DID YOU READ

Down Into the Roots of Cultural Vegetables

Down Into the Roots of Cultural Vegetables (photo)

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I finally got a chance to read Dan Kois’ controversial New York Times Magazine article “Eating Your Cultural Vegetables,” which has garnered all sorts of interesting-slash-outraged responses and reactions from all around the web. And, hey, I’m on the web! I have responses and reactions to things too! So now it’s my turn.

You should read Kois’ entire piece, but here is an excerpt that gets right to the meat — or rather the vegetables — of his argument:

“As I get older, I find I’m suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables, no matter how good they may be for me… Yes, there are films, like the 2000 Taiwanese drama ‘Yi Yi,’ that enrapture me with deliberate pacing, spare screenplays and static shooting styles… but while I’m grateful to have watched ‘Solaris’ and ‘Blue’ and ‘Meek’s Cutoff’ and ‘The Son’ and ‘Atanarjuat (The Fast Runner)’ and ‘Three Times’ and on and on, my taste stubbornly remains my taste.

Kois makes a lot of “Meek’s Cutoff,” his most current example of what he alternately describes as cultural vegetables and “aspirational viewing,” i.e. languidly paced art films, which he describes as a “quiet, arduous” viewing experience that he found difficult to sit through. Kois says he’s drawn to films like “Meek’s Cutoff” because they’re enjoyed by people whose opinions he respects and whose company he enjoys but, as he puts it, “I usually doze lightly through them; and I often feel moved, if sleepy, afterward. But am I actually moved? Or am I responding to the rhythms of emotionally affecting cinema? Am I laughing because I get the jokes or because I know what jokes sound like?”

As a general rule, my favorite critical essays are the most honest ones; if there are flaws in Kois’ piece, they don’t include a lack of honesty. Essentially Kois is outing himself in the most public forum possible so that he can’t pretend to love these sorts of movies anymore. From here on out he’s got no choice to lay his cards out on the table, and that is kind of brave.

I do agree with Kois that there are folks out there who hop on the bandwagon for quote-unquote art films because they have a great reputation and they want to appear cultured to their friends and loved ones. People often don’t want to admit what they really think about an “important” movie — that it’s boring or pretentious or dated — because they don’t want to look like philistines. And readers should be skeptical of any critic who believes they hold the one true and correct view about a film. Personal taste matters, and the best critics filter cinema through personal taste to give us their unique perspective on culture.

Still, I wish Kois wasn’t painting with so broad a brush when he talked about these movies. Not all quiet viewing experiences are created equal. I’ve seen movies that I had trouble finishing. But maybe the problem wasn’t that they were slow; maybe the problem was that they were just plain bad.

Look, there are days when I’d rather watch “America’s Next Top Model” than a film by Chantal Akerman (those days, by the way, are called Wednesdays). But plenty of movies that look like “cultural vegetables” are so much richer than they might initially appear to be. Two films on my top ten list from last year, “Sweetgrass” and “Alamar,” might look like cultural vegetables; they’re both micro-indies, one a doc the other a quasi-fictional narrative, with very little in the way of action. The most memorable moment in each film involves a real but genuine interaction between human and wild animal. But those moments are more transcendant and memorable than anything in “America’s Next Top Model” (except the one episode where Tyra told all the finalists they’d been kicked off the show just so she could watch them cry. Epic!).

To me, the success or failure of one of Kois’ cultural vegetables always comes down to a matter of form following function. Anyone can make a slow, contemplative art film, but if you’re not contemplating anything in particular, you’re wasting everyone’s time. “Alamar” needs to be a deliberate film because it is about savoring this deliberate way of life that the main character wants to pass down to his son, who he may never see again. I haven’t seen “Meek’s Cutoff” yet — unfortunately, since I’m a big fan of its director, Kelly Reichardt — but I would suggest that Kois discovered the function of its form when he wrote that by the end he “could sympathize with the settlers’ exhaustion” because he felt “as if I’d been through a similarly grueling experience.” Again, I haven’t seen the film, but couldn’t that have been the whole point?

What I want out of a critic is not someone who will blindly praise a film simply because Hou Hsiao-Hsien or Apichatpong Weerasethakul’s name is on it, but rather a writer who understands their work and is interested in engaging with it. On the flip side, I’m not interested in someone who blindly dismisses Hollywood blockbusters, either. The best critics are worth reading whether they’re writing about something that cost $100 million or $100. Critics shouldn’t aspire to importance or respectability. They should just try to show us things about the movies we don’t see in them on our own.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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