“Arthur,” Reviewed

“Arthur,” Reviewed (photo)

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Want to know the difference between the two versions of “Arthur?” Just compare their first scenes. The 1981 original introduced Dudley Moore’s Arthur Bach cruising for hookers. The 2011 remake has Russell Brand’s Arthur dress up as Batman and crash an authentic “Batman Forever” Batmobile into Charging Bull and make fun of its testicles. I’m not a huge fan of the original “Arthur,” but as a film about a drunken, whoremongering hero, at least it took some chances. Moore’s Arthur was a lecherous sleaze. Brand’s Arthur is a cutesy cartoon goof.

So is his movie. Everything messy and ugly (and therefore interesting) about the old Arthur has been smoothed out in this shrewdly calculated remake. With those hints of darkness gone, Arthur becomes an overgrown boy with his toys, a lost innocent looking for the love and respect he’s never gotten from his distant mother. He doesn’t need a drink; he needs a hug. The changes make Arthur the character way more likable and “Arthur” the movie way less likable.

Here’s why. In both films we watch Arthur get drunk and act out, while his butler or nanny Hobson (John Gielgud in 1981, Helen Mirren in 2011) dryly mocks his antics. Moore’s Arthur was an asshole, so it was fun to watch him get put in his place. Brand’s Arthur is a sweeter soul, so Hobson’s insults come off as more mean-spirited. Moore’s Arthur drinks because he’s bored; Brand’s, although he doesn’t drink or act drunk nearly as often, is much more clearly an addict. Maybe it’s wasn’t exactly P.C. to have an impenitent lush as a protagonist, but it was certainly a whole lot edgier. This “Arthur” feels aimed at families and kids, right down to the title character’s love of children’s books.

Part of the problem may be Brand himself. His charm in “Forgetting Sarah Marshall” was rooted in the effortlessness of his performance. In “Arthur” he tries really hard to be funny, manically tossing out pratfall after dirty joke after crazy voice. A strained Russell Brand is not a funny Russell Brand, especially when he’s playing a guy like Arthur who’s three sheets to the wind and should probably be a bit more chill.

As before, Arthur’s story entails his efforts to resist an arranged marriage that will be financially advantageous for his wealthy family. Since refusing his assigned mate would mean forfeiting hundreds of millions of dollars, he’s initially willing to go along. But when he happens to meet an unlicensed New York City tour guide named Naomi (Greta Gerwig) he has to decide whether he wants to spend the rest of his life with his money or his true love.

Despite the dangerous levels of quirk foisted upon her by the screenplay — she couldn’t be a licensed tour guide? — Gerwig provides an endearing note of cutesiness as Naomi. And she has some nice chemistry with Brand, who only seems to relax when he’s on screen with her. Together they share what’s easily this “Arthur”‘s best scene: a truly romantic first date inside an empty Grand Central Station. I’m not sure how a woman who’s supposedly as poor as Naomi affords such an expensive looking wardrobe, but whatever.

Her opposite number is Jennifer Garner, who narrowly beats Luis Guzmán for the title of Actor Whose Presence in This Movie Depresses Me The Most. As Susan, the woman Arthur’s mother has chosen for him, all she has to play is pure, comic book super-villain-level evil. There’s no suspense over Arthur and Susan’s relationship; of course he doesn’t want to marry a woman who treats their marriage like a hostile takeover. As anyone who’s ever watched “Alias” can tell you, Garner is capable of so much more than this. (For the record Guzmán plays Arthur’s chauffeur and he, too, deserves a lot better.) For her part, Mirren doesn’t add much to the role of Hobson that wasn’t already there in John Gielgud’s Oscar-winning performance, but at least she looks like she’s having some fun with the material.

One curiosity of the new “Arthur” is the expanded role of women in its title character’s life. In the original movie, Arthur’s marriage was arranged by his dad, and his faithful manservant was, well, a man. Now Arthur’s fate is determined by an unfeeling mother and the manipulative Susan, not to mention a gender-flipped Hobson. Suddenly Arthur has become this pure beacon of goodness trying to break free of the conniving, money-grubbing women who control his life. Which is a little strange.

Like I said, I’m no “Arthur” fanatic, so the changes made by director Jason Winer and writer Peter Baynham to Steve Gordon’s version don’t bug me as a fan; they bug me as a moviegoer. Aside from some screwy gender politics, the new “Arthur” is bland and tired. Without Gordon’s unconventional details, the material has aged as well as an uncorked bottle of champagne.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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