This browser is supported only in Windows 10 and above.

DID YOU READ

Can’t Be At Cannes 2011, Wednesday Edition

Can’t Be At Cannes 2011, Wednesday Edition (photo)

Posted by on

It sucks not being at the Cannes Film Festival. To keep you up-to-speed on all the latest developments with the minimum amount of pain and jealousy, we’ll be providing frequent roundups of all the biggest news and best reviews. This is the third; for additional installments, along with all our Cannes coverage, can be found here.

So today at Cannes, Lars von Trier called himself a Nazi and said he sympathized with Hitler. But it’s all okay, because he was joking. Oh, that hilarious rapscallion!

The comments came at the press conference after von Trier’s new film “Melancholia.” According to The Hollywood Reporter, von Trier was asked a question about his German roots, when the director opened his mouth and shoved his entire leg and part of his lower torso into it. But surely the whole thing was taken out of context, right? Right?

“For a long time I thought I was a Jew and I was happy to be a Jew… Then I met (Danish and Jewish director) Susanne Bier and I wasn’t so happy. But then I found out I was actually a Nazi. My family were German. And that also gave me some pleasure. What can I say? I understand Hitler…I sympathize with him a bit… I don’t mean I’m in favor of World War II and I’m not against Jews, not even Susanne Bier… In fact I’m very much in favor of them. All Jews. Well, Israel is a pain in the ass but… now how can I get out of this sentence? Ok. I’m a Nazi.”

I, um, oh. So, not out of context. All righty then.

You do have to take anything von Trier says with a grain of salt — a grain of hateful, anti-Semitic salt. von Trier loves to mess with the press with provocative and borderline crazy statements — at his last trip to Cannes, with the film “Antichrist” in 2009, von Trier infamously boasted that he was “the best filmmaker in the world” — but this is excessive even by his batshit standards. Even if they weren’t meant seriously, these comments are pretty horrible (and I didn’t even include the part where von Trier “jokingly” suggested he might make a film version of “The Final Solution.” This guy’s a regular Jonathan Swift!). Hopefully at some point in the near future von Trier will realize what he’s done, and offer a clarification (I wouldn’t hold my breath for an apology). Chaos is supposed to reign, Lars, not stupidity.

So while its director has me in a melancholy mood, let’s turn to the reaction to “Melancholia.” A lot of comparisons are being drawn to Malick’s “The Tree of Life,” with their similar conflations of family and cosmic dramas, and the divisive reactions they’re drawing from critics. It kind of looks like battle lines are being drawn: Team Malick and Team LVT. THR‘s Todd McCarthy, a major “Tree of Life” partisan, dismissed “Melancholia,” saying it turns “the end of the world into a bit of a bore,” while Jim Hoberman from The Village Voice, a major “Tree of Life” hater, says that von Trier’s apocalyptic film made him feel “light, rejuvenated and unconscionably happy.”

Reviews look split about 65-35 in von Trier’s favor, but everyone seems to agree the movie looks amazing. Movieline‘s Stephanie Zacharek:

“These are somber, glorious images: They incite both dread and shivery anticipation — the effect is that of gazing deep into the sugar Easter Egg of doom. What, exactly, is von Trier trying to say here? ‘Antichrist’ was a scream of pain; ‘Melancholia’ is more like a heavy sigh, a gasp at the horrible wonder of it all. It isn’t nearly as somber as its title would lead you to believe, and it’s so beautiful to look at that it feels decadent, almost luxurious.”

Decadent, luxurious and, no doubt, very German.

UPDATE: The Film Society of Lincoln Center’s blog has a statement on von Trier from the Cannes Film Festival, which also includes an apology. It reads:

“The Festival de Cannes was disturbed about the statements made by Lars von Trier in his press conference this morning in Cannes. Therefore the Festival asked him to provide an explanation for his comments. The director states that he let himself be egged on by a provocation. He presents his apology. The direction of the Festival acknowledges this and is passing on Lars von Trier’s apology. The Festival is adamant that it would never allow the event to become the forum for such pronouncements on such subjects.”

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.