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Tribeca 2011: Taylor Kitsch Joins “The Bang Bang Club”

Tribeca 2011: Taylor Kitsch Joins “The Bang Bang Club” (photo)

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There’s a reason Taylor Kitsch is the first person you see in “The Bang Bang Club,” despite the fact he’s not the film’s central character. As Kevin Carter, the real-life Pulitzer Prize-winning war photojournalist who fearlessly took photos of the demons plaguing South Africa during the end of Apartheid in 1990s while battling his own internally, he has the unenviable task of playing the lone member of the group with the titular nickname (referring to the pictures they snap) to wear the weight of the tragedy of his surroundings on his face as indelibly as the tattooed outline of Africa on his arm.

However, Kitsch’s Carter could be called the film’s beating heart not only for the decency he brings to the role, but also a charisma that as anyone who’s watched him play the stoic Tim Riggins on “Friday Night Lights,” currently finishing its final, extraordinary season on NBC, could tell you can seduce you even if he’s breaking your heart. While these things come naturally to Kitsch — he exudes both in person — several other aspects on “The Bang Bang Club” didn’t, requiring two months of heavy research, practicing a Johannesburg-inflected accent, subsisting on a diet of fruit, coffee and hot sauce to lose 30 pounds, and shadowing celebrity photographer Jeff Lipsky to operate a camera properly – all ironically serving the purpose on screen of making you not notice what a deeply nuanced performance it is.

With his rugged good looks, it’s been easy to be distracted from Kitsch’s acting prowess, but with this film and two upcoming blockbusters on the horizon (Pixar’s first live-action film “John Carter of Mars,” directed by “Finding Nemo”‘s Andrew Stanton, and Peter Berg’s “Battleship”), the secret’s about to be out and recently, I sat down with the star to talk about the toll of his most demanding part to date, the importance of trusting his gut and how his days of living on subways prepared him for a career in the movie business.

You recently co-hosted a benefit [with Friday Night Lights” co-star Connie Britton] in Austin with an African children’s choir – did that actually connect to “The Bang Bang Club” and has the experience lingered on more for you than some of the other work you’ve done, shooting in Johannesburg?

[The benefit] didn’t, [but the experience] definitely did. It took me a while to come out of it and to go back to Austin, it was a big thing to just be conscious of it and allow yourself to take your time to let go of it. Being in Austin helped because you’ve got people who know you for who I was before I went away and I may see a couple of things different when I come back. They just understand and allow the process to just kind of seep out. So it took quite a while and even now, there’s still quite a few emotional triggers with [Kevin Carter]. It just took a lot of me to play him and I just wanted to do it right.

TaylorKitschBangBang_04212011.jpgSince you still have a slight Canadian lilt, you’ve never actually used your own voice on film. Does having an accent every time out help you get into character?

I think any actor has to love that. It feels funny when you’ve played something that’s really close to you because that’s when you feel like you’re acting. When you’re playing something that’s so far from who I am, it just feels like you’re more in tune with that guy. So [in “The Bang Bang Club”] when you put on the accent and you lose the 30 pounds to play him and you have a different walk and you grow the gross beard, you pierce your ear, you dye your hair, it’s like all these little things add up and they help so much.

I’ve heard you shadowed photographer Jeff Lipsky, which is something that may be evident in how you hold the camera, but not necessarily something that shows up on screen otherwise. How did that help you?

It’s so technical because obviously we don’t have point-and-shoot cameras, so to make that an unconscious trigger where if I’m in a scene playing with my Leica, I don’t want that Leica to take over the scene where I’m like oh fuck, hopefully, I look like I know what I’m doing. I need to know the shit so inside out that it’s unconscious because that’s what they did. So shadowing Jeff and having this Leica with me for months before I go to camera with it, now when I see it, it’s like this is what it’s supposed to mean to me in a scene and if I can prep and give myself the best opportunity to play it honestly, it’s a no brainer to do it, to put that time in.

Even with two months of prep, this must’ve been one of the quickest shoots you’ve done in recent years. How does that compare to some of the marathon shoots like “John Carter of Mars” or “Battleship”?

I think every journey’s so different and I love that about the projects we’ve done. Each character and the story has been so different, and I’m very thankful [“The Bang Bang Club”] was only a three- to four-week shoot because I was quite a wreck doing it. If it was two, three months, it wouldn’t have ended well. I don’t think it would’ve been good for me, just with the weight loss and where I was psychologically, so I was very grateful it was a very quick shoot. And for me personally, it allows me to just go all out. Knowing that “Fuck, Kitsch, you’ve got three weeks then you’re done? Go. See what you can do.” But if you’ve got this marathon shoot, like I did “John Carter” – 107 out of 107 shooting days, I’m in every scene, so you’ve got to pace yourself. You’ve got to shut down, relax, sleep when you can and do all this. With Kev, it felt more like all in. It’s a different mindset for sure.

I had to ask an aside about “John Carter” since I’m so curious…

Great. I just saw the trailer hours ago, by the way. [grins]

It’s one thing to act against those green tennis balls on a CG-heavy movie, but is it harder giving a performance when you don’t necessarily know how you’ll wind up appearing onscreen?

I’ll tell you something about [Andrew] Stanton – I would get his coffee tomorrow. That’s how smart this cat is and with his years of preparation, I could see where he’s going -he storyboarded and had tests of what tharks [aliens on Barsoom] look like and he showed me, so that allowed me a trust because if I’m acting to tennis balls, I’ve got to trust in post, they’re going to kill it. They’re going to fucking make this guy do everything and anything Stanton’s saying right now to me what this guy is doing. For me, it’s just an enormous amount of trust for me to just go all in and believe him. With “Bang Bang,” I have more of a gut instinct going on a scene with someone right in front of me, like “okay, I’d love to try this and that.” With “John Carter,” I was lucky to work with Willem [Dafoe] and Sam [Morton], but there’s also takes where there’s nothing there and I’m talking to literally air and in post, they’re going to put a thark in, so there’s a bit of a difference there.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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