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Tribeca 2011: Jean-Pierre Améris Delights With “Romantics Anonymous”

Tribeca 2011: Jean-Pierre Améris Delights With “Romantics Anonymous” (photo)

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Even before the credits begin on “Romantics Anonymous,” Jean-Pierre Améris’ comedy wins its audience over with a simple interpretation of “I Have Confidence” from “The Sound of Music,” made even more adorable by the way it’s sung by Angélique Delange (Isabelle Carré) as she strolls down the street. It’s bold, which is something the film’s characters Angélique and her soon-to-be boss Jean-Rene (Benoît Poelvoorde) are not, but that’s the charm of Ameris’ love story where the barrier to romance isn’t just getting the other person to let down their guard, but to overcome their own social anxiety. Which is a shame since besides a shared lack of self-assurance, Angélique and Jean-Rene have a love of good chocolate that they’ll need to sell if they’re to save Jean-Rene’s confectionary from bankruptcy.

Fortunately, Ameris didn’t let his own confidence issues come in the way of making “Romantics Anonymous,” instead drawing inspiration from it to make his first comedy after a career making dramas that have largely dealt with the subject of fear. Here, it is Jean-Rene’s fear of sweating through his shirt and Angélique’s dread at drawing attention to herself as an exceptionally talented chocolatier that often lead to the film’s considerable laughs and naturally, it came as a relief to the French writer/director that the comedy was received as one of this year’s Tribeca Film Festival’s word-of-mouth sensations. While in New York, Ameris spoke through a translator about what the Stateside reception has meant to him as well as what went into making “Romantics Anonymous” and how it can sometimes be very lonely making a comedy.

How did this film come about?

It was actually a long process. About 10 years ago, I started going to these Emotions Anonymous meetings [that Angélique attends in the film] and it was a stage in my life where I started developing fears of a lot of things, of even leaving my apartment. I refused dinner invitations. I didn’t want to go to film festivals anymore. And so I found out about the existence of this group, Emotions Anonymous and I joined them.

When I started attending those meetings, I was really touched to find out that there are so many people affected by this and people that you never would guess have this problem. For example, you’d see an apparently successful businessman or some really pretty women who go there and share that any kind of date is an issue for them. Because of the way I am, everything becomes cinema in my life, so I thought there could be a good movie to come out of that — talking about people whose fear is so deep, and their biggest fear is being looked at by others.

RomanticsAnonymous_04302011.jpgYou’ve almost exclusively directed dramas in the past. How did you know the subject matter lent itself to a comedy?

When I first started writing, it was very clear to me that the subject itself was comedic. When you go to these groups where you share your experiences, at the moment you experienced it, it seemed like catastrophe, but then the simple fact of talking about it makes you realize how funny it can be and people end up laughing. That laughter has a relief component. It really makes you feel that it’s fine. I think actually it would been pleonastic to make a drama out of such suffering.

Was it difficult for you to make the transition from comedy to drama?

It’s actually very difficult, as I found out, to work with comedies — when you write, when you shoot, when you edit. It requires you to be a lot stricter with the way you work and you never know at the outset whether a scene will make people laugh. For example, when we worked with a scene where [Benoit Poelvoorde] comes back with a shirt with ruffles instead of the plain shirt [during a dinner date], my actor didn’t believe in it and the people that were around us when we shot weren’t laughing that much, so I actually experienced some moments of true solitude as I was doing that.

You never know whether something will be successful until you show it to people and that’s something a lot of comedians that are well-known have said, that you always need to wait until you have feedback from the audience. I believe that working with comedy requires a lot of trust and a lot of bravery and a lot of discipline as well. It is a true risk and actually, this goes hand in hand with the type of subject I was dealing with. It’s about taking risks because instead of being funny, you can be ridiculous. And that’s a great risk, which I find very interesting and beautiful at the same time.

romanticsanonymous2_04302011.jpg Angélique, played by Isabelle Carré, sings to herself to boost her courage. How did that idea come about?

This idea came from the actress herself. It’s my second movie with her and it’s somebody I totally trust. She has a lot of points in common with the character herself and with me. When I wrote the script, I wrote it for her and when we were talking about it, she shared with me this bit of information about herself, which is that whenever she has to tackle a difficult situation, she actually sings a song and sometimes they’re songs that are on TV or often it’s the song from “The Sound of Music.” And that’s what we chose to put in.

It’s also interesting that this film deals with characters reaching middle age, which is a point where one doesn’t necessarily meet new people and a certain comfort sets in. Was that an interesting starting point for you to make a romantic comedy?

I hadn’t really thought of it that way, but you actually have a very good point. Actually, I wanted to show characters that were closer to my age – that was the initial idea. And this condition is something that starts out when you’re young, you’re growing up, but it continues. It never really stops. I think it’s really painful when we reach age 40, let’s say, and we realize we’ve failed at our love life and at our jobs because we’re paralyzed by fear. So I wanted to show people that we’re halfway through our lives and I wanted to show that everything was still possible. It was still possible to find love, to find professional success. I really set out to show that positive outcomes were possible.

Has seeing the film connect with audiences in New York been gratifying?

It was a pleasure, of course, to find out that the subject I tackled is truly universal and I’m particularly happy about the success in the United States because the film is nourished by my love for American romantic comedies of the ’50s, so it’s a little bit like going back to the source.

“Romantics Anonymous” does not yet have U.S. distribution, but will play the Tribeca Film Festival on April 30th at 9:45 p.m.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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