DID YOU READ

I Love “I Love Phillip Morris”

I Love “I Love Phillip Morris” (photo)

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When a movie takes a long time to come to theaters after its festival premiere, there’s a tendency to assume the worst. We forget sometimes that festivals are more about heat than quality, and that it’s the hottest movies, not always the best ones, that are most quickly acquired and released. A lengthy interim between festival and release doesn’t necessarily mean a movie is shelved because it’s bad. It might just be a tough sell. I got a big-time reminder of that this week when I watched “I Love You Phillip Morris” by writer/directors Glenn Ficarra and John Requa.

Released late in 2010 almost two full years after its premiere at the 2009 Sundance Film Festival, “I Love You Phillip Morris” hybridizes and satirizes several different genres, most prominently the con man movie and the romantic comedy. Jim Carrey stars as Steven Russell, a police officer and family man who has an epiphany one day and decides he can’t live a lie anymore. So he comes out of the closet and moves to Miami. He even gets a couple of adorable little dogs. Things are going well for Steven until his expensive tastes begin to outpace his income. His get rich quick schemes eventually land him in jail, where he meets his soulmate, another gay prisoner named Phillip Morris (Ewan McGregor). “I Love You Phillip Morris” makes fun of a lot of stuff about life and movies, but it doesn’t make fun of Steven and Phillip, or of the idea of two men falling in love. And Carrey and McGregor have absolutely terrific chemistry together. Here is their first meeting.

I’m really kicking myself over waiting so long to see this film because I know and love the directors’ best known work as screenwriters. “Bad Santa” was a movie so brilliantly deranged that at the time it was released some speculated that Ficarra and Requa were actually Roderick Jaynes-esque pseudonyms for the Coen Brothers, who executived produced the movie. What Ficarra and Requa do better than just about anyone except the Coens is blend really dark humor with unforced sentimentality. This next scene is a perfect example. It’s romantic and hysterically funny all at once. It’s also NSFW with lots of profanity, so put your headphones on for this one.

I grew up a Jim Carrey fan, first from watching on “In Living Color” and then all through his early livewire physical comedies like “The Mask” and “Dumb and Dumber.” There was a time when I knew every single line from “Ace Ventura: Pet Detective” and could act it out as a one man show (and did, on a few pathetic occasions). “I Love You Phillip Morris” is the first time I’ve seen the Carrey I loved as a kid in a film in at least a decade, and he’s fused that manic persona with the brilliant dramatic side he showed in films like “The Truman Show” and “Eternal Sunshine of the Spotless Mind.”

The quintessential Carrey hero is the modern man at total extremes: the man who can’t tell a lie, the man who can’t say no, the man granted godly powers. Steven Russell is the man who can’t tell the truth; sort of “Liar Liar”‘s Fletcher Reede in reverse. But “I Love You Phillip Morris” adds a dimension of genuine emotional drama: Russell’s condition isn’t the result of a kid’s magic wish, or a bored God putzing around our mortal coil, it’s borne of genuine human pathology. Russell knows he has a problem and is powerless to stop it. He’s a little bit of an inversion of Truman from “The Truman Show” as well; instead of the naive innocent at the mercy of a world that is always performing in front of him, Carrey is now the one manipulating everyone around him with deception and lies.

Of course, there are plenty of opportunities for comedy here as well. This scene showcases some great Carrey physicality, and shows off some directorial chops from Ficarra and Requa as well:

The stuff I’d read and heard about “I Love You Phillip Morris” made the film sound a bit one note — following a guy repeatedly trying to break out of jail to reunite with a lost lover — but it’s much more nuanced than that. True, there are some brilliant escape plans, but long stretches feature both Steven and Phillip out of prison, and subversively poke fun at suburban complacency and idiotic corporate culture. They key to any good con man movie is that the film itself has to be as smart as its protagonist. This one is. All of Steven’s lies and deceptions reflect back on his love for Phillip. In some ways, the couple is freer in prison than they are in “polite society,” where they have to keep their relationship secret from the squares Steven works for.

Those scenes also work metatextually as commentary on the film’s struggles at the box office. “I Love You Phillip Morris” earned back all of its budget and more overseas, but made just $2 million dollars domestically. Jim Carrey has almost three million followers on Twitter, which means less than ten percent of them turned out in the U.S. for his best performance in years. I can only assume the film’s stateside flop was because close-minded American audiences still aren’t willing to watch a romantic comedy about two gay men. Those people should reconsider. In a world where romantic comedies have become tiresome and formulaic, “I Love You Phillip Morris” is exactly the kind of rom-com we need. It’s funny, sweet, and, thanks to Russell’s constant con games, wonderfully unpredictable.

“I Love You Phillip Morris” is now available on DVD. You can buy it on Amazon or rent it on Netflix.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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