DID YOU READ

Tribeca 2011: “The Good Doctor,” Reviewed

Tribeca 2011: “The Good Doctor,” Reviewed (photo)

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As a general rule, it’s usually considered unwise for a heartthrob type to play a bad guy early in their career, which is a shame since being easy on the eyes always makes the pain when they plunge the knife in just a little more painful. Orlando Bloom’s Dr. Martin Blake doesn’t want to have anything to do with knives – his desire to make it into the internal medicine program is so he’ll never have to administer needles, let alone a scalpel. Yet with hair swept over his forehead, you know Bloom has finally gone over to the dark side as Blake, a first-year resident who drowns in moral quandaries after becoming unusually obsessed with one of his patients (Riley Keough).

One wouldn’t be entirely wrong to think Blake is interested in the pyelonephritis sufferer Diane because of her blue eyes and blonde hair, but where John Enbom’s script becomes really interesting is by suggesting he’s enchanted equally by the idea of the girl’s family, dysfunctional as they are, who invite him over for dinner after he successfully cures their daughter. Living alone himself in a beach house with nothing but white wine, reheatable dinners and a fancy sound system to play classical music, Blake has only the comfort of going to work each day to keep him company.

Even there, he’s out of place surrounded by a nurse (Taraji P. Henson) who doesn’t defer to him, an orderly (Michael Pena) whose lack of decorum constantly dismays him, and a chief (Rob Morrow) uninterested in mentoring him, despite his best efforts to be respected by all three. Soon after believing he’s accidentally misdiagnosed a Mexican patient he can’t understand, Blake suddenly sees an opportunity for companionship when he’s invited over to the girl’s home and takes the time to switch her prescription without her knowledge, landing her back in the hospital, thus beginning an incredibly slippery ethical slide.

The film is actually reminiscent of “Shattered Glass,” which subverted the image of its leading man (Hayden Christensen) as the matinee idol who can be trusted simply because how could someone so clean cut not be? But it’s also the lack of charisma that such types are usually criticized for that becomes an asset, the blankness that lets them recede into the background even if they’re at the center of the frame, because first you’d never suspect them of anything, let alone imagine they think about anyone but themselves. Bloom doesn’t necessarily project this, though his past résumé is a string of films that has failed to pull out of him what he delivers in “The Good Doctor,” a person who is constantly thinking about others, not just of what they think of him, but as a way of deflecting attention from the unfortunate life of solitude he’s carved out for himself.

It’s a character study grafted onto a thriller and not only is Bloom game, but he brings with him an unusual group of collaborators that make it unsettling in all the right ways. Directing his first American film, Lance Daly, who previously helmed the excellent and completely unsentimental Irish love story “Kisses,” shoots much of the film at a remove, observing Blake’s descent without really commenting on it with any ornamentation until the final act, making the antiseptic aesthetic not just a practical choice to depict hospital life, but a creative one as it reflects the gray area of the doctor’s behavior before it all very much turns to black.

A couple niggling plot details prevent a full embrace of the film – for some reason, Diane doesn’t attend the dinner that she’s said to have wanted set up for Blake, and later on, J.K. Simmons comes around as an investigator who’s not a particularly strong interrogator. Yet “The Good Doctor” is too entertaining to dismiss for those reasons alone. It may be an unhealthy pleasure, but a pleasure nonetheless.

“The Good Doctor” currently does not have U.S. distribution, but will play the Tribeca Film Festival on April 26th and 30th and May 1st.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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