DID YOU READ

Tribeca 2011: “The Good Doctor,” Reviewed

Tribeca 2011: “The Good Doctor,” Reviewed (photo)

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As a general rule, it’s usually considered unwise for a heartthrob type to play a bad guy early in their career, which is a shame since being easy on the eyes always makes the pain when they plunge the knife in just a little more painful. Orlando Bloom’s Dr. Martin Blake doesn’t want to have anything to do with knives – his desire to make it into the internal medicine program is so he’ll never have to administer needles, let alone a scalpel. Yet with hair swept over his forehead, you know Bloom has finally gone over to the dark side as Blake, a first-year resident who drowns in moral quandaries after becoming unusually obsessed with one of his patients (Riley Keough).

One wouldn’t be entirely wrong to think Blake is interested in the pyelonephritis sufferer Diane because of her blue eyes and blonde hair, but where John Enbom’s script becomes really interesting is by suggesting he’s enchanted equally by the idea of the girl’s family, dysfunctional as they are, who invite him over for dinner after he successfully cures their daughter. Living alone himself in a beach house with nothing but white wine, reheatable dinners and a fancy sound system to play classical music, Blake has only the comfort of going to work each day to keep him company.

Even there, he’s out of place surrounded by a nurse (Taraji P. Henson) who doesn’t defer to him, an orderly (Michael Pena) whose lack of decorum constantly dismays him, and a chief (Rob Morrow) uninterested in mentoring him, despite his best efforts to be respected by all three. Soon after believing he’s accidentally misdiagnosed a Mexican patient he can’t understand, Blake suddenly sees an opportunity for companionship when he’s invited over to the girl’s home and takes the time to switch her prescription without her knowledge, landing her back in the hospital, thus beginning an incredibly slippery ethical slide.

The film is actually reminiscent of “Shattered Glass,” which subverted the image of its leading man (Hayden Christensen) as the matinee idol who can be trusted simply because how could someone so clean cut not be? But it’s also the lack of charisma that such types are usually criticized for that becomes an asset, the blankness that lets them recede into the background even if they’re at the center of the frame, because first you’d never suspect them of anything, let alone imagine they think about anyone but themselves. Bloom doesn’t necessarily project this, though his past résumé is a string of films that has failed to pull out of him what he delivers in “The Good Doctor,” a person who is constantly thinking about others, not just of what they think of him, but as a way of deflecting attention from the unfortunate life of solitude he’s carved out for himself.

It’s a character study grafted onto a thriller and not only is Bloom game, but he brings with him an unusual group of collaborators that make it unsettling in all the right ways. Directing his first American film, Lance Daly, who previously helmed the excellent and completely unsentimental Irish love story “Kisses,” shoots much of the film at a remove, observing Blake’s descent without really commenting on it with any ornamentation until the final act, making the antiseptic aesthetic not just a practical choice to depict hospital life, but a creative one as it reflects the gray area of the doctor’s behavior before it all very much turns to black.

A couple niggling plot details prevent a full embrace of the film – for some reason, Diane doesn’t attend the dinner that she’s said to have wanted set up for Blake, and later on, J.K. Simmons comes around as an investigator who’s not a particularly strong interrogator. Yet “The Good Doctor” is too entertaining to dismiss for those reasons alone. It may be an unhealthy pleasure, but a pleasure nonetheless.

“The Good Doctor” currently does not have U.S. distribution, but will play the Tribeca Film Festival on April 26th and 30th and May 1st.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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