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Tribeca 2011: “The Good Doctor,” Reviewed

Tribeca 2011: “The Good Doctor,” Reviewed (photo)

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As a general rule, it’s usually considered unwise for a heartthrob type to play a bad guy early in their career, which is a shame since being easy on the eyes always makes the pain when they plunge the knife in just a little more painful. Orlando Bloom’s Dr. Martin Blake doesn’t want to have anything to do with knives – his desire to make it into the internal medicine program is so he’ll never have to administer needles, let alone a scalpel. Yet with hair swept over his forehead, you know Bloom has finally gone over to the dark side as Blake, a first-year resident who drowns in moral quandaries after becoming unusually obsessed with one of his patients (Riley Keough).

One wouldn’t be entirely wrong to think Blake is interested in the pyelonephritis sufferer Diane because of her blue eyes and blonde hair, but where John Enbom’s script becomes really interesting is by suggesting he’s enchanted equally by the idea of the girl’s family, dysfunctional as they are, who invite him over for dinner after he successfully cures their daughter. Living alone himself in a beach house with nothing but white wine, reheatable dinners and a fancy sound system to play classical music, Blake has only the comfort of going to work each day to keep him company.

Even there, he’s out of place surrounded by a nurse (Taraji P. Henson) who doesn’t defer to him, an orderly (Michael Pena) whose lack of decorum constantly dismays him, and a chief (Rob Morrow) uninterested in mentoring him, despite his best efforts to be respected by all three. Soon after believing he’s accidentally misdiagnosed a Mexican patient he can’t understand, Blake suddenly sees an opportunity for companionship when he’s invited over to the girl’s home and takes the time to switch her prescription without her knowledge, landing her back in the hospital, thus beginning an incredibly slippery ethical slide.

The film is actually reminiscent of “Shattered Glass,” which subverted the image of its leading man (Hayden Christensen) as the matinee idol who can be trusted simply because how could someone so clean cut not be? But it’s also the lack of charisma that such types are usually criticized for that becomes an asset, the blankness that lets them recede into the background even if they’re at the center of the frame, because first you’d never suspect them of anything, let alone imagine they think about anyone but themselves. Bloom doesn’t necessarily project this, though his past résumé is a string of films that has failed to pull out of him what he delivers in “The Good Doctor,” a person who is constantly thinking about others, not just of what they think of him, but as a way of deflecting attention from the unfortunate life of solitude he’s carved out for himself.

It’s a character study grafted onto a thriller and not only is Bloom game, but he brings with him an unusual group of collaborators that make it unsettling in all the right ways. Directing his first American film, Lance Daly, who previously helmed the excellent and completely unsentimental Irish love story “Kisses,” shoots much of the film at a remove, observing Blake’s descent without really commenting on it with any ornamentation until the final act, making the antiseptic aesthetic not just a practical choice to depict hospital life, but a creative one as it reflects the gray area of the doctor’s behavior before it all very much turns to black.

A couple niggling plot details prevent a full embrace of the film – for some reason, Diane doesn’t attend the dinner that she’s said to have wanted set up for Blake, and later on, J.K. Simmons comes around as an investigator who’s not a particularly strong interrogator. Yet “The Good Doctor” is too entertaining to dismiss for those reasons alone. It may be an unhealthy pleasure, but a pleasure nonetheless.

“The Good Doctor” currently does not have U.S. distribution, but will play the Tribeca Film Festival on April 26th and 30th and May 1st.

SAE SDCC 2017

SDCC OMG

Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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