DID YOU READ

The Curious Cameography of Woody Allen

The Curious Cameography of Woody Allen (photo)

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With reports out of France that Woody Allen is shooting a cameo for the film “Paris Manhattan,” a comedy from first-time director Sophie Lellouche in which part of the plot revolves around a pharmacist (Alice Taglioni) so obsessed with his work she prescribes DVDs of his films to patients, the 75-year-old filmmaker continues a tradition of picking peculiar projects to appear in outside of his own.

In a career that’s entering its fifth decade, Allen has starred in just six films he hasn’t directed (“Play It Again, Sam,” “The Front,” “Scenes From a Mall,” the 1996 “Sunshine Boys” TV remake, “Antz” and “Picking Up the Pieces”) and limited himself to a handful of other uncredited cameos. Though he’s scarcely performed in anything in recent years – his last role as an actor was in 2006’s “Scoop” – some of his most intriguing roles have come in the films in which he’s scarcely seen, including these four below.

Jean-Luc Godard’s “King Lear” (1987)

Think of a far more languid version of Michel Gondry’s “Be Kind Rewind” and you have some idea of what Godard was up to with his adaptation of Shakespeare’s “King Lear,” which begins with the premise that the fallout of the Chernobyl nuclear disaster wiped out much of the world’s art, including the Bard’s most famous works and it’s up to his fifth generation descendant (Peter Sellars) to recreate his work and as most of the characters mirror those in the play, Allen assumes the role of the Fool, known in this film as Mr. Alien, who shows up at the end as a film editor whose dialogue is mostly pulled from the original Shakespeare text. It’s been suggested Allen wanted to be uncredited in the role so he wouldn’t be included in the film’s marketing materials, but his appearance is so brief, it’s understandable, though still rare as an example of Allen doing a thoroughly dramatic reading of Shakespeare. (Cinephiles still might be more interested in “Meeting WA,” the interview between Allen and Godard that likely influenced his being cast in “King Lear,” filmed a year earlier in 1986.)

“Just Shoot Me” (1997)

Allen’s most out of the blue appearance pre-“Paris” wasn’t in fact an appearance at all, but a voice cameo for the NBC sitcom “Just Shoot Me” in 1997. The episode “My Dinner With Woody” involved Laura San Giacomo’s writer Maya imagined a date with the auteur in the pages of the fictional Blush Magazine, after which an Allen impersonator actually does score a date with her and leaves her disillusioned, making a phone call from the real Allen at the end of the episode a moot point. To facilitate the phone call, the show’s executive producer Steve Levitan, who has since gone on to create “Modern Family,” wrote to Allen and included a tape of the episode without the ending, hoping that Allen would say the show’s final lines. As Levitan told Entertainment Weekly at the time, “There was stunned silence when we got Woody’s tape [in return].” His cameo can be heard at 9:25 in this clip:

“The Imposters” (1998)

As Stanley Tucci’s producing partner Elizabeth Alexander told Premiere magazine on the set of “The Imposters,” “Stanley [Tucci] collects people from different jobs,” so it was only a matter of time before the actor parlayed a small part in “Decontructing Harry” into an invitation to Allen to play a theater director in his follow-up to “Big Night.” At a point when his legend was accepted and the scandal of the early ’90s had subsided, it seems as though the late ’90s and early 2000s were the time to ask Allen for a favor – as one can tell from this list, it’s the most acting he ever did outside of his own films, even without counting appearances as proper leads in the TV remake of “The Sunshine Boys” and Alfonso Arau’s unfortunate 2000 comedy “Picking Up the Pieces” where he scatters Sharon Stone’s butchered remains across the New Mexico desert. There’s no doubt Allen was more at home with playing a fussy last ditch effort for two down-on-their-luck thespians (Tucci and Oliver Platt) to audition for before they sneak onto a cruise ship during the Depression to lighten the mood.

“Company Man” (2000)

Allen has only worked with three other writers throughout his career on films he’s directed himself – his childhood friend Mickey Rose on “Bananas” and “Take the Money and Run,” Marshall Brickman during the “Annie Hall” and “Manhattan” era, and Douglas McGrath on “Bullets Over Broadway.” And McGrath was the only one to persuade him to spend a day on the set in front of the camera in a film he directed (with Peter Askin), which led to Allen’s turn as a U.S. diplomat smitten with France whose dissatisfaction with his reassignment to Cuba seeps into his assessment of the region on the eve of the Bay of Pigs to a CIA agent, played by McGrath. Allen turns in one of the funniest performances in the film, a misfire that was made more of a disappointment considering McGrath’s success with “Emma” drew an all-star cast including the likes of John Turturro, Denis Leary, and Sigourney Weaver to this goofy ’60s spy spoof. Of course, McGrath has returned the favor repeatedly in bit parts in four of Allen’s films (including a turn as a jazz expert version of himself in “Sweet and Lowdown”), so that probably made putting on a beret and hamming it up for Allen a no-brainer.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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