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DID YOU READ

Four Loko Cans and Several Loco Filmmakers at “The FP”

Four Loko Cans and Several Loco Filmmakers at “The FP” (photo)

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Last night’s screening of SXFantastic selection “The FP” at the Alamo Ritz began — as apparently all screenings of “The FP” begin — with a ceremonial Four Loko chug race: Crew members, including the brotherly directing team of Brandon and Jason Trost, versus audience members. It was a goofy mood-setter, and maybe a bit of a warning: to fully appreciate their movie you might need to be drunk and high.

“The FP” stands for Frazier Park, the area of California where the Brothers Trost hail from and which, if “The FP” is to believed, is perhaps the white trashiest place on earth. In the Trosts’ demented vision the FP is a post-apocalyptic wasteland where rival gangs from “The 245” and “The 248” battle for control of the area’s alcohol by playing Dance Dance Revolution. Whoever controls the booze controls the hobos, and whoever controls the hobos can keep the ducks in the park fed. And what is a town with ducks?

(Footage of the Four Loko races at “The FP”)

It’s that sort of movie, the kind that doesn’t make any sense and is damn proud of it. “The FP” looks like something high school kids make with their parents’ video camera on weekends, only in this case it was made by two professional filmmakers nearing their 30s — Brandon is a busy cinematographer whose next project is the “Ghost Rider” sequel — a fact that makes the film’s subterraneanly low-grade production values that much more charming. Though the film’s interiors are strewn with debris and broken tech, outdoor scenes show Frazier Park as a normal-looking American town with houses and cars and trees. It seems like the only people who realize society has collapsed and been replaced by a retro-futuristic hellhole are the main characters.

They include co-director Jason Trost as the none-too-coincidentally named J-Tro, an eyepatch-wearing Dance Dance master with his brother B-Tro. In a hysterical pre-credits sequence that plays like an avant-retarde version of the Drago-Apollo fight from “Rocky IV,” B-Tro falls at the hands of the evil L Dubba E (Lee Valmassy), prompting one of those classic shots where you hook a camera to a crane and shoot straight down at the actors as they look up and shout “NOOOOOO!” Some time later, J-Tro is walking the earth a la Rambo in “First Blood” when his old running buddy KCDC (Art Hsu) finds him and begs him to come back to The FP to save their turf from L Dubba E. When he returns, he finds his crush Stacy (Caitlyn Folley) in L Dubba E’s arms. What’s a one-eyed, mulletted, white boy dancer to do?

The joke is the sheer ludicrousness of it all, a world built on Dance Dance Revolution populated by redneck douches who talk in hip hop slang, fighting over the lamest turf ever for the sake of feeding some ducks. The whole point is that there is no point — just like most 80s action movies that take themselves far too seriously. And that joke works in the beginning, during the big DDR battle, but it begins to wear a bit thin during the middle act. I wasn’t surprised to hear to learn “The FP” started as a short film because that’s exactly what it feels like: a great one-joke short film expanded into an undercooked one-joke feature film. The Trosts expanded their running time, but not their repertoire of material.

It was around the halfway point of “The FP,” as the audience’s natural laughter began to die down, that I first noticed the forced laughs and loud comments from the filmmakers’ row of seats at the Alamo. The Trosts brought a bunch of their crew members out to South By Southwest to celebrate their premiere, and they were really into the movie. At times, they laughed at every line — even the ones that weren’t intended as jokes. One member of the group hooted and yelled and even heckled the film a few times, despite a constant rain of shushes from the folks around her. The longer that went on, the more “The FP” began to feel like a giant inside joke foisted on an unsuspecting audience and less like the inspired experimental film about macho stupidity it appeared to be in its early brilliant moments.

If the Trosts and their entourage wanted to disrupt their own movie, I suppose that’s their right. “The FP” is a confrontational film with intentionally crappy design; perhaps sabotaging their own debut is just another twist of their meta-meta filmmaking approach. The movie’s supposed to be crummy, so maybe we’re supposed to have a crummy time watching it too? In that case, they should have made everyone chug a can of Four Loko.

(An excerpt from the post-film Q&A)

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.