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SXSW Music: The Best Of The Rest

SXSW Music: The Best Of The Rest (photo)

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We tried to cover as much ground as possible in the four jam-packed days of the SXSW music fest, but let’s face it – you need twelve ears, six arms and zero hours of sleep to even break the surface of all that was worth reporting on in this marathon of musical mayhem. Here are some of the shows we saw that we didn’t have time to cover in-depth – all artists worth checking out on record, or if you’re lucky enough, in person.

Eddie Spaghetti @ The Red Eyed Fly: If you haven’t ever experienced the badassedness of the Supersuckers’ silly brand of 90’s American rock and garage punk, you probably would have passed right over this show by the band’s bassist and longtime front man, Eddie Spaghetti. With a full pit of beer-guzzling fans to cheer them on, Spaghetti and his band picked out songs from his new record “Sundowner,” including spirited covers of Dean Martin songs, obscure AC/DC tunes, and even the Dwarves hit, “Everybody’s Girl.” Spaghetti is beyond charismatic – in a cowboy hat with a handlebar mustache, he crooned his cow punk tunes, imploring the audience to throw up the devils horns after every song, to the cue of a spirited, “Cha Cha Cha!” Who were we to disobey?

Noah And The Whale at Stubb’s: The well-mannered chaps from London played twice at SXSW, and we caught them at Stubb’s, in a showcase with Portugal. The Man and TV on the Radio. The quintet, named after a not-so-subtle combination of film, “The Squid and the Whale,” and its director, is on tour to promote “Last Night On Earth,” their latest album of gushingly cinematic indie pop numbers. The band pulls off their folky compositions with a delightful energy, the band providing a lively backdrop for bandleader Charlie Fink’s stoic, Tom Petty-style narration and deadpan delivery. Extra credit for having two band members rocking the best curly pompadours since Lyle Lovett.

Andreya Triana @ The British Embassy (Latitude 30): We caught the tail end of Andreys Triana’s soulful set at The British Embassy (Latitude 30) “British Music Launch Event,” and just three songs was enough to win us over. With a silky voice and calming aura that called up India Arie, Triana belted and bluesed out tracks from her debut album, “Lost Where I Belong,” released this past September. To end her night onstage, Triana hopped down into the audience, microphone and all, to deliver an intimate cover of Chaka Khan’s “Ain’t Nobody,” her glorious voice and a single electric guitar leading the chorus to a song so infectious, mimes must sing along. Down on the floor with the people, all of us singing and clapping, the club felt like a house party – an organic setting befitting the earthy singer who we’re sure to hear more from in the future.

Sharon Van Etten @ The IFC Crossroads House: Sharon Van Etten played in our own IFC backyard, and was another one of the quiet surprises of the festival. A little lady, with a big red guitar and a bigger attitude, Van Etten dug into songs from her sophomore LP, “Epic,” full of heartwrenching tunes like the pleading “Don’t Do It,” in which she begrudgingly acquiesces, “If you want to do it, you are going to do it.” Her husky voice lost its whisper and gained strength as her set plunged forward, the effects of an earlier Merge showcase receding as her pipes began to warm up. Van Etten’s stage demeanor is shy, her sense of humor, coy and endearing. “One day I’ll have a spinning bow tie and I’ll be a lot more entertaining,” she said before launching into a song called “One Day.” Forget the squirting flower, Miss Van Etten, we’ll take you as you are.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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