A Brief Interview With The Whitest Kids U’Know’s Trevor Moore

A Brief Interview With The Whitest Kids U’Know’s Trevor Moore (photo)

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The fifth and final season of everyone’s favorite sketch comedy show The Whitest Kids U’Know is underway at IFC. We are showing new episodes of one of the wackiest, crassest, and funniest show around every Friday at 10:30 p.m. ET. As an added bonus each episode has another chapter of The Civil War on Drugs, the historical drama that the Kids made to document the journey to legalize marijuana during the war between the states.

As we bid farewell to the Whitest Kids, we are taking some time to chat with each member of the troupe and to get their thoughts on comedy, their favorite moments from the five seasons the series ran on IFC, and the Civil War on Drugs. Today, we talk to Trevor Moore.

What was the very first bit or act you ever did on the air, do you remember?

The first sketch was pregnancy test video. That was something that we filmed as a college group — before we had a TV show — but it was on the internet. That was the first and I was the boyfriend of the girl taking the test. The first thing we shot for the show was a sketch about the birds and the bees. I was the father explaining to Timmy — incorrectly — about the birds and bees and where babies came from.

What are your favorite characteristics about the other members of WKUK?

That they are funny. That’s the most beneficial trait for the group. Everyone has very different personalities. We’ve been doing this for ten years, so when we write sketches, the parts become really obvious. Everyone plays very distinct characters from each other. Like if you drew a Venn Diagram of the characters that we each play, it doesn’t overlap much. Timmy is very childlike, he plays innocent children very well. Darren does a spot-on straight man and is a really good woman. Sam plays these really really really ex-jock kind of fratty dumb guys. Zack does great straight man stuff that ranges from some simmering anger to exploding frustration.

What’s your writing process like?

It varies. People come up with ideas, or people split off into groups, but the bulk of the sketches come from us sitting in a group in a room. Then we write down five or ten ideas each and we pitch them and whatever gets the most laughs or gets everyone excited and adding ideas on top of it, those are the ones we do.

Do you eat any particular snacks during those five or ten hour sessions?
Sam likes candy; I live off of Diet Coke and Nicorette.

What are some of the sketches you’re most proud of?
I have always really liked “Timmy Pooped His Pants” a lot. I also like Abe Lincoln. I generally like all the presidential assassination sketches.

Who is your favorite character in the WKUK pantheon?
We try to shy away from repeating characters, so generally characters will usually only be in one sketch. I like it whenever Sam plays women. That always makes me laugh. Usually if I am laughing in a take, it’s because Sam is playing a woman. I like Doug from The Civil War on Drugs. He’s probably one of my favorite characters that we’ve written. Zach played Abe Lincoln twice and that was great. I have a go-to business guy that I play a lot and the character of Timmy. That’s the biggest reoccurring character.

Timmy said that all of his most embarrassing roles are written whenever he’s not there.
So now you know how often he’s not there! We killed his character on Civil War On Drugs. He went home. So we killed him. Who knows how long he would have lived if Timmy had stayed.

If you had to be one of your characters for the rest of your life, who would it be and why?

Trevor from the Civil War On Drugs, because out of all our characters I relate to him the most. He’s just a dude. Or maybe the business man guy, because as much of a jerk or a weird guy he is, he has his life together.

Do your parents ever watch the show?

My parents don’t watch the show. My dad has even flagged some of our sketches on YouTube. I guess he thought someone had to do it, but no, no they don’t.

What are the best and worst reactions you’ve ever gotten from a sketch?

The best reactions we get are from kids who are starting their own comedy troupes because they saw what we were doing and wanted to do it themselves. That’s really flattering and exciting. As for the worst reaction, we did a live show once and really offended some lady who would follow us around to all the message boards and everything and would comment. She kept saying how rude and offensive we were. It’s a very polarizing show. It doesn’t get very many lukewarm reactions. We are lucky in that we have a very vocal and loyal fan base. But we do a very blue sketch comedy show designed for kids.

You’ve sold a lot of products over the years which one would you want to own?
Nerf nuke, I guess. They are generally pretty horrible products. I guess, none of them.

What is your favorite sketch moment for season five of WKUK?
Civil War on Drugs is definitely my season thing from season five. But that’s not really an answer to your question. The John Williams sketch is long, but I really like it a lot. It has us all in it.

Where did you get the idea for the Civil War on Drugs?
The Civil War On Drugs was an idea we had had almost ten years ago. It was something we wanted to do, but even when we were writing a Whitest Kids movie for Paramount, it wasn’t this one. We kept hearing from people — I don’t even know who — that it would be hard to get studios to make a Civil War comedy. We had a story arc even ten years ago. So when we started going into our last season on IFC, we thought, why don’t we do this unrequited project that we always wanted to do?
And it’s my favorite thing that we’ve done. And I’m really glad we’re going out on that note.

What was the process like of making a movie within a sketch comedy show?

We wrote a script and had to see if it could do it in our limited budget and on our shooting schedule. We shot close to 13 pages a day, sometimes up to 17 a day, which is crazy. We shot a movie in two-and-a-half weeks. It was really hard work, but we were really into it. I think our excitement got everyone else excited. Every department just threw themselves into it: make up, wardrobe, props, the DP. Everyone was stretched really thin already, and then they just doubled their efforts.
We did a screening of it and it was the first time the movie was shown all connected. It was the first time it was shown in front of an audience and there was just applause and laughter and it was great. I’m glad it’s how we are going to go out of the IFC show.

What’s next for you?

We’re using the Civil War as a template for what we want to do next.

You’re seceding from the Union and starting your own country?

No, we’re doing some mini-films and some other projects and, hopefully, those will be what the group is going to do next.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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