DID YOU READ

Seven Rare Films To Watch Now Before Google Video Dies

Seven Rare Films To Watch Now Before Google Video Dies  (photo)

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This post will self-destruct in two weeks…well, not exactly, but the videos below will be since Google unceremoniously announced the end of Google Video over the weekend that they are putting a kibosh on the video service as of April 29th that unlike the one they eventually bought, YouTube, allowed users to upload video longer than 10 minutes. This development won’t be mourned by many, as the video quality was never that great and since 2009, users lost the ability to upload videos, so it became something of a barren wasteland in terms of content.

However, unrestricted by time and largely ungoverned, the site also became the place on the Internet where cinema’s orphans could be widely seen, either because they now belong to the public domain or because issues legal or otherwise have prevented their release through traditional means. Naturally, this meant there was plenty of piracy on the site of more recent films, much of which was eventually cleaned up, but for cinephiles, it also offered easy access to films that were mostly exclusive to the bootleg market, including a lot of early films that add context to some famous filmmakers’ later oeuvres or obscurities that must be seen to be believed. Here is a sampling:

“Fear and Desire”

Last year, there was word that a DVD edition of Stanley Kubrick’s first feature film may finally become available in the near future after Eastman House uncovered a print in a Puerto Rican film lab they inherited, but the late director long tried his best to keep the film out of circulation, which is why this online version is the closest most cinephiles have ever gotten to see the film, featuring future writer/director Paul Mazursky as one of four soldiers who must fend for themselves in an unidentified country after their plane crashes in enemy territory. After Kubrick raised the film’s $10,000 budget on his own, he sold the rights to foreign film distributor Joseph Burstyn, who subsequently went out of business, leaving “Fear and Desire”‘s rights in limbo and public screenings have been rare ever since.

“American Boy”

The last time this 1978 documentary from Martin Scorsese was widely available, it was still mostly for collectors as part of a laserdisc set The Voyager Company (of which the Criterion Collection descended) released of the director’s early nonfiction shorts in 1990. As Dave Kehr wrote for that disc’s liner notes, the film’s subject Steven Prince bears a resemblance to “The King of Comedy”‘s Rupert Pupkin as a storyteller in search of an audience, though Prince is genuinely captivating as he simply tells tales from his growing up, and the film is insightful not only in terms of Scorsese’s style (full of closeups) taking shape, but into the influences that shaped him as it’s clear Prince is a close friend. (It’s also obvious the film had an impact on Quentin Tarantino since one of the anecdotes is the basis for one of “Pulp Fiction”‘s most famous scenes.) If you find the time, after you see “American Boy,” you should do yourself a favor and watch Tommy Pallotta’s wonderful follow-up doc “American Prince” – also available for free online — which catches up with Prince in the present day when he’s as compelling as ever.

“HWY: An American Pastoral”

This experimental film starring Jim Morrison got a resurrection last year when Tom DiCillo dug it up to serve as the backbone for his documentary on The Doors, “When You’re Strange,” which had the surreal effect of bringing the late singer back to life since so few people had seen the original film and the image of a bearded Morrison coasting through the desert and ultimately ending up in Los Angeles is eerie to say the least, though it ultimately owed far more to the influences of Michelangelo Antonioni than it does the singer’s personal journey. As DiCillo told me during an interview last year, “There’s no way in hell we could’ve recreated that” and indeed, the clips in “When You’re Strange” get the best presentation the film has ever received, yet the film is currently only available in full online.

“Begotten”

No less than Susan Sontag labeled future “Shadow of the Vampire” director E. Elias Merhige’s highly experimental 1991 horror film “one of the 10 most important films ever made,” which surprised the writer/director since as he told Filmmaker magazine years later, “I had people telling me I’d be lucky if I could ever show the film for free.” Ultimately, that’s how it worked out since short of paying upwards of $60 on eBay for an out-of-print self-distributed DVD of the film, the version online is the only way to see this dialogue-free, black-and-white variation on the story of Genesis that’s extraordinary for what Merhige was able to do with the processing of the film for a surreal visual effect.

“Society of the Spectacle”

SnagFilms has cornered the market on delivering free documentaries to the public online, but Guy Debord’s 1973 adaptation of his own philosophical book about how society has been shaped by media and constant modernization, as told through a collage of film clips and other archival materials, is appropriately available on one of the widest platforms available.

“Superstar: The Karen Carpenter Story”

Short of a secret screening at SXSW in 2009 where the title had to be kept under wraps, Todd Haynes’ 1988 biography of the famed singer told only with Barbie dolls is rarely shown in public as a result of rights issues from the music, which Richard Carpenter used to keep the film from ever being widely distributed. Yet the film remains beloved by cinephiles as it demonstrates the empathetic and articulate filmmaker that would go on to make “Far From Heaven” and “I’m Not There.”

“The Conqueror”

Frankly, words can’t do much justice to this 1956 disaster that starred John Wayne as Genghis Khan and Susan Hayward as the Asian princess Khan attempts to romance. Sadly, it wasn’t just a bomb by movie standards, but was believed to have been responsible for cancer in many of the film’s cast and crew since the film was shot near an atomic testing range in Nevada. All these things led producer Howard Hughes to buy back the film’s rights to keep it out of the public eye, though Universal eventually released the film on VHS in 1992. Still, “The Conqueror” hasn’t been re-released since, leaving this version the only way to see Wayne don a mustache that droops below his lips. As commenter Derek Hill mentions below, “The Conqueror” did make its way to DVD in 2006 as part of the “John Wayne: An American Icon Collection” series.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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