This browser is supported only in Windows 10 and above.

DID YOU READ

Lollapalooza 2011: a missed booking opportunity

Lollapalooza 2011: a missed booking opportunity (photo)

Posted by on

This year’s Lollapalooza, slated for the first weekend of August in Chicago’s Grant Park, is being billed as a celebration of the festival’s 20th anniversary, despite a hiatus that lasted the better part of a decade. You might think that, to coronate the close of the fest’s second decade, Perry Farrell might be looking to push Lollapalooza again to its formerly conception-shattering status, back when Ministry shared bills with Seaweed, Steve Earle with Wu-Tang Clan. Maybe you even hope that Farrell would stun with a few unexpected alumni and a fleet of artists who are, in 2011, pushing buttons in the ways of their forebears.

Instead, Farrell announced a lineup Tuesday that reads mostly like an abbreviated, milquetoast Top 40 playlist, surrounded by a passé flock of buzz bands. This year’s big expansion is Perry’s Place, an all-electronic annex that gathers big name DJs, mash-up dudes, rappers and producers. According to Greg Kot, it will double in size this year. When Girl Talk and Kid Cudi are the anchors of your big bonus, you’ve got problems–namely, you look obvious, with an edge as hardened as Irish butter. And speaking of butter, Farrell also wants everyone to know how fancy this year’s food will be. That’s his gift. Well, then, Lollapalooza 2011 is a missed opportunity.

Sure, there’s plenty of decent bands playing this year’s Lollapalooza, and the variety is, as always, an apparent priority. Headliner Eminem at least has Minneapolis rapper Atmosphere and New York’s Nas (unfortunately, with Damian Marley in tow) for company, while techno–from main-stagers deadmau5 to those sequestered into Perry’s Place, which is a gross name for a stage–gets more than its share this year. The festival, of course, relies heavily on a mix of rock ‘n’ roll stripes: There’s the massive lumber of My Morning Jacket, the prematurely reunited blasts of Death from Above 1979, the limber tunes of OK Go, the hyper-referential words of the Mountain Goats, and the weepy bliss of The Pains of Being Pure at Heart, just to sample. Muse, Coldplay and Foo Fighters all split headlining duties with Eminem; whoops?

The roster of Lollapalooza alumni is an astonishing blend of artists who sort of shocked the mainstream with the chances they took–see Beck, Beastie Boys, Smashing Pumpkins–and bands just too strange or aggressive or, really, great to make a big crossover dent. This is a festival that Body Count played in 1991, Lambchop in 1994; it took its chances, and, since we’re still talking about it two decades later, mostly won.

“A lot of this music–we’ll call it festival music–it’s still not popular music,” Farrell said in a widely circulated AP story yesterday. He’s lying, frankly. Lollapalooza has never before seemed so complacent with accepting standard and assumed popular fare. It’s an insult to a legacy that has a lot to do with how well what might’ve once been limited to the indie rock ghetto has done popularly and financially in the last decade. Now, it’s another big festival in another big park in another big city. There’s nothing wrong with that; in the past, that just wasn’t Lollapalooza.

(Note: Grayson Currin curates a North Carolina music festival, Hopscotch. It is quite different from Lollapalooza, both in scope and aim.)

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.