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DID YOU READ

Tim Hetherington (1970-2011)

Tim Hetherington (1970-2011) (photo)

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Vanity Fair confirms that award winning photojournalist and documentarian Tim Hetherington was killed yesterday, the victim of an RPG attack in Misrata, Libya. Hetherington was in Libya covering the country’s ongoing civil war. He was 40 years old.

The independent film world best knew Hetherington for “Restrepo,” the documentary he directed with fellow Vanity Fair journalist Sebastian Junger about the war in Afghanistan. The film, about the day-to-day life and work of American soldiers at a military outpost, was an Academy Award and Spirit Award nominee for Best Documentary and won the Grand Jury Prize for documentaries at the 2009 Sundance Film Festival.

We covered “Restrepo” extensively at IFC.com from its first premiere at Sundance. I interviewed Junger and Hetherington, and Alison Willmore reviewed the film. Later, Stephen Saito, filed two different features on the film, a report on a screening at the True/False Festival and a Q&A with Junger and Hetherington to commemorate their Spirit Award nomination. Here are Stephen’s thoughts on Hetherington:

“During last summer’s press tour for ‘Restrepo,’ I had the opportunity to spend a half-hour with Tim Hetherington and his partner on the film and book Sebastian Junger. Of course, it wasn’t even close to the amount of time it would take to properly get to know someone, but more than enough to intuit what a humble and gracious gentleman he was, which given his line of work might come as a surprise. As Hetherington’s friends and colleagues have attested in one memorial after another, the man didn’t have the usual makeup for the occupation – he wasn’t an adrenaline junkie and his desire to capture great images was exceeded by his responsibility to finding the truth. Even more amazingly, he did not seem hardened by what he had seen, but instead all the more eager to convey the complexities of war that too few are willing or able to actually report on and was able to recognize through his lens the nobility in those that fought.”

I wrote the introduction to one of Stephen’s interviews with Hetherington and Junger. Today, I keep rereading this passage from that piece:

“How far would you go for a work of art? Directors Tim Hetherington and Sebastian Junger went all the way to a remote part of Afghanistan to bring us their powerful documentary ‘Restrepo.’ And when they got there, all they did was spend ten months in the middle of some of the most intense fighting in the war. When they were shot at, when they were blown up by a roadside bomb, they didn’t flinch. Even more impressively, they kept the cameras rolling.

“This seems like an astonishing sacrifice, but I imagine Hetherington and Junger don’t look at it that way. They would probably argue that they made no sacrifice greater than that of their subjects, the men of U.S. Outpost Restrepo, and they who don’t view what they’re doing as a sacrifice either. For the soldiers stationed at Restrepo, a tiny 15-man encampment on top of a hill in the middle of intimidating Korengal Valley, their work in Afghanistan is exactly that: a job. A dangerous job, but a job nonetheless.”

Even after all of “Restrepo”‘s acclaim, Hetherington didn’t flinch, didn’t stop. He did his job. But he didn’t just make that sacrifice for art. He did it for the truth.

You can read more about Hetherington’s life and work at Vanity Fair and watch “Restrepo” on Netflix Watch Instantly or on the National Geographic Channel next Monday night at 9:00 PM. Finally, here is Hetherington’s last film, “Diary” from 2010:

Diary (2010) from Tim Hetherington on Vimeo.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.