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DID YOU READ

Tribeca 2011: “The Carrier,” Reviewed

Tribeca 2011: “The Carrier,” Reviewed (photo)

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If you were to watch “The Carrier” without subtitles, there are many points at which you’d suspect nothing is wrong and perhaps that’s the saddest statement the film makes of all. A documentary about the life of a polygamous family in Zambia where the beauty of the landscape is diametrically opposed with the tragic spread of HIV between the members of the Mweeba clan, Maggie Betts’ film often features its subjects as expressionless when discussing contraction of the disease as though it’s an accepted part of life in their community, a feeling that emerges not out of a lack of care, but years of defeat.

For the family’s patriarch Abarcon, it’s a minor inconvenience, a price he pays for sleeping around with multiple partners both within and outside of his marriage, but for his three wives Brenda, Matildah and Mutinta, it’s tantamount to a death sentence well before they’re felled by the ultimately fatal symptoms of HIV as they live in constant fear of succumbing to AIDS or passing it onto their children. While the film only chronicles what appears to be a few months in their lives, it’s obviously emblematic of a cycle that was firmly established generations before and that the marginalization of women will only continue unless they start to challenge their place in society, a realization that comes to Mutinta when she discovers she’s carrying the latest of Abarcon’s many, many children.

Even without knowing anything about the making of “The Carrier,” it wouldn’t take long to guess that Betts was involved as an AIDS activist before she got into filmmaking, a fact that while being sussed out by a little research is evident from the film’s strident portrayal of Mutinta’s gradual empowerment after she entered into a marriage with Abarcon without knowing of his other wives and likewise, Abarcon’s nonchalance about the way he’s infected the lives of others in both the literal and figurative sense. (It’s actually the casualness of Abarcon, a handsome if not particularly charming or imposing man dressed in breezy shirts with David Beckham and Guess logos, that’s one of the film’s main points of interest, as he can’t easily be demonized.) Yet even if it seems at times that the weight of Betts’ passion is focused more on making a point than telling a story, the one she finds in the small village of Monze is too powerful to be denied.

That “The Carrier” is elegantly shot by cinematographer Kathryn Westergaard and crafted to get the maximum amount of tension from whether or not the wives’ current pregnancies will result in HIV-infected babies makes it far more engaging than most like-minded documentaries, but as one that earns its ultimately hopeful and uplifting conclusion, it’s a rare film that’s rewarding not only because it’s enriching, but because it’s richly told.

“The Carrier” currently has no U.S. distribution, but will play the Tribeca Film Festival again on April 25th, 26th and 30th.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.