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Tribeca 2011: “Catching Hell,” Reviewed

Tribeca 2011: “Catching Hell,” Reviewed (photo)

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As long as the Chicago Cubs are baseball’s perennial losers, people will remember Steve Bartman and what he did on October 13, 2003. And that picture above is just how they’ll remember him: Cubs hat, black sweatshirt, dorky green turtleneck, even dorkier headphones so he could listen to the game on the radio. How could they remember him any other way? After the fateful night when he got between Cubs left fielder Moises Alou and a catchable foul ball and set off a chain of events that led to the Cubs’ implosion in the National League Championship Series and made him the target of an entire city’s hatred, Bartman dropped off the face of the Earth. A lifelong, die-hard Cubs fan, Bartman issued an apology to Alou, the Cubs, and even old players like Ron Santo and Ernie Banks, then never spoke publicly about the incident again. It’s as if he felt so punished for being in the wrong place at the wrong time that he made a conscious decision to hide away forever to prevent history from repeating itself. Now director Alex Gibney has directed a film about Bartman called “Catching Hell.” Not surprisingly, Bartman declined to participate, which makes one of the most famous spectators in the baseball history a kind of spectator in his own documentary. This time, though, you can’t say he gets in anyone’s way.

Gibney’s documentary was originally intended to air as part of ESPN’s great “30 For 30” documentary series. Its whole modus operandi was to pair great filmmakers with topics from the world of sports they were personally invested in. That approach led to some of “30 For 30″‘s finest episodes — like Steve James’ “No Crossover” about another native of James’ racially stratified hometown, Allen Iverson — but it’s the major flaw in the otherwise engrossing “Catching Hell.” Gibney’s story is about the Chicago Cubs, but Gibney’s not a Cubs fan. Boston is his team, and that’s where Gibney finds a personal connection to Bartman, in the life of Red Sox first baseman Bill Buckner. Buckner played for a similarly downtrodden team, made a similar blunder in a similar spot in a playoff game, and faced a similar penalty. But that’s basically where the parallels end; as someone even says in the film, Buckner was a famous baseball player. He was a public figure. It was his job to catch that ball. Bartman was just some guy.

The connection between Bartman and Buckner is probably worth a mention in the context of other famous baseball curses and blunders. But Gibney essentially uses Buckner to fill the void left by his absent protagonist. He painstakingly recreates the events of 10/13/03, interviewing the people who sat around Bartman in the Wrigley Field stands, piecing together and comparing home movies and video footage of the game, and speaking with the journalists and broadcasters who covered him. Gibney’s work is very detailed and very rewarding; I love, for example, his version of the Bartman play where everyone but Alou has been digitally scrubbed from the picture. But no Bartman means no hero and no arc, and that’s where Buckner comes in. He doesn’t just give Gibney his own way into the story. By framing Bartman’s tragedy with lengthy bookend segments about Buckner, Gibney gets to show the longview of what that sort of intense media scrutiny does to a man, and how it feels when that man gets his long overdue sense of closure. It also gives viewers some much needed catharsis after an excruciatingly painful story, though it will be small comfort to Cubs fans.

But I’m making the same mistake as Gibney; enough about Buckner. “Catching Hell” doesn’t need him as badly as it thinks because even without his participation, Bartman’s story is such an epic tale of human folly you’d swear Sophocles wrote it. The Bartman incident encapsulates all that we love and hate, all that is good and bad about baseball: its unpredictability, its drama, and above all its symbiotic connection between player and fan. In baseball, the fans in the stands feel like contributors to the success of their team. Or, as in this case, to their failure.

Of all the revelations in “Catching Hell” — and there are quite a few — the most interesting and most disturbing are the ones about the the mood in Wrigley Field before and after Bartman’s blunder. Home movies shot in the Wrigley bleachers capture pins-and-needles giddiness during the first seven innings. In the first moments immediately following the dropped foul ball, no one even realizes what’s happened. But then Alou has a visible tantrum on the field over Bartman’s obstruction. Suddenly the animosity spreads like wildfire. Bartman starts getting pelted with insults and threats and rained with beer. Nevermind that Bartman’s goof didn’t cost the Cubs the game, or the lead, or even put a runner on first base. Nevermind that a few batters later shortstop Alex Gonzalez blew an easy double play that would have ended the ending. In the eyes of livid Cubs fans, it was all Bartman’s fault. Gibney’s film puts his mistake in the proper context. He was far from the only guy to screw up in top of the eighth inning. Bartman did what any of us would have done. Just watch the video: he wasn’t the only one to reach for that foul ball. He was just the unlucky guy who got his hands on it.

Though I’m sure they’d deny it, I wonder if Cubs fans secretly enjoy nights like October 13. Now that the Red Sox, White Sox, and Giants have all won World Series after long droughts, the Cubs’ losing streak makes them a very unique team. Thanks to guys like Bartman, if and when they finally win the Series, it will be the sweetest victory in the history of professional sports. And if and when that day comes, you can be sure Bartman will be watching somewhere. I wouldn’t be surprised if he was still wearing his headphones either.

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Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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