DID YOU READ

The Curious Cameography of Woody Allen

The Curious Cameography of Woody Allen (photo)

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With reports out of France that Woody Allen is shooting a cameo for the film “Paris Manhattan,” a comedy from first-time director Sophie Lellouche in which part of the plot revolves around a pharmacist (Alice Taglioni) so obsessed with his work she prescribes DVDs of his films to patients, the 75-year-old filmmaker continues a tradition of picking peculiar projects to appear in outside of his own.

In a career that’s entering its fifth decade, Allen has starred in just six films he hasn’t directed (“Play It Again, Sam,” “The Front,” “Scenes From a Mall,” the 1996 “Sunshine Boys” TV remake, “Antz” and “Picking Up the Pieces”) and limited himself to a handful of other uncredited cameos. Though he’s scarcely performed in anything in recent years – his last role as an actor was in 2006’s “Scoop” – some of his most intriguing roles have come in the films in which he’s scarcely seen, including these four below.

Jean-Luc Godard’s “King Lear” (1987)

Think of a far more languid version of Michel Gondry’s “Be Kind Rewind” and you have some idea of what Godard was up to with his adaptation of Shakespeare’s “King Lear,” which begins with the premise that the fallout of the Chernobyl nuclear disaster wiped out much of the world’s art, including the Bard’s most famous works and it’s up to his fifth generation descendant (Peter Sellars) to recreate his work and as most of the characters mirror those in the play, Allen assumes the role of the Fool, known in this film as Mr. Alien, who shows up at the end as a film editor whose dialogue is mostly pulled from the original Shakespeare text. It’s been suggested Allen wanted to be uncredited in the role so he wouldn’t be included in the film’s marketing materials, but his appearance is so brief, it’s understandable, though still rare as an example of Allen doing a thoroughly dramatic reading of Shakespeare. (Cinephiles still might be more interested in “Meeting WA,” the interview between Allen and Godard that likely influenced his being cast in “King Lear,” filmed a year earlier in 1986.)

“Just Shoot Me” (1997)

Allen’s most out of the blue appearance pre-“Paris” wasn’t in fact an appearance at all, but a voice cameo for the NBC sitcom “Just Shoot Me” in 1997. The episode “My Dinner With Woody” involved Laura San Giacomo’s writer Maya imagined a date with the auteur in the pages of the fictional Blush Magazine, after which an Allen impersonator actually does score a date with her and leaves her disillusioned, making a phone call from the real Allen at the end of the episode a moot point. To facilitate the phone call, the show’s executive producer Steve Levitan, who has since gone on to create “Modern Family,” wrote to Allen and included a tape of the episode without the ending, hoping that Allen would say the show’s final lines. As Levitan told Entertainment Weekly at the time, “There was stunned silence when we got Woody’s tape [in return].” His cameo can be heard at 9:25 in this clip:

“The Imposters” (1998)

As Stanley Tucci’s producing partner Elizabeth Alexander told Premiere magazine on the set of “The Imposters,” “Stanley [Tucci] collects people from different jobs,” so it was only a matter of time before the actor parlayed a small part in “Decontructing Harry” into an invitation to Allen to play a theater director in his follow-up to “Big Night.” At a point when his legend was accepted and the scandal of the early ’90s had subsided, it seems as though the late ’90s and early 2000s were the time to ask Allen for a favor – as one can tell from this list, it’s the most acting he ever did outside of his own films, even without counting appearances as proper leads in the TV remake of “The Sunshine Boys” and Alfonso Arau’s unfortunate 2000 comedy “Picking Up the Pieces” where he scatters Sharon Stone’s butchered remains across the New Mexico desert. There’s no doubt Allen was more at home with playing a fussy last ditch effort for two down-on-their-luck thespians (Tucci and Oliver Platt) to audition for before they sneak onto a cruise ship during the Depression to lighten the mood.

“Company Man” (2000)

Allen has only worked with three other writers throughout his career on films he’s directed himself – his childhood friend Mickey Rose on “Bananas” and “Take the Money and Run,” Marshall Brickman during the “Annie Hall” and “Manhattan” era, and Douglas McGrath on “Bullets Over Broadway.” And McGrath was the only one to persuade him to spend a day on the set in front of the camera in a film he directed (with Peter Askin), which led to Allen’s turn as a U.S. diplomat smitten with France whose dissatisfaction with his reassignment to Cuba seeps into his assessment of the region on the eve of the Bay of Pigs to a CIA agent, played by McGrath. Allen turns in one of the funniest performances in the film, a misfire that was made more of a disappointment considering McGrath’s success with “Emma” drew an all-star cast including the likes of John Turturro, Denis Leary, and Sigourney Weaver to this goofy ’60s spy spoof. Of course, McGrath has returned the favor repeatedly in bit parts in four of Allen’s films (including a turn as a jazz expert version of himself in “Sweet and Lowdown”), so that probably made putting on a beret and hamming it up for Allen a no-brainer.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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