Some Highly Subjective Retroactive Video Game Grammy Awards

Some Highly Subjective Retroactive Video Game Grammy Awards (photo)

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I’ve always loved instrumental music but there’s something particularly special about video game music. My personal theory is that it’s different from other species of earworms, because it’s soaking into your neurons while your cognitive faculties are flexing to solve some gameplay riddle or another.

With the Grammy powers-that-be reorganizing categories to recognize music appearing in video games, my first thought was “It’s about damn time!” Once my indignation cooled, I wondered about game music that would’ve won Grammys if the new openness had been in place since the earliest days of the medium. Here’s a quick list of killer tracks that I’ve loved over the years.

1. “Creation – The State of Art”
“A Gamer’s Guide to Rez”
Ken Ishii

“Rez” creator Tetsuya Mizuguchi took his inspiration from the rave music scene so the whole soundtrack vibrates with glowstick energy. (An official CD release came out years ago and has become a rare find on the eBay circuit.) Yet the music doesn’t sound hopelessly dated in an oontz-oontz-oontz kind of way. All of the tunes–even the menu and title screens–are great, making it hard to pick just one. Still, for me, the audio for the third level of the game stands out from the rest. Japanese DJ Ishii’s nearly ten-minute track takes players on an odyssey even without the neon-colored vector graphics of the game.

2. “Hyllian Suite”
“Beyond Good & Evil”
Christophe Heral

Planet Hyllis, where beloved game “Beyond Good & Evil” took place, looked where a lot of culture mixing takes place. Michel Ancel and his dev team gave us anthropomorphic animals–pig uncles, rasta hippo mechanics, walrus shopkeepers–peacefully living with funky bohemian humans. The soundtrack from French composer Christophe Heral–who’s also done film, animation and TV work–reflects a polyglot sensibility, too, coming across as symphonic world music with a sense of humor. This mini-overture in particular sets up both the action and the emotional notes of heroine Jade’s story. It doesn’t seem that the music was made available separately from the game, though.

3. “Super Mario Bros Theme”
“Super Mario Bros. Theme”
Koji Kondo

What’s most amazing about this iconic piece of music is how supple it is. The 8-bit version that most gamers originally encountered on the NES always sounded a bit mischievious and portentious, alternately egging you on and advising caution. Played on solo piano as in the video above, it’s got a jazzy swing to it. When done in concert with Tommy Tallarico and his Video Games Live crew, it swells majestically. Any way you play it, Mario’s theme music has become one of the most pervasive and enjoyable pop culture jingles of the last 40 years.

4. “Lighthouse”
Soundtrack for “Splinter Cell: Chaos Theory”
Amon Tobin

You can hear the infleunce of Ennio Morricone, which suddenly gives way to Tobin’s signature frantic drum’n’bass collage. The 10-song soundtrack was recorded in Dolby 5.1 and marked one of the first times British DJ Tobin worked with a full orchestra. The best thing about this track in particular is how it mirrors the gameplay of “Splinter Cell.” The bassline starts off moody and sneaky, creeping along with strings and organ sounds for company, until the whole thing erupts into violence. It sounds like franchise hero Sam Fisher staking his prey, in only in awesome musical form.

5. “Passing Breeze”
“Out Run”
Hiroshi Miyauchi

Like long-running TV shows of the past, video game companies in the 1980s had house bands who’d do music for scores of titles coming out. They’d also do pop rock versions to be sold as tie-in merchandise for the games they accompanied. At Sega, there was the S.S.T. “Out Run” was the first game that let players choose their own accompaniments, a feature which helped make it a big hit. Sega’s classic driving game has seen several remakes and the music’s been updated, too, but I still prefer the synthy percussion of the initial arcade release. One tricky aspect of most video game music is that it has to loop back onto itself, because you’ll never know how long it takes a particular player to finish a stage or a mission. With a track as good as “Passing Breeze,” you can just set it in repeat and bask in its beachy groove. Perfect for top-down driving, even in real life.

6. “Still Alive”
Jonathan Coulton

With its sequel just out, it might be a little hard to remember just how mind-bending the spatial puzzles of the 2007 hit were. Shifting momentum and shunting from one platform to another time after time never got easier, especially with bitchy AI GLaDOS snarking at you all the way. That’s what made this credits song at the game’s end such a special reward. You get begrudging respect from GLaDOS and a hint that her death wasn’t as final as you thought, all done in retro-nerd ASCII style. Coulton’s song launched thousands of internet jokes, partially because it tapped in an awesome shared experience but also because it’s cute and funny, with a touch of loopy aggression, too.

7. “Que Sera, Sera”
“Katamari Damacy”
Written by Asuka Sakai, Performed by Charlie Kosei

A bizarre game needs a bizarre soundtrack and 2004’s “Katamari Damacy” got one in spades. The cult PS2 game has you rolling up stuff onto a giant sticky ball and the music you play alongside spans the range from Brazilian samba to dreamy electro-pop. While fans love the na-na-nahs of the game’s main theme, for me, “Que Sera, Sera” exemplifies the weird-cute vibe offered by Keita Takeshi’s masterpiece. It explains the loopy logic of the game mechanics in absolutely sincere lounge-act Engrish and hints at the beating heart of the game’s hero, the long-suffering Prince of All Cosmos, too.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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