A Brief Interview With The Whitest Kids U’Know’s Timmy Williams

A Brief Interview With The Whitest Kids U’Know’s Timmy Williams (photo)

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The fifth and final season of the sketch comedy show The Whitest Kids U’Know is underway at IFC. We are showing new episodes of one of the wackiest, crassest, and funniest show around every Friday at 10:30 p.m. ET. As an added bonus each episode has another chapter of The Civil War on Drugs, the historical drama that the Kids made to document the journey to legalize marijuana during the war between the states.

As we bid farewell to the Whitest Kids, we are taking some time to chat with each member of the troupe and to get their thoughts on comedy, their favorite moments from the five seasons the series ran on IFC, and the Civil War on Drugs. Today we talk to Timmy Williams. You may know him from the many characters he has played on the show who are also named “Timmy.” He’s also the Whitest Kid most likely to get up and dance in his underwear.

What was the very first bit or act you ever did on the air, do you remember?

Oh man, I don’t know. What was in the first episode? I don’t know, I would have to look it up.

I stumped you on the first question?

Yeah, let me think, what was in the first episode? I show up in the Hitler video. I don’t know? The classroom sketch where my mom is dead? Oh, the Lincoln sketch!

Do sketches just come to you or do you hole up in a room and hammer them out?

We hole up and everyone writes and then everyone shares what they wrote. Sometimes people bring ideas in, but generally it’s all five of us together.

In the season premiere you play a phone sex operator named Baked Beans who pours baked beans all over her chest. What was the inspiration for this sketch?

I don’t know. Most of the sketches that involve me in a compromising situation mean that I wasn’t there that day when they wrote. So I showed up and there it was. Like, Timmy dance, too. It was a live thing. Originally Zack wanted to see me dance to silly music. I can’t remember why the underwear thing happened. I think we did Timmy dance write after I took my shirt off for a different sketch and I didn’t have time to put a shirt on and it slowly involved into me dancing in my underwear. Zack is usually involved in getting me undressed.

What are some of the sketches you’re most proud of?

Elegant Tiger King. I’m also proud of Baked Beans and everyone is grossed out by it. Yeah, it’s gross. Also really proud of Submarine Sandwich, because that was the moment we realized that we could write any stupid thing and pay money to make it real.

We always have fun making the show. Even when I was getting hit with the baked beans. It was shot out of a t-shirt gun and it really hurt and I had welts and stuff. But we always have fun and giddiness. We get really excited.

What’s the best and worst reactions you’ve ever gotten from a sketch?

The best are all the good reactions to the Civil War movie. The very best reaction? Lincoln sketch. The worst? Well, Baked Beans is up there. But otherwise, stuff that just didn’t work, some stuff that people are against that makes people think we are being homophobic or racist. But we’re not, we are just showing characters who are and showing how dumb it is.

What are some of your favorite qualities or traits about the other members of WKUK?

Trevor has great ideas. A lot of the sketches come from him and then we throw stuff on to his idea. Zach is a really hard worker and I enjoy being directed by him and I think we all become pretty good actors with him directing. Darren is good at playing the girl. He was the last in the troupe and brought this little kid sense of humor that I like and it wasn’t there before. Sam has this gentle childish quality about him, but he is also a party animal. Sam and I both play ourselves all the time. Sam himself is just funny and awesome.

What is your favorite sketch moment for season five of WKUK?

Ocean 2.0, which is coming up, is a sketch about an oil company trying to turn a spill into a positive thing. Sort of ripped from the headlines, but when we write things that pertain to certain events we try to take any exclusivity out of it, so you can watch it in 10 years. Originally it was pitched as a boardroom meeting, but then Trevor suggested making it as a commercial. Also, the last sketch that is shown, I wrote directed and acted in and is one of the only ones where it’s just one person.

How often do you direct?

Trevor and Jack generally direct; we all write everything. Trevor’s songs are generally just Trevor, but we all write and do it together. There are things here or there that I do though.

Where did the idea for the “Civil War on Drugs” movie come from?
Sam and Trevor had that one a long time ago. Like 2001 or 2002. Before I was in the troupe, so definitely a long time ago. It was just the title and so when we got to season five we just did it up.

What was it like to make a whole movie within a sketch show season? I don’t think it’s something has been done before.

It was hard, it required a lot of hard work for everybody involved because we didn’t have a budget to make a movie along side the TV show. If you watch the movie almost every character is played by one of us. I play at least twelve people. Every member of the crew was an extra, everyone got poison ivy, it was hot, it was hard. But the end product is definitely great

Who are some of you sketch heroes? Have you ever gotten to meet any of them?

A lot of them! Monty Python, especially Terry Gilliam and Michael Palin. We were in the IFC documentary on the Pythons for about 3 seconds and we got to go to the premiere and talk with them. We’ve met The Kids in the Hall because our producer Jim Biederman worked with them. Mr. Show was always a big influence. Bob Odenkirk said really nice things about us. We like “The State”. You know, sketch comedy is a close-knit community, but Whitest Kids are kind of their own thing. UCB in NYC is getting huge, and the comedy stars coming out of it and the comedy bar scene are huge. But we’ve always known them but been one step out of that circle.

Is that a good thing or did it make it harder on the Whitest Kids?
There are few people our age who got their own thoughts and stuff onto TV for, like, five years. There are people from that time in NYC five years ago, who have more money, more fame, more success, but we got to do our own thing pretty much exactly how we wanted it. Not many people get to do that, and we did.

What’s next for you?

Slowly getting back into acting. I got an agent and I’m also pitching some comic books. Doing some stand up in Portland.

I hear that your first child is due in June. Do you think sketch comedy has prepared your for fatherhood?

Maybe. A lot of our sketches really show what not what to do. There are a lot of bad dads in season 4. My character in the Civil War On Drugs is a good dad. But, sketch comedy and being in charge of your own show, it prepares you for anything. And one of the most important things in life in general is having a good sense of humor. Working on a lower budget TV show teaches you to problem solve and to think on your feet and work with other people. We started the show right out of college and didn’t know anything yet. We learned a lot.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar


IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”

Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”

But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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