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“Undefeated,” Reviewed

“Undefeated,” Reviewed (photo)

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Coach Bill Courtney calls his Manassas Tigers a second-half team. It’s an accurate description for many reasons beyond the football squad’s trouble scoring early in the game, but one that specifically applies to the film made about them by Dan Lindsay and TJ Martin for it is in the second half that “Undefeated” transcends the traditional sports doc.

Of course, documentaries always require a bit of luck no matter how skilled the filmmakers are and in the case of “Undefeated,” it’s actually the bad luck of Montrail “Money” Brown, an undersized right tackle who suffers a torn ACL midway through his senior season, which sets off a series of alternately heartbreaking and inspiring moments during a year of football no one could’ve expected.

Ironically, it’s expectations that held me back from immediately embracing “Undefeated” as something special. In reports that the film had been sold at SXSW to the Weinstein Company, a common refrain was a comparison to “The Blind Side” due to one of its storylines and it bears a strong resemblance to “Friday Night Lights” in its aesthetic and, to some degree, its structure before the exceptionally compelling story of the lower-class North Memphis squad takes over.

Lindsay and Martin’s film is full of the extreme close-ups and impressionistic editing that Peter Berg employed for the gritty style that has become code in contemporary cinematic terms for any sports film these days being about “more than just a game,” which poses the intriguing if problematic conceit in a documentary that faux reality has replaced the actual thing in order to be engaging. However, “Undefeated” has no shortcomings in the charm department thanks to the other way the film is like “Lights,” as it’s told primarily from the perspective of its coach, Courtney, the owner of a hardwood lumber company who volunteers at a local high school because football is his true passion.

Undeniably charismatic with a tough love approach towards his players, Courtney has spent six years changing the culture at Manassas from a program that could barely afford uniforms and rarely won games to a competitive team that still doesn’t exactly have the respect of its more affluent rivals in the area, but clearly has a fire that comes directly from its coach. Manassas also has benefitted from the decision of three of the area’s most talented athletes to attend the school despite the fact the Tigers have never won a playoff game.

As Courtney preaches, “Football doesn’t build character, it reveals character,” something that guides “Undefeated” away from scrutinizing the Tigers’ offensive schemes or even spending time with its quarterback in favor of the stories of what have to be its three most interesting players: Brown, the aforementioned right tackle whose playing days will end with high school since he’s too small for a college program and has worked hard both on the field and off to still get accepted somewhere; Chavis Daniels, a junior who didn’t play his sophomore year since he was in a youth detention facility as a result of his serious anger issues; and O.C. Brown, a ridiculous physical specimen at left tackle who has the best chance at a post-high school playing career if only he could pass his college entrance exam.

With just an hour-and-a-half, Lindsay and Martin, who last directed “Last Cup: Road to the World Series of Beer Pong,” follow a traditional game-by-game chronicle of the season, which contrary to its title begins with a loss and heightens the stakes on every game after, and the time crunch doesn’t really allow for as rich a portrait of its subjects and their community as something like “Hoop Dreams,” but may be nearly as rewarding.

Lindsay and Martin shot over 500 hours of footage in the course of the year and it’s obvious they understand the amount of set-up required to make all their storylines come together in the end. While saving their bullets for “Undefeated”‘s final act means some patience is required as they go through the motions of a small-town underdog story like so many others, the payoff is a series of piercing, direct hits to the heart when the three players and their coach start making decisions about their future and you’re able to appreciate the full gravity of each moment as the person onscreen experiences it. It would be a shame to ruin any of these moments here, but you might need some tissues nearby as Courtney weighs the importance of the family he’s built at Manassas with the one he has at home, Montrail struggles to keep up with school and get back on the field after his debilitating injury, Chavis undergoes an unlikely transformation from a troublemaker to team leader, and O.C. is taken in by an assistant coach’s family to help him prepare for his ACT test (a la “The Blind Side”).

By the time “Undefeated” is over, winning the district title seems as if it’s an afterthought for the Manassas Tigers at the end of the season since they’ve achieved so much else, and likewise the film is a triumph not because Lindsay and Martin document the rise of a winning program, but because they’ve captured something far more winning about the goodness of people and a strength that isn’t limited to physical prowess.

“Undefeated” will be released by the Weinstein Company.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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