Four Loko Cans and Several Loco Filmmakers at “The FP”

Four Loko Cans and Several Loco Filmmakers at “The FP” (photo)

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Last night’s screening of SXFantastic selection “The FP” at the Alamo Ritz began — as apparently all screenings of “The FP” begin — with a ceremonial Four Loko chug race: Crew members, including the brotherly directing team of Brandon and Jason Trost, versus audience members. It was a goofy mood-setter, and maybe a bit of a warning: to fully appreciate their movie you might need to be drunk and high.

“The FP” stands for Frazier Park, the area of California where the Brothers Trost hail from and which, if “The FP” is to believed, is perhaps the white trashiest place on earth. In the Trosts’ demented vision the FP is a post-apocalyptic wasteland where rival gangs from “The 245” and “The 248” battle for control of the area’s alcohol by playing Dance Dance Revolution. Whoever controls the booze controls the hobos, and whoever controls the hobos can keep the ducks in the park fed. And what is a town with ducks?

(Footage of the Four Loko races at “The FP”)

It’s that sort of movie, the kind that doesn’t make any sense and is damn proud of it. “The FP” looks like something high school kids make with their parents’ video camera on weekends, only in this case it was made by two professional filmmakers nearing their 30s — Brandon is a busy cinematographer whose next project is the “Ghost Rider” sequel — a fact that makes the film’s subterraneanly low-grade production values that much more charming. Though the film’s interiors are strewn with debris and broken tech, outdoor scenes show Frazier Park as a normal-looking American town with houses and cars and trees. It seems like the only people who realize society has collapsed and been replaced by a retro-futuristic hellhole are the main characters.

They include co-director Jason Trost as the none-too-coincidentally named J-Tro, an eyepatch-wearing Dance Dance master with his brother B-Tro. In a hysterical pre-credits sequence that plays like an avant-retarde version of the Drago-Apollo fight from “Rocky IV,” B-Tro falls at the hands of the evil L Dubba E (Lee Valmassy), prompting one of those classic shots where you hook a camera to a crane and shoot straight down at the actors as they look up and shout “NOOOOOO!” Some time later, J-Tro is walking the earth a la Rambo in “First Blood” when his old running buddy KCDC (Art Hsu) finds him and begs him to come back to The FP to save their turf from L Dubba E. When he returns, he finds his crush Stacy (Caitlyn Folley) in L Dubba E’s arms. What’s a one-eyed, mulletted, white boy dancer to do?

The joke is the sheer ludicrousness of it all, a world built on Dance Dance Revolution populated by redneck douches who talk in hip hop slang, fighting over the lamest turf ever for the sake of feeding some ducks. The whole point is that there is no point — just like most 80s action movies that take themselves far too seriously. And that joke works in the beginning, during the big DDR battle, but it begins to wear a bit thin during the middle act. I wasn’t surprised to hear to learn “The FP” started as a short film because that’s exactly what it feels like: a great one-joke short film expanded into an undercooked one-joke feature film. The Trosts expanded their running time, but not their repertoire of material.

It was around the halfway point of “The FP,” as the audience’s natural laughter began to die down, that I first noticed the forced laughs and loud comments from the filmmakers’ row of seats at the Alamo. The Trosts brought a bunch of their crew members out to South By Southwest to celebrate their premiere, and they were really into the movie. At times, they laughed at every line — even the ones that weren’t intended as jokes. One member of the group hooted and yelled and even heckled the film a few times, despite a constant rain of shushes from the folks around her. The longer that went on, the more “The FP” began to feel like a giant inside joke foisted on an unsuspecting audience and less like the inspired experimental film about macho stupidity it appeared to be in its early brilliant moments.

If the Trosts and their entourage wanted to disrupt their own movie, I suppose that’s their right. “The FP” is a confrontational film with intentionally crappy design; perhaps sabotaging their own debut is just another twist of their meta-meta filmmaking approach. The movie’s supposed to be crummy, so maybe we’re supposed to have a crummy time watching it too? In that case, they should have made everyone chug a can of Four Loko.

(An excerpt from the post-film Q&A)

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Documentary Now! Robert Evans Mansion

The Reel Deal

Everything You Need To Know About “Mr. Runner Up” Inspiration Robert Evans

Watch the two-part finale of Documentary Now! this Wednesday at 10P on IFC.

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Photo Credit: Everett Collection

In its upcoming two-part finale, Documentary Now! spoofs the crown jewel of docs: The Kid Stays In The Picture. It’s the autobiographical documentary about Robert Evans, the unlikely Hollywood mogul whose mix of self-aggrandizing bravado, classic good looks and extremely circumstantial good luck took him from being a salesman to an actor to the head of Paramount Pictures.

If you’ve never seen the film, it’s totally worth it. Rotten Tomatoes agrees, with a staggeringly-high approval rating. Watch it before, or watch it after — doesn’t matter. You’ll appreciate it whenever.

In the meantime, here’s a bit of background that will come in handy…

Robert Loves Robert

Robert Evans desk

USA Films/Everett Collection

Robert Evans is the ultimate Robert Evans fan. The movie was written, produced, directed and narrated by Robert Evans. It is totally unbiased.

He’s Kind Of A Big Deal

Robert Evans, Chinatown
Paramount Pictures

Evans produced some of Hollywood’s true classics: Chinatown, Rosemary’s Baby, The Godfather, Love Story…the list goes on. Totally legit and amazing movies.

He’s Also Kind Of A Joke

Wag The Dog
New Line Cinema

Evans has been parodied in TV shows and movies like Entourage and Wag The Dog. He is the quintessential “producer” you already have in your head.

So Wrong He’s Right

Robert Evans Slap
20th Century Film Corp

Robert Evans is a notorious narcissist whose love of self is so blind and sincere that it’s actually adorable.

There’s Something Missing

via Giphy

Entire sections of Robert Evans’ life are left out of the documentary. Maybe it’s because of timing. Maybe it’s because real life isn’t a tidy narrative. Who knows.

He Blew It

Spider coke

Evans had a pretty spectacular fall from grace. He was convicted of cocaine trafficking in the early 80’s, and was connected to a contract killing during the production of The Cotton Club. Oops.

Losing Is For Losers

Everett Collection
Everett Collection

In the Robert Evans mythology, all tragedies are just triumphs in disguise, and every story has a happy ending…for Robert Evans.

Bill Hader Jerry Wallach

With these simple facts in hand you are now prepared to thoroughly enjoy the two-part finale of Documentary Now! starting this Wednesday at 10/9c on IFC.

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Weird Roles

Anthony Michael Hall’s Most Rotten Movies

Catch Anthony Michael Hall in Weird Science on Friday at 8P on IFC.

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Photo Credit: Universal/Everett Collection

Anthony Michael Hall was the quintessential ’80s nerd. We love him in classics like The Breakfast Club and National Lampoon’s Vacation. But even the brainiest among us has his weak spots. In honor of Weird Science airing this Rotten Friday, we analyze Hall’s worst movies.

Weird Science (1985) 56%

A low point for John Hughes, Weird Science is way too wacky for its own good. Anthony Michael Hall’s Gary and his pal Wyatt (Ilan Mitchell-Smith) create the “perfect woman.” Supernatural chaos ensues. The film costars a young Bill Paxton, floppy disks, and a general disconnect from all reality.

The Caveman’s Valentine (2001) 46%

This ambitious drama starring Samuel L. Jackson couldn’t live up to its rich premise. Jackson plays Romulus, a Juilliard-educated, paranoid schizophrenic who lives in a cave. Hall co-stars as Bob, a rich man, who wants to see Romulus play the piano. The plot centers around Romulus investigating a murder, but with so much going on, the movie never quite finds its rhythm.

All About the Benjamins (2002) 30%

Ice Cube plays a bounty hunter who teams up with Mike Epps’ con man to catch diamond thieves. Hall plays Lil J, a small-time drug dealer. It’s definitely a role we’ve never seen Hall in, but overall the movie isn’t funny or original enough to justify its violence.

Freddy Got Fingered (2001) 11%

This showcase for Tom Green’s goofy gross-out comedy is often hailed as one of the worst films of all time. Green plays Gord, a 20-something slacker, who dreams of having his own animated series. Hall is Dave Davidson, a CEO of an animation studio who eventually helps Gord find success. Too bad Tom Green wasn’t so lucky.

Johnny Be Good (1988) 0%

Hall plays against type as Johnny Walker, a star quarterback. Robert Downey Jr. is his best friend and Uma Thurman plays his devoted girlfriend. Despite the support of a future A-list cast, the movie lacks central conflict and charm. Or, as TV Guide put it, “Johnny be worthless.” Ouch.

Catch the “Too Rotten to Miss” Weird Science this Friday at 8P on IFC.

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Season 6: Episode 1: Pickathon

Binge Fest

Portlandia Season 6 Now Available On DVD

The perfect addition to your locally-sourced, artisanal DVD collection.

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End of summer got you feeling like:

Portlandia Toni Screaming GIF

Ease into fall with Portlandia‘s sixth season. Relive the latest exploits of Fred Armisen and Carrie Brownstein’s cast of characters, including Doug and Claire’s poignant breakup, Lance’s foray into intellectual society, and the terrifying rampage of a tsukemen Noodle Monster! Plus, guest stars The Flaming Lips, Glenn Danzig, Louis C.K., Kevin Corrigan, Zoë Kravitz, and more stop by to experience what Portlandia is all about.

Pick up a copy of the DVD today, or watch full episodes and series extras now on IFC.com and the IFC app.

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