This browser is supported only in Windows 10 and above.


Paul Feig on Finding the Humor in Steve Carell’s Tearful Exit from “The Office”

Paul Feig on Finding the Humor in Steve Carell’s Tearful Exit from “The Office” (photo)

Posted by on

It’s true, Paul Feig is available for weddings and other special occasions, but only for “The Office.” The show, which has invited its former co-executive producer back to direct many of its biggest events, such as Jim and Pam’s nuptials (“Niagara”), once again turned to “Freaks and Geeks” creator to helm Steve Carell’s final turn as the often clueless Michael Scott on the show, which airs Thursday night on NBC. “Goodbye, Michael” will see the Scranton branch manager of Dunder Mifflin leave for Colorado while his replacement (Will Ferrell) and the veteran staff duke it out for his clients.

Even without his prior connection to the show, few directors would be better suited to manage the emotions of the occasion as well as keeping the laughs on track as Feig, having helmed at least one episode of nearly every great television comedy in the past decade. In two weeks, we will have a much longer interview with him about his career as a director on the eve of the release of his latest feature “Bridesmaids.” But in the mean time, we wanted to post this part of our conversation about what it was like to be on the set for Carell’s swan song as one of television’s most famous characters.

What was it like to balance the emotions of the day while doing a comedy?

It was just emotionally hard because I actually hadn’t been back in like a season-and-a-half since the wedding episode, which I loved and then I just got busy with the movie and other stuff. But when this popped up, I was thrilled to do it. It was hard because even though I was away for a season-and-a-half, the enormity of the fact that Steve was leaving was always around us.

I think Michael Scott is one of those seminal characters in TV history, just like Archie Bunker was or Ted Danson’s Sam Malone. And it was funny because Greg Daniels, [“The Office” creator] who is one of my heroes, he was very smart because every scene was so emotional — we were getting all choked up and.occasionally you’d [think] this episode’s going to be great just because it’s going to be so emotional and sad — and he kept going, “Yeah, but if it doesn’t work that way, it might just be too much. We don’t just want to roll around in this emotion all the time.”

Mindy Kaling was actually saying the scariest thing is you become the thing where you’re doing something where everyone’s sad and crying and the audience at home is going like, “Why’s everybody crying? It’s not that sad.” So if you make something more out of it than the audience is feeling, then you’ve just got disaster because that’s where everybody’s like “yech…” So it was interesting dealing with this emotion on the set where everybody was very emotional because like “this is my last scene with Steve” and all that, yet all of us still being able to go like, “Wait, okay, let’s make it funny. It’s still got to be funny.” So it was a real challenge, but it was a fun challenge and everyone was so good in it.

What was it like to working with Steve on his final show?

Steve’s just one of the best comedic actors…just best actors, period, but he has an ability to ground everything. Nothing he does is bullshit. And he has such a high meter of “No, that’s fake. I wouldn’t do that. The character wouldn’t do that. This feels unreal.” That’s that’s why he’s so funny because it’s all so human what he’s doing. Even when he’s doing stuff that’s bigger, it’s still coming from this very human place and so I’ve learned so much working with Steve. He’s just one of my heroes. But it was interesting. We’re actually going to shoot some more stuff for the episode because I think we’re going to try to expand it to an hour. [NBC did, in fact, supersize the show to be an hour long.)

I hope you didn’t have to bring Steve back.

No, Steve’s gone! Wouldn’t that be the best? Harmonies, tearful goodbyes. Oh, here he’s back. It’s like leaving your going away party and then you forget your keys, so [after] everybody’s tearful goodbye, you come back [sheepishly], “Oh I forgot my keys, sorry, goodbye.”

The “Goodbye, Michael” episode of “The Office” airs April 28th at 9 p.m./8 p.m. CST.

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More

Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

Posted by on
GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

Watch More