Tribeca 2011: “Rabies,” Reviewed

Tribeca 2011: “Rabies,” Reviewed (photo)

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It can be a lot of fun to see American popular culture refracted through the prism of another country. “Rabies,” is the first Israeli movie made in that quintessential American genre, the slasher film. And it does feature many of the slasher cliches we’ve come to know and love: the dog that wanders off too far into the forrest, the killer who can magically sneak up people without making a sound, the car full of nubile hotties that gets lost in the woods. But what starts as a rather typical slasher film with Israeli accents eventually reveals itself to be something a bit more complicated. “Rabies” has a point beyond exploitation, I’m just not sure I agree with it. Or maybe what I really disagree with is the way that point is made.

We’ll get to that in a second. First, the plot, which, to my disappointment, does not contain any actual rabies. Mostly it’s about several groups of people who wander into the woods of an Israeli “fox preserve” where they encounter a jumpsuit-wearing, animal trap laying serial killer and each other. There’s the brother (David Henry) trying to find someone to help him free his sister (Liat Har Lev), a park ranger (Menashe Noy), his girlfriend, and their dog, the lost hotties (Ania Bukstein and Yael Grobglas), and the two cops (Lior Ashkenazi and Danny Geva) who are called in to find them. You know how this movie goes: people head off into the woods alone when they shouldn’t, then get picked off one by one until the last virginal woman is left alive to defeat the evil.

But that’s not how things turn out this time. Writer/directors Aharon Keshales and Navot Papushado have assembled all these genre elements only to deconstruct them. The real menace here isn’t some crazy guy with the knife and some bear traps, but the regular people who, angry and scared and confused, lash out at those around them. In “Rabies,” civilization is fragile, and ordinary people are just as prone to violence — or to tacitly condone it — as psychopaths. Keshales and Papushado’s faith in humanity is nonexistent and their worldview is bleak. Given the events in Israel in the last two decades, maybe that’s not too surprising.

So “Rabies” should be an intense and personal film. But the events in it and the choices the characters make are so consistently absurd that they undermines “Rabies”‘ entire argument. Keshales and Papushado’s concept is rooted in the idea that normal people are capable of unimaginable evil, but no one in this movie acts like a normal person: everyone is depraved and deranged and even the relatively lucid ones in the bunch snap easier than a twig in an ice storm.

I will give you one example. Almost the entire movie takes place in this fox preserve. After order has begun to break down, two of the girls from the lost car are running for their lives from other characters. They stop to rest and notice a fallen sign warning them to beware of landmines. Which, of course, creates great tension in any scene with the girls because we keep waiting for one of them to step on a mine. Fine, it is a horror movie, and the constant threat of death by sudden explosion definitely qualifies as horror in my book. But wait: why are there mines in a fox preserve? We know there’s a serial killer setting up all kinds of traps in this place, so maybe he put them there? But if a serial killer was putting mines around to kill people and get his jollies, why would he put up a sign warning people about them? Bloodthirsty and conscientious. What a guy.

Keshales and Papushado do a nice job juggling a large cast and numerous parallel threads of action, but too many dumb convenient plot devices sully their central conceit. In order to arrive at their chosen ending, one improbable event after another has to happen exactly right until the chain of coincidence and misunderstanding transforms the entire film into one enormous Idiot Plot. All of that strains credulity in a movie that is all about arguing that the real world — not the one populated by the fantastical psycho killers of popular culture — is the place we need to fear. The parable could probably only have come from foreign filmmakers. But the goofy, nonsensical narrative is as American as they come.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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