DID YOU READ

Tribeca 2011: “Stuck Between Stations,” Reviewed

Tribeca 2011: “Stuck Between Stations,” Reviewed (photo)

Posted by on

As someone that only watches films rather than make them, my favorite thing about the RED camera, the digital camera that has democratized high quality imagery amongst low budget filmmakers, is the clarity not only of the imagery, but the specificity it allows for regional writer/directors to bring out the best in their hometown. In recent years, we’ve seen Portland as it’s never been shot before by Aaron Katz and crew in “Cold Weather,” the Joe Maggio-directed Tribeca selection “The Last Rites of Joe May” captures Chicago in a different light and then there’s “Stuck Between Stations,” the feature debut of Brady Kiernan, a Minneapolis native who, with cinematographer Bo Hakala, creates a portrait of the city that wouldn’t seem out of place if it were framed in the Walker Art Center.

Ultimately, that’s what separates Kiernan’s film from the so many others that have been born in the wake of “Before Sunrise,” the platonic yet romantic drama that launched a thousand walk-and-talk independent films that make up for limited budgets with lots of profound (or so the filmmakers would think) statements about life. If reading that alone makes you instantly recoil, you may want to stop reading now, though it was to my great surprise while watching “Stuck Between Stations” that there is still a place for them when they have strong performers at their center and an interesting place to stroll.

04232011_StuckBetweenStations2.jpgWith the streets, biking trails and bridges of Minneapolis at their disposal, Becky (Zoe Lister-Jones) and Casper (Sam Rosen) spend an evening together after running into each other at a local bar, a first since the two went to high school together, though they actually didn’t have much contact except for occasional random pairing in class. In fact, Becky doesn’t recognize Casper immediately as he’s describing her to a friend on his cell phone as she was once an unattainable dream girl and still is, to some degree, when she stands before him after hearing her name. As it turns out for Becky, Casper is a perfect companion for a night since he’s familiar enough to feel comfortable around, particularly if he still feels slightly inferior, and yet won’t be dismayed by her recent dalliance with a professor (Michael Imperioli) that’s at the forefront of her mind, particularly since she needs to retrieve a computer from the prof’s house, which is being guarded like a hawk by his wife (Nadja Dajani).

The two share war stories both literal and figurative since Casper’s on leave from a tour in Afghanistan since his father died and grant themselves the diversions of basketball with an aluminum can, makeshift parties with circus performers and trips to psychedelic public access shows on the way to discovering that their shared pain over the years and joy over this evening has resulted in bringing them closer together than they ever were in the 3rd grade. The script, written by Rosen and Nat Bennett, is chock with enough wonderfully playful exchanges to keep the film humming even when it veers towards the grim conventions of the genre such as when exactly each of the pair will launch into a monologue about their self-destructive behavior or ultimately when or if they’ll share a kiss, and there’s a palpable chemistry between Lister-Jones and Rosen that makes such a transient bond feel possible and full of possibilities.

Still, it’s the way Kiernan develops the film’s third character of Minneapolis that resounded most, a place not known to be all that romantic but is shot with such specificity, whether it’s during a 3 a.m. midnight supermarket run or a bike ride (with a perfectly pitched cameo from locally-bred Josh Hartnett as a frenemy of Casper’s) on unpaved territory, that a love for the area and its characters floods off the screen. In that sense, “Stuck Between Stations” has a very homemade feel in the best way possible, even if neither Casper or Becky can ever truly go home again.

“Stuck Between Stations” does not yet have U.S. distribution, but will play the Tribeca Film Festival on April 24th, 25th and 28th.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.

SAE SDCC 2017

SDCC OMG

Stan Diego Comic-Con

Stan Against Evil returns November 1st.

Posted by on
Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.