DID YOU READ

Tribeca 2011: “The Union,” Reviewed

Tribeca 2011: “The Union,” Reviewed (photo)

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My worry about “The Union,” Cameron Crowe’s documentary about the musical collaboration between Elton John and Leon Russell, was that it would be just another making-the-album documentary of the kind a lot of bands make these days to upsell Special Edition CDs and ward off piracy. And basically it is; it’s just the best possible version of that film, made with the sort of craft and heart that only a director (and music lover) of Crowe’s caliber could provide.

Elton John, you know, the prolific singer-songwriter of many hits in the ’70s and ’80s (including “Tiny Dancer” which was immortalized in a great scene in Crowe’s “Almost Famous”). Leon Russell, you might not; I didn’t. As a session musician, band leader, and piano player, he was an enormous influence on John’s life and career, maybe the biggest, according to “The Union.” At a loss for inspiration, John suddenly found it while on safari in Africa (oh, rock stars…). He would make an shared album with Russell. The final product, ultimately called “The Union,” would be split 50-50 between them, each providing vocals, piano, and songwriting. Crowe’s film is split about that evenly too, a fact reinforced by his rather brilliant use of split-screens throughout. Though John’s voiceover guides us through the story and offers insights into the songwriting and recording process, Russell’s journey and struggle is given equal narrative weight.

Crowe, the former Rolling Stone journalist turned screenwriter turned director, understands pop music better than almost any filmmaker who’s ever lived. Given his affinity for music and interviewing musicians, it’s kind of crazy that this is his first documentary about rock and roll. Not so crazy is how good he is at it. His use of technique, like those aforementioned split-screens, is phenomenal. One scene, in particular, which divides the frame between Russell playing a song he wrote for John and John overcome with emotions as he listens in the control room, cuts to the core of what the film is all about: the way the best and truest music comes from the heart and hits people in the same place. And it’s clear that John trusts Crowe — even soliciting his opinion about his music at times — in a way that makes “The Union” a much more unguarded portrait of two artists than it would have been in different, lesser hands.

Maybe the most revealing thing, and certainly most poignant, about “The Union”‘s portrait is its depiction of the artist in the autumn of his years. With “Almost Famous,” Crowe made one of the definitive movies about young rock and rollers. With “The Union,” he tackles the same subject from the other side of the hourglass. Russell is 69; in the middle of “The Union” sessions he suffers a “near-fatal health scare” that requires brain surgery. John is 64 and openly acknowledges that his days as one of the biggest rock stars in the world are well behind him (the fact that Michael Jackson couldn’t acknowledge it, he says, is part of what destroyed him).

John’s got enough money to hang out on African safari for the rest of his life if he wanted to. Rock stars at his age are supposed to settle in to full-on sellout mode. Unlike film directors, novelists, poets, whose creativity often grows with age, pop musicians’ relevance peaks around age 35. But John still has a creative fire in his belly that isn’t sated by money. So he’s still following his instincts wherever they lead, rather than following his record label’s advice to make a Motown record or a Christmas album (it will never happen, John vows). The final montage of “The Union,” set to a John and Russell song, sums it up nicely. The song is called “Never Too Old.”

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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