DID YOU READ

“Two Gates of Sleep,” Reviewed

“Two Gates of Sleep,” Reviewed (photo)

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Originally reviewed at the 2010 AFI Fest.

“Two Gates of Sleep” is about the journey of a coffin to its final resting spot, but in a part of the world where political concerns are limited to the bickering between two brothers over the right way to bury their dead mother. Set apart from any semblance of urban encroachment, save for the lumber mill where the two brothers make a meager wage, Jack (Brady Corbet) and Louis (David Call) reside on the fringe of the Mississippi-Louisiana border where the flicker of their weak television reception just about sums up the pulse of life before their ailing mom (Karen Young) ultimately flatlines and they settle upon hauling her coffin across the river with only their hands.

First-time director Alistair Banks Griffin was originally a painter, which is evident immediately from the fact that “Two Gates of Sleep” is told in brush strokes – individual scenes of the brothers hunting deer or their confused mother as she wanders away from home are awash in the colors of the sky and the indigenous flora and bristle with raw emotion. However, as Griffin acknowledged during the post-screening Q & A, he gave up painting because he was frustrated by his own limitations and while the cinema offers him a greater canvas, “Two Gates of Sleep” shows he will need more time to understand the demands of a story since the film works far more effectively on a scene-by-scene basis than as a whole. Griffin explained that he purposefully left scenes out that detailed the growing animosity between the brothers, but when their relationship comes to a head, it is a bewildering turn of events.

It isn’t surprising that calls of pretension have dogged the film since debuting at Cannes, a reputation that wasn’t helped at AFI Fest when Griffin announced before the screening it would be the print showed at Cannes of the English-language film being presented with French subtitles, then demurred, “But then there’s not that much dialogue.” However, there’s much more to admire about “Two Gates of Sleep” than there isn’t.

11072010_TwoGatesofSleep.jpgThe film boasts typically gorgeous cinematography from “Tiny Furniture” and “Afterschool” lenser Jody Lee Lipes, whose visual signature is so strong and vibrant it’s beginning to make me wonder about how wunderkind writer/directors Lena Dunham and Antonio Campos might be considered without him. (Campos is an executive producer here.) And Griffin actually co-edited the film with star Corbet, which likely is at least partially responsible for giving the “Funny Games” actor the full command of the screen and he is compelling to watch, even when the story being told isn’t.

Although films like “Ballast” and “Winter’s Bone” have trudged through similar terrain, the desolate enclaves of rural America that unfortunately enter the consciousness of moviegoers about as often as they have the metropolitan community at large, there is still something unique about Griffin’s attempt at capturing a feeling of isolation and saying something about the grip of tradition that drives the brothers to such extremes. The images in “Two Gates of Sleep” are crisp. Now if only Griffin could bring the same clarity to his storytelling…

“Two Gates of Sleep” opens at the reRun Theater in New York today.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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