DID YOU READ

Tribeca 2011: “The Union,” Reviewed

Tribeca 2011: “The Union,” Reviewed (photo)

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My worry about “The Union,” Cameron Crowe’s documentary about the musical collaboration between Elton John and Leon Russell, was that it would be just another making-the-album documentary of the kind a lot of bands make these days to upsell Special Edition CDs and ward off piracy. And basically it is; it’s just the best possible version of that film, made with the sort of craft and heart that only a director (and music lover) of Crowe’s caliber could provide.

Elton John, you know, the prolific singer-songwriter of many hits in the ’70s and ’80s (including “Tiny Dancer” which was immortalized in a great scene in Crowe’s “Almost Famous”). Leon Russell, you might not; I didn’t. As a session musician, band leader, and piano player, he was an enormous influence on John’s life and career, maybe the biggest, according to “The Union.” At a loss for inspiration, John suddenly found it while on safari in Africa (oh, rock stars…). He would make an shared album with Russell. The final product, ultimately called “The Union,” would be split 50-50 between them, each providing vocals, piano, and songwriting. Crowe’s film is split about that evenly too, a fact reinforced by his rather brilliant use of split-screens throughout. Though John’s voiceover guides us through the story and offers insights into the songwriting and recording process, Russell’s journey and struggle is given equal narrative weight.

Crowe, the former Rolling Stone journalist turned screenwriter turned director, understands pop music better than almost any filmmaker who’s ever lived. Given his affinity for music and interviewing musicians, it’s kind of crazy that this is his first documentary about rock and roll. Not so crazy is how good he is at it. His use of technique, like those aforementioned split-screens, is phenomenal. One scene, in particular, which divides the frame between Russell playing a song he wrote for John and John overcome with emotions as he listens in the control room, cuts to the core of what the film is all about: the way the best and truest music comes from the heart and hits people in the same place. And it’s clear that John trusts Crowe — even soliciting his opinion about his music at times — in a way that makes “The Union” a much more unguarded portrait of two artists than it would have been in different, lesser hands.

Maybe the most revealing thing, and certainly most poignant, about “The Union”‘s portrait is its depiction of the artist in the autumn of his years. With “Almost Famous,” Crowe made one of the definitive movies about young rock and rollers. With “The Union,” he tackles the same subject from the other side of the hourglass. Russell is 69; in the middle of “The Union” sessions he suffers a “near-fatal health scare” that requires brain surgery. John is 64 and openly acknowledges that his days as one of the biggest rock stars in the world are well behind him (the fact that Michael Jackson couldn’t acknowledge it, he says, is part of what destroyed him).

John’s got enough money to hang out on African safari for the rest of his life if he wanted to. Rock stars at his age are supposed to settle in to full-on sellout mode. Unlike film directors, novelists, poets, whose creativity often grows with age, pop musicians’ relevance peaks around age 35. But John still has a creative fire in his belly that isn’t sated by money. So he’s still following his instincts wherever they lead, rather than following his record label’s advice to make a Motown record or a Christmas album (it will never happen, John vows). The final montage of “The Union,” set to a John and Russell song, sums it up nicely. The song is called “Never Too Old.”

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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