Tribeca 2011: “The Good Doctor,” Reviewed

Tribeca 2011: “The Good Doctor,” Reviewed (photo)

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As a general rule, it’s usually considered unwise for a heartthrob type to play a bad guy early in their career, which is a shame since being easy on the eyes always makes the pain when they plunge the knife in just a little more painful. Orlando Bloom’s Dr. Martin Blake doesn’t want to have anything to do with knives – his desire to make it into the internal medicine program is so he’ll never have to administer needles, let alone a scalpel. Yet with hair swept over his forehead, you know Bloom has finally gone over to the dark side as Blake, a first-year resident who drowns in moral quandaries after becoming unusually obsessed with one of his patients (Riley Keough).

One wouldn’t be entirely wrong to think Blake is interested in the pyelonephritis sufferer Diane because of her blue eyes and blonde hair, but where John Enbom’s script becomes really interesting is by suggesting he’s enchanted equally by the idea of the girl’s family, dysfunctional as they are, who invite him over for dinner after he successfully cures their daughter. Living alone himself in a beach house with nothing but white wine, reheatable dinners and a fancy sound system to play classical music, Blake has only the comfort of going to work each day to keep him company.

Even there, he’s out of place surrounded by a nurse (Taraji P. Henson) who doesn’t defer to him, an orderly (Michael Pena) whose lack of decorum constantly dismays him, and a chief (Rob Morrow) uninterested in mentoring him, despite his best efforts to be respected by all three. Soon after believing he’s accidentally misdiagnosed a Mexican patient he can’t understand, Blake suddenly sees an opportunity for companionship when he’s invited over to the girl’s home and takes the time to switch her prescription without her knowledge, landing her back in the hospital, thus beginning an incredibly slippery ethical slide.

The film is actually reminiscent of “Shattered Glass,” which subverted the image of its leading man (Hayden Christensen) as the matinee idol who can be trusted simply because how could someone so clean cut not be? But it’s also the lack of charisma that such types are usually criticized for that becomes an asset, the blankness that lets them recede into the background even if they’re at the center of the frame, because first you’d never suspect them of anything, let alone imagine they think about anyone but themselves. Bloom doesn’t necessarily project this, though his past résumé is a string of films that has failed to pull out of him what he delivers in “The Good Doctor,” a person who is constantly thinking about others, not just of what they think of him, but as a way of deflecting attention from the unfortunate life of solitude he’s carved out for himself.

It’s a character study grafted onto a thriller and not only is Bloom game, but he brings with him an unusual group of collaborators that make it unsettling in all the right ways. Directing his first American film, Lance Daly, who previously helmed the excellent and completely unsentimental Irish love story “Kisses,” shoots much of the film at a remove, observing Blake’s descent without really commenting on it with any ornamentation until the final act, making the antiseptic aesthetic not just a practical choice to depict hospital life, but a creative one as it reflects the gray area of the doctor’s behavior before it all very much turns to black.

A couple niggling plot details prevent a full embrace of the film – for some reason, Diane doesn’t attend the dinner that she’s said to have wanted set up for Blake, and later on, J.K. Simmons comes around as an investigator who’s not a particularly strong interrogator. Yet “The Good Doctor” is too entertaining to dismiss for those reasons alone. It may be an unhealthy pleasure, but a pleasure nonetheless.

“The Good Doctor” currently does not have U.S. distribution, but will play the Tribeca Film Festival on April 26th and 30th and May 1st.

This Week

This Week on IFC: Judy Greer Visits CBB, Benders Sobers Up and Gigi Strips Down

The fun starts Thursday, October 15th, starting at 10P.


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This week on an all-new Benders, Paul (Andrew Schulz) decides it’s time to renounce beer and give the sober life a whirl. There’s a first time for everything, right? And if it gives him a chance to one up Anthony (Chris Distefano) in a new hockey division, that’s even better. Meanwhile, Karen (Lindsey Broad) hosts a book club and it goes about as well as you’d expect. Who knew book clubs don’t have keggers? See what unfolds this Thursday, October 15th, starting at 10P.

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Then on Gigi Does It, everyone’s new favorite bubby decides it’s time to tackle her body image issues. And what better way than to volunteer to pose nude for a local art class? Brace yourself for Gigi’s inner (and outer) beauty Thursday at 10:30P.

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Finally, Jurassic World and Married star Judy Greer stops by Comedy Bang! Bang! to show off the unique auditioning skills that have helped her to score roles in every movie and TV show. Plus, Kid Cudi gets into a hockey rivalry. Maybe a Benders crossover is in his future? Find out by tuning into Comedy Bang! Bang! in its NEW TIME SLOT, Thursday at 11P

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Hockey + Space = Funny

The Force Is With the Benders Star Wars Poster

The Force is with Benders Thursdays at 10P on IFC.

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A long time ago in an ice rink far, far away, the gang from Benders decided to pay homage to the Star Wars: The Force Awakens poster that recently hit the Web.

It is a period of civil war in amateur ice hockey. The taxation of beer kegs to outlying rinks is in dispute and it can’t be settled on the ice. Hoping to resolve the matter with a blockade of hockey sticks in front of the Zamboni, the greedy beer distributor has stopped all shipping to the small rink where the Chubbys play.

While the Congress of the Penalty Box endlessly debates this alarming chain of events, the Supreme Referee has secretly dispatched two of the best forwards in the league, the guardians of peace and justice on the ice and in the galaxy, to settle the conflict. But first they need to get a healthy buzz on.

Check out the Benders take on Star Wars below.


Gigi Does It Ice Skating

Gigi's Ready, Are You?

5 Ways to Get Ready for Tonight’s Gigi Does It

Catch Gigi Does It Mondays at 10:30P on IFC.

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Garfield might hate Mondays, but now that Gigi Does It is in its new time slot Mondays at 10:30P ET/PT, it’s your new favorite day of the week. Here are five ways you can get ready for tonight’s all-new episode.

1. Watch David Krumholtz Become Gigi

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Wondering how David Krumholtz transforms into Gigi? Check out a video time lapse to see the incredible work that goes on behind-the-scenes of Gigi Does It.

2. Get in Touch With Your Inner Kristy Yamatushy

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This week Gigi and Ricky hit the ice. Will they fall flat or soar like Olympic great Kristy Yamtushy?

3. See the Video That’s Too Hot for Facebook

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Gigi has a filthy mouth that is NSFW and Not Safe for Facebook. Check out the video Mark Zuckerberg doesn’t want you to see.

4. Read Gigi’s Book “Call Your Grandmother”

Call Your Grandmother

Gigi became an author recently when she self-published her heartwarming children’s book about the perils of forgetting to call your dear grandma. Read the story that could give Go the F**k to Sleep a run for its money on the bestseller charts.

5. Put on Something that Highlights Your Kishkes

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You’ll want to slip into something comfortable when you watch Gigi. Just ask poor Ricky.

Star Trek III Everett

Speak Klingon?

How Well Do You Know the Aliens of Star Trek? Take Our Quiz!

Catch a Star Trek movie marathon on IFC this month.

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From the Klingons to the Borg, the various Star Trek crews have encountered many alien races in the final frontier of space. Before you catch IFC’s Star Trek marathon, take our quiz on the various aliens from the movies and TV shows. We promise it’s easier than the Kobayashi Maru.


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