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Tribeca 2011: Taylor Kitsch Joins “The Bang Bang Club”

Tribeca 2011: Taylor Kitsch Joins “The Bang Bang Club” (photo)

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There’s a reason Taylor Kitsch is the first person you see in “The Bang Bang Club,” despite the fact he’s not the film’s central character. As Kevin Carter, the real-life Pulitzer Prize-winning war photojournalist who fearlessly took photos of the demons plaguing South Africa during the end of Apartheid in 1990s while battling his own internally, he has the unenviable task of playing the lone member of the group with the titular nickname (referring to the pictures they snap) to wear the weight of the tragedy of his surroundings on his face as indelibly as the tattooed outline of Africa on his arm.

However, Kitsch’s Carter could be called the film’s beating heart not only for the decency he brings to the role, but also a charisma that as anyone who’s watched him play the stoic Tim Riggins on “Friday Night Lights,” currently finishing its final, extraordinary season on NBC, could tell you can seduce you even if he’s breaking your heart. While these things come naturally to Kitsch — he exudes both in person — several other aspects on “The Bang Bang Club” didn’t, requiring two months of heavy research, practicing a Johannesburg-inflected accent, subsisting on a diet of fruit, coffee and hot sauce to lose 30 pounds, and shadowing celebrity photographer Jeff Lipsky to operate a camera properly – all ironically serving the purpose on screen of making you not notice what a deeply nuanced performance it is.

With his rugged good looks, it’s been easy to be distracted from Kitsch’s acting prowess, but with this film and two upcoming blockbusters on the horizon (Pixar’s first live-action film “John Carter of Mars,” directed by “Finding Nemo”‘s Andrew Stanton, and Peter Berg’s “Battleship”), the secret’s about to be out and recently, I sat down with the star to talk about the toll of his most demanding part to date, the importance of trusting his gut and how his days of living on subways prepared him for a career in the movie business.

You recently co-hosted a benefit [with Friday Night Lights” co-star Connie Britton] in Austin with an African children’s choir – did that actually connect to “The Bang Bang Club” and has the experience lingered on more for you than some of the other work you’ve done, shooting in Johannesburg?

[The benefit] didn’t, [but the experience] definitely did. It took me a while to come out of it and to go back to Austin, it was a big thing to just be conscious of it and allow yourself to take your time to let go of it. Being in Austin helped because you’ve got people who know you for who I was before I went away and I may see a couple of things different when I come back. They just understand and allow the process to just kind of seep out. So it took quite a while and even now, there’s still quite a few emotional triggers with [Kevin Carter]. It just took a lot of me to play him and I just wanted to do it right.

TaylorKitschBangBang_04212011.jpgSince you still have a slight Canadian lilt, you’ve never actually used your own voice on film. Does having an accent every time out help you get into character?

I think any actor has to love that. It feels funny when you’ve played something that’s really close to you because that’s when you feel like you’re acting. When you’re playing something that’s so far from who I am, it just feels like you’re more in tune with that guy. So [in “The Bang Bang Club”] when you put on the accent and you lose the 30 pounds to play him and you have a different walk and you grow the gross beard, you pierce your ear, you dye your hair, it’s like all these little things add up and they help so much.

I’ve heard you shadowed photographer Jeff Lipsky, which is something that may be evident in how you hold the camera, but not necessarily something that shows up on screen otherwise. How did that help you?

It’s so technical because obviously we don’t have point-and-shoot cameras, so to make that an unconscious trigger where if I’m in a scene playing with my Leica, I don’t want that Leica to take over the scene where I’m like oh fuck, hopefully, I look like I know what I’m doing. I need to know the shit so inside out that it’s unconscious because that’s what they did. So shadowing Jeff and having this Leica with me for months before I go to camera with it, now when I see it, it’s like this is what it’s supposed to mean to me in a scene and if I can prep and give myself the best opportunity to play it honestly, it’s a no brainer to do it, to put that time in.

Even with two months of prep, this must’ve been one of the quickest shoots you’ve done in recent years. How does that compare to some of the marathon shoots like “John Carter of Mars” or “Battleship”?

I think every journey’s so different and I love that about the projects we’ve done. Each character and the story has been so different, and I’m very thankful [“The Bang Bang Club”] was only a three- to four-week shoot because I was quite a wreck doing it. If it was two, three months, it wouldn’t have ended well. I don’t think it would’ve been good for me, just with the weight loss and where I was psychologically, so I was very grateful it was a very quick shoot. And for me personally, it allows me to just go all out. Knowing that “Fuck, Kitsch, you’ve got three weeks then you’re done? Go. See what you can do.” But if you’ve got this marathon shoot, like I did “John Carter” – 107 out of 107 shooting days, I’m in every scene, so you’ve got to pace yourself. You’ve got to shut down, relax, sleep when you can and do all this. With Kev, it felt more like all in. It’s a different mindset for sure.

I had to ask an aside about “John Carter” since I’m so curious…

Great. I just saw the trailer hours ago, by the way. [grins]

It’s one thing to act against those green tennis balls on a CG-heavy movie, but is it harder giving a performance when you don’t necessarily know how you’ll wind up appearing onscreen?

I’ll tell you something about [Andrew] Stanton – I would get his coffee tomorrow. That’s how smart this cat is and with his years of preparation, I could see where he’s going -he storyboarded and had tests of what tharks [aliens on Barsoom] look like and he showed me, so that allowed me a trust because if I’m acting to tennis balls, I’ve got to trust in post, they’re going to kill it. They’re going to fucking make this guy do everything and anything Stanton’s saying right now to me what this guy is doing. For me, it’s just an enormous amount of trust for me to just go all in and believe him. With “Bang Bang,” I have more of a gut instinct going on a scene with someone right in front of me, like “okay, I’d love to try this and that.” With “John Carter,” I was lucky to work with Willem [Dafoe] and Sam [Morton], but there’s also takes where there’s nothing there and I’m talking to literally air and in post, they’re going to put a thark in, so there’s a bit of a difference there.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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