DID YOU READ

Tribeca 2011: “Angels Crest,” Reviewed

Tribeca 2011: “Angels Crest,” Reviewed (photo)

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For all the people crying onscreen in “Angels Crest,” I never once felt the urge to cry myself. The problem, I think, is not with what’s in the film but what’s not in the film, and that’s specificity: specificity of character and location. Watching this movie feels like watching some very talented actors putting on an acting workshop, “Advanced Grief in Small Town America.” On a technical level, their work is superb. But it doesn’t resonate on any deeper level.

Based on a novel by Leslie Schwartz, the film is an intense dirge about the residents of a town trying to get on with their lives after a terrible tragedy. Ethan (Thomas Dekker) drives his son Nate out to the mountains to play in the snow, but by the time they get there, Nate’s fallen asleep. When a herd of deer passes by, Ethan follows, and leaves Nate locked in their truck for a few minutes. By the time he returns, Nate’s vanished. Practically the entire town turns up to help search for him, but by the time they find him it’s too late. That’s what happens in the first, gut-wrenching ten minutes. For the rest of the runtime we watch Ethan come to grips with what he’s done, feud with Nate’s distant, alcoholic mother Cindy (Lynn Collins), and deal with the fallout from the local district attorney’s decision to charge him with criminal neglect.

From Dekker and Collins down, the cast is fantastic. It seems like every single person who lives in Angels Crest is a terrific actor. Mira Sorvino owns the local diner. Elizabeth McGovern and Kate Walsh play a lesbian couple who are friends of Ethan’s. And Jeremy Piven plays the prosecutor, who has a dead child related trauma in his own past.

In individual moments, they’re all good. And the cinematography by David Johnson offers the beauty and cruelty of nature in equal measure. What’s missing is the fabric that weaves all these stories and images together into an emotional whole. “Angels Crest” is sort of stuck between an in-depth character study and a wide-ranging ensemble piece. There are too many digressions to keep the focus squarely on Ethan and his despair, but not enough to fully understand the relationships between all these characters. And it’s never quite clear exactly how big or small Angels Crest really is. It’s big enough that Sorvino’s character doesn’t seem aware of Piven’s tortured past until he alludes to it, but it’s also small enough that everyone else in the town seems to know each other by name. Almost the entire film takes place in the diner, the woods, and a house, so we don’t get a real sense of the place or the people outside the small circle we see. In her post-screening Q&A at Tribeca, director Gaby Dellal said that the novel was much more sprawling. There were more characters, each with a chapter told from their perspective. To fit it all into a movie, she had to whittle down a lot of the details. No wonder “Angels Crest” feels a bit like a CliffsNotes version of a more expansive story.

From its wintry setting to its subject matter to its cast, “Angels Crest” reminded me of David Gordon Green’s “Snow Angels,” an equally bleak but much better movie. It had the elements “Angels Crest” is lacking: a sharper eye to detail and a real sense of how this tragedy touched the lives of a community. And oh how the end of that film made me cry.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.

via GIPHY

It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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