DID YOU READ

Five Alternate Endings That Could’ve Ruined Contemporary Film Classics

Five Alternate Endings That Could’ve Ruined Contemporary Film Classics (photo)

Posted by on

Up until the advent of DVD, alternate endings could only exist in the audience’s imagination or as the product of movie industry lore. Few were ever seen beyond the studio’s gates, the general public never knowing that Deckard was outed as a replicant in the final minutes of the original cut of “Blade Runner” or Duckie won the heart of Andie in one version of “Pretty in Pink.” Often times, it was better this way since alternate endings are usually discarded for a reason, only occasionally resulting in something more interesting like the snipped conclusion to “I Am Legend.” Good or bad, the common link between them is they completely change the tone of the film. Obviously, there are spoilers ahead for the five modern classics that could’ve ended quite badly, not only for the film’s characters in most instances, but also for the films themselves which might not be held in such esteem if they didn’t stick the landing. (And though we couldn’t bring ourselves to call “Eagle Eye” and “Sweet Home Alabama” contemporary classics, their would-be climaxes need to be seen to be believed, so appropriately, they’ve been tacked on at the end.)

“Election” (1999)
Directed by Alexander Payne

Just this weekend, a reader of SlashFilm recently dug up the clip from a workprint of Alexander Payne’s high school-set comedy from an unmarked VHS tape bought at a flea market that doesn’t end with Tracy Flick (Reese Witherspoon) leaving Nebraska. Instead, it plays upon a minor detail in Tom Perrotta’s original novel that Matthew Broderick’s disgraced teacher Mr. McAllister ultimately ended up as a car salesman rather than the docent gig he gets at the Museum of Natural History in New York in the version that became the final cut. Dropping the film’s satiric tone almost completely, a frightened Flick visits McAllister at the dealership where he works and asks to go on a test drive before she heads off to college.

Both make amends for their actions during the student body president election that drove each of them the school with McAllister offering an apology and Flick driving home to ask him to sign her empty yearbook — a sort of “love conquers all” ending, despite the fact it’s far sadder than the one Payne eventually went with since the characters show remorse, but no real growth. A possible sign of the melancholy feeling Payne would leave audiences with in his future films, “Election” simply proved to be the wrong film to go out on such a note. [UPDATE: The video below no longer works due to a copyright claim by Paramount.]

“Titanic” (1997)
Directed by James Cameron

Whether one loves or hates James Cameron’s love story on the leaky ship, there’s likely common ground that this potential ending that played up the neuroses of Bill Paxton’s treasure hunter Brock Lovett would’ve sunk the film. Rather than seguing directly into Gloria Stuart’s elderly Rose recalling the glory and the grandeur of the Titanic after her younger self sees the love of her life (Leonardo DiCaprio) shiver to death in front of her, Cameron felt the scene needed a little comic relief in the form of Lovett panicking after discovering that Rose had kept the invaluable Heart of the Ocean necklace all along. In both versions of the film, Rose drops the Heart of the Ocean into the water, but in the final cut, it’s poignant since Rose is alone, paying tribute to her lost love, whereas with Lovett around, it becomes a parody of itself as it’s suggested Rose might be considering suicide before she’s caught and gives an unnecessary “Aw, shucks” explanation that love is far more valuable than money before flinging the Heart of the Ocean into the water so that Paxton can mug as a greedy bastard. Shifting the focus from the epic romance the audience just witnessed to a bad afterschool special was very much out of character for the film, which highlights Cameron’s notoriously bad dialogue. However, the filmmaker was probably using his eyes far more while whittling down the final cut, realizing that making a trim would excise another six minutes from an already unwieldy three-hour running time and sparing the audience a corny lecture in the process.

“Clerks” (1994)
Directed by Kevin Smith

Back in 1994, Kevin Smith’s famously low-budget felt like a blast of irreverence, much in part to the first-time writer/director’s blisteringly funny dialogue and the fact that he brought a fresh perspective to filmmaking. But that inexperience came back to haunt Smith in the final act of the film where instead of leaving well enough alone with Dante and Randall, the two New Jersey counter jockeys whose repertee about subjects such as the feasibility of the Death Star construction powers the film along for 90 minutes. But in the form it originally premiered at Sundance, it was the final two that shocked audiences when out of nowhere, Dante is shot and robbed before the film cuts to black. If kept intact, the ending wouldn’t only have put a painful punctuation mark on one of the funniest comedies of the decade, but it would’ve cheated Smith out of a franchise that not only produced a sequel, but an animated series, countless toys and served as the basis for Smith’s entire View Askew universe.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet