This browser is supported only in Windows 10 and above.


Tribeca 2011: “Jesus Henry Christ,” Reviewed

Tribeca 2011: “Jesus Henry Christ,” Reviewed (photo)

Posted by on

When Dennis Lee made his first film a few years back called “Fireflies in the Garden,” he made one brilliant hiring decision. It wasn’t Ryan Reynolds or Willem Dafoe, who both starred in the film, but rather the cinematographer Danny Moder, who had but a few credits as a DP to his name and also a wife named Julia Roberts, who took a supporting role in the drama. As it stands, the film has never been released in America, the first of Roberts’ never to do so – and to be fair, the company with the film’s rights went belly up, which had the unintended consequence of making “Jesus Henry Christ” Lee’s debut in his home country, though it may very well be seen by just as few people.

While Roberts doesn’t actually appear onscreen in “Jesus Henry Christ,” it’s her production company (Red OM Films) that made it and should be mentioned, not because it’s intended to be mean to Ms. Roberts or anyone involved, but it goes a long way towards explaining how a disaster like this comes into being. Granted, it was based on a Student Academy Award-winning film by Lee as a Columbia grad student, but without Roberts’ involvement, this film wouldn’t be able to cast Toni Collette and Michael Sheen only to waste them, it would lose its provocative but ultimately empty title, and most likely sit somewhere in the middle of the pile of scripts that holds up the weak end of a producer’s desk. (If it’s of any comfort, Roberts does see a return on her investment in Moder since the film’s visuals are its one redeeming quality.)

But I’m getting ahead of myself, and that’s perhaps because I’m at a loss for how to describe “Jesus Henry Christ.” Maybe a good place to start is the Post-it notes. Multicolored and arranged perfectly around the office of Dr. Slavin O’Hara (Sheen), they may be the best encapsulation of what the film is. You see O’Hara may or may not be the paternal father of Henry (Jason Spevack), a genius child with a photographic memory that has come to seek him out since the only question he doesn’t have an answer for is how he was actually conceived. His mother Patricia (Collette) was a bra-burner in her day, not to mention a daughter who saw her mother burned to a crisp when her father doused her with alcohol in a birthday cake-related incident when she was 10, so she conceived via test tube to avoid males completely.

Now, Henry’s ten himself and she lacks the fire to keep him from searching for his biological father. He doesn’t have to look far as he discovers O’Hara’s book “Born Gay or Made That Way?” and O’Hara in a local bookstore. Conveniently, as a professor at a nearby university, O’Hara doesn’t look far for his subjects, either. His first book was based on studying his daughter Audrey (Samantha Weinstein), who’s mercilessly teased at school as being a “lesbo” after its publication. Once again O’Hara pulls out the Post-it notes for Henry because he lacks the memory to document the wunderkind otherwise.

But Lee has an ulterior motive for the Post-it notes, which are used ultimately to stage a climactic scene where during a storm where O’Hara flings open his office’s windows so that the Post-it notes can swirl around the professor like a rainbow. It isn’t the only 360° shot in the film – the first time the full quartet goes out for lunch, the camera goes round and round the table to document their clear unease with each other, though the main reason your head will spin is from all the BS psychobabble thrown in the direction of the audience.

However, all this motion doesn’t actually move the film forward, nor do digressions like visits with a jive-talking, dashiki-wearing white secretary at the sperm bank, a 10-minute conversation between Henry and his American grandfather in Spanish, or references to Jonathan Frazen being a hack. To Lee, they share the colors of the Post-it notes, bright pastels that burst in every direction, but exist only as messy individual thoughts that never coalesce into a whole.

Mistaking style for substance, “Jesus Henry Christ” would seem to want to tell the story of a makeshift family brought together by unusual circumstance, but the film only winds up pulling them apart, allowing each character to exist only in their private world where they can be a collection of quirks and insecurities rather than identifiable human beings who could possibly relate to each other or anyone else. When the film’s ending finally rolls around with a completely out-of-context admonishment to “Be the change we want to see in the world,” it becomes a sad self-reflexive commentary on how a film that tries so hard to be different ends up being so very average and one that isn’t memorable even with a stack of Post-its.

“Jesus Henry Christ” currently does not have U.S. distribution. It will play the Tribeca Film Festival on April 27th and 30th.

Watch More

A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

Posted by on
GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

Watch More

WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

Posted by on

Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

Watch More

Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

Posted by on
GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

Watch More