigal lets his affection for Florent shine through, and he’s assembled a truly impressive list of celebrity testimonials, from Julianne Moore to Diane von Furstenberg to Isaac Mizrahi. His one mistake, I think, is to backload all of the actual narrative in the film — Morellet’s struggle to renew his expiring lease, his eventual decision to close, and his six week celebration of the artists and customers who made his restaurant special — into his documentary’s final 20 minutes. The rest of “Florent” is one endless series of talking heads and quirky anecdotes. It may have made more sense to organize the entire film around the closing, which then becomes the impetus to journey through the place’s history. It also would have been nice to see more of Morellet living his day to day life, rather than just constantly explaining what his day to day life is like. For documentary about such an unusual man, this is not a very unusual film.

Still, it is a fairly entertaining one, and for New Yorkers, a good conversation starter on the state of our city. Should we preserve places like the Meat Packing District? Or do we let progress and prosperity take their course? Maybe the most interesting thing about “Florent” is the fact that the film and its subject might have totally different answers to these questions.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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