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The Artists of Flatstock: Rob Jones

The Artists of Flatstock: Rob Jones (photo)

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Eight years ago Rob Jones first went out on a limb and sent some unsolicited posters he made for The White Stripes to a venue they were playing in France. The band’s manager called Jones to chew him out for using band’s name on a print without express permission to do so. And then he told Jones the band wanted to use the rogue poster for the rest of their American tour dates.

Since then, Jones has churned out some of the most imaginative screenprinted posters ever to be slapped to a venue wall, many of them cleverly positioned within the confines of the Stripes’ peppermint candy color palate. And just this year, Jones became the first member of tight-knit poster art community to take home a Grammy for his work on the White Stripes’ “Under Great White Northern Lights” box set. He accepted his award in a custom-made pink leather suit. Let’s see Joan Rivers tackle that one.

Read on for more from Jones (who also designed the tote bags distributed for the SXSW Film Festival this year) on where his inspiration comes from, why you should pre-draft a speech for the Grammys, and what the maker of collectible artifacts collects himself.

How did you get started making posters?
I had a friend in a band called the Pink Swords. They were an awesome punk band. Usually my friends were in bands that were terrible. Arty bands that would play, like, children’s songs or telephone messages with their girlfriends breaking up with them in the background. But these guys were awesome. I saw them over 50 times. It was the first time I got to make posters for a band I really liked, and they played out a lot – like twice a week. I did that for like a year and a half before people started knocking my door asking me, “Can you make posters for us?”

How would you describe your poster-making aesthetic back then?
Most of my posters are awful, phallic-ridden nightmares.

Your prints, especially your White Stripes series’ have become very collectible items. What kind of things does a maker of collectibles collect?
I have a horrible completist nature. There’s this awesome movie – it’s the number one thing I collect – it’s called “Cruising,” starring Al Pacino. My favorite things tend to be things that shouldn’t be. Things that are just horrible, bad ideas. You marvel that someone actually thought it was a good idea. I’ve got over a hundred posters for it. I couldn’t collect for my favorite films like “Cool Hand Luke,” or “Seven Samurai,” I’d go bankrupt. But this stuff? I’m the only market.

How did you start working with the White Stripes?
After I sent a poster to them in France, around ’03-’04 I told the band I had other ideas, and I made five posters that were approved, at which point Jack asked me to make a poster for every date that was left on the tour. After those posters were done, they asked me to do the design for “Under Blackpool Lights” They just kept coming back, asking me to do jobs.

Where does your inspiration usually come from?

Mostly from interviews I read about the band. Or like, one day I was talking to Jack and he said he liked Fritz Lang stuff. So I said, great. “Metropolis.” And I started from there.

How did it feel to win a Grammy? (For “Under Great White Northern Lights”)
It was amazing. When I won my head was all guitar strings. Let me tell you, if you’re ever nominated for something, you’re better off planning a speech, planning the smallest of thank yous and jinxing it, than winning and fucking up your acceptance speech than hearing the whole plane ride home, “you forgot to thank me…”

Did your wife help you pick out you famed pink leather acceptance outfit?
No, but she helped with the measurements. I knew I wanted a custom pink leather outfit. I knew you could get it in any color at makeyourownjeans.com. I gave them my measurements, and two weeks later I had a pink suit at my front door.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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