This browser is supported only in Windows 10 and above.

DID YOU READ

The Curious Cameography of Woody Allen

The Curious Cameography of Woody Allen (photo)

Posted by on

With reports out of France that Woody Allen is shooting a cameo for the film “Paris Manhattan,” a comedy from first-time director Sophie Lellouche in which part of the plot revolves around a pharmacist (Alice Taglioni) so obsessed with his work she prescribes DVDs of his films to patients, the 75-year-old filmmaker continues a tradition of picking peculiar projects to appear in outside of his own.

In a career that’s entering its fifth decade, Allen has starred in just six films he hasn’t directed (“Play It Again, Sam,” “The Front,” “Scenes From a Mall,” the 1996 “Sunshine Boys” TV remake, “Antz” and “Picking Up the Pieces”) and limited himself to a handful of other uncredited cameos. Though he’s scarcely performed in anything in recent years – his last role as an actor was in 2006’s “Scoop” – some of his most intriguing roles have come in the films in which he’s scarcely seen, including these four below.

Jean-Luc Godard’s “King Lear” (1987)

Think of a far more languid version of Michel Gondry’s “Be Kind Rewind” and you have some idea of what Godard was up to with his adaptation of Shakespeare’s “King Lear,” which begins with the premise that the fallout of the Chernobyl nuclear disaster wiped out much of the world’s art, including the Bard’s most famous works and it’s up to his fifth generation descendant (Peter Sellars) to recreate his work and as most of the characters mirror those in the play, Allen assumes the role of the Fool, known in this film as Mr. Alien, who shows up at the end as a film editor whose dialogue is mostly pulled from the original Shakespeare text. It’s been suggested Allen wanted to be uncredited in the role so he wouldn’t be included in the film’s marketing materials, but his appearance is so brief, it’s understandable, though still rare as an example of Allen doing a thoroughly dramatic reading of Shakespeare. (Cinephiles still might be more interested in “Meeting WA,” the interview between Allen and Godard that likely influenced his being cast in “King Lear,” filmed a year earlier in 1986.)

“Just Shoot Me” (1997)

Allen’s most out of the blue appearance pre-“Paris” wasn’t in fact an appearance at all, but a voice cameo for the NBC sitcom “Just Shoot Me” in 1997. The episode “My Dinner With Woody” involved Laura San Giacomo’s writer Maya imagined a date with the auteur in the pages of the fictional Blush Magazine, after which an Allen impersonator actually does score a date with her and leaves her disillusioned, making a phone call from the real Allen at the end of the episode a moot point. To facilitate the phone call, the show’s executive producer Steve Levitan, who has since gone on to create “Modern Family,” wrote to Allen and included a tape of the episode without the ending, hoping that Allen would say the show’s final lines. As Levitan told Entertainment Weekly at the time, “There was stunned silence when we got Woody’s tape [in return].” His cameo can be heard at 9:25 in this clip:

“The Imposters” (1998)

As Stanley Tucci’s producing partner Elizabeth Alexander told Premiere magazine on the set of “The Imposters,” “Stanley [Tucci] collects people from different jobs,” so it was only a matter of time before the actor parlayed a small part in “Decontructing Harry” into an invitation to Allen to play a theater director in his follow-up to “Big Night.” At a point when his legend was accepted and the scandal of the early ’90s had subsided, it seems as though the late ’90s and early 2000s were the time to ask Allen for a favor – as one can tell from this list, it’s the most acting he ever did outside of his own films, even without counting appearances as proper leads in the TV remake of “The Sunshine Boys” and Alfonso Arau’s unfortunate 2000 comedy “Picking Up the Pieces” where he scatters Sharon Stone’s butchered remains across the New Mexico desert. There’s no doubt Allen was more at home with playing a fussy last ditch effort for two down-on-their-luck thespians (Tucci and Oliver Platt) to audition for before they sneak onto a cruise ship during the Depression to lighten the mood.

“Company Man” (2000)

Allen has only worked with three other writers throughout his career on films he’s directed himself – his childhood friend Mickey Rose on “Bananas” and “Take the Money and Run,” Marshall Brickman during the “Annie Hall” and “Manhattan” era, and Douglas McGrath on “Bullets Over Broadway.” And McGrath was the only one to persuade him to spend a day on the set in front of the camera in a film he directed (with Peter Askin), which led to Allen’s turn as a U.S. diplomat smitten with France whose dissatisfaction with his reassignment to Cuba seeps into his assessment of the region on the eve of the Bay of Pigs to a CIA agent, played by McGrath. Allen turns in one of the funniest performances in the film, a misfire that was made more of a disappointment considering McGrath’s success with “Emma” drew an all-star cast including the likes of John Turturro, Denis Leary, and Sigourney Weaver to this goofy ’60s spy spoof. Of course, McGrath has returned the favor repeatedly in bit parts in four of Allen’s films (including a turn as a jazz expert version of himself in “Sweet and Lowdown”), so that probably made putting on a beret and hamming it up for Allen a no-brainer.

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.