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“Sword & Sworcery” Shoots to the Top of the App Store

“Sword & Sworcery” Shoots to the Top of the App Store (photo)

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Chances are, if you’re a gamer or are following one on Twitter, the #sworcery hashtag’s shown up in your timeline. It refers, of course, to “Superbrothers: Sword & Sworcery EP,” the indie game just out for iPad.

A smidgen of indie developer insider buzz and in-the-know word-of-mouth preceded its release but, really, “Sword & Sworcery” was one of those games that you had to know about already to know about. Yet, despite its relative obscurity, it shot up to the #3 spot for paid apps for the iPad, with nothing to speak of in terms of marketing. One of the things that’s led to the viral, explosive success of “Sworcery” is the way it integrates Twitter. Nearly every scene or dialogue exchange can be tweeted, serving several different purposes. #Sworcery tweets tease those who don’t yet have the game, provide oblique hints for other players and reminds those who have completed it of what it was all like.

As the EP part of the name suggests, the game’s really a slim novella of an experience. Part of its charm is how it mixes Ye Olde English (as approximated by comics legend Stan Lee in the early issues of his work on Marvel Comics’ “Thor” ) with modern-day colloquialisms. Whether by design or by accident, that combo makes for hilarious, attention-grabbing tweets. For example, “Miraculously the sinister storm has lifted & glorious sunlight has returned to the realm so that’s totally awesome.” Or, “We Scythians loathe rainbows.”

Words make it sing, but it’s the aesthetic that make “S&S”‘ shine. Its expressionistic pixel art suggests the ideas of things, which adds to the hazy, lazy appeal of the gameplay. These dots mean a bird, those a deer, the ones over there assemble into a shadowy demon.

Gameplay-wise, the mechanics are light but enjoyable. There’s the occasional swordfight but, mostly, you walk around exploring and completing touch-based puzzles. Early on, you get acclimated to exploring the world with your fingertips and having it talk back to you in its own quirky, second-person voice. Rather than a game that dares players to conquer, “Sworcery” invites you to converse with it.

Such as it is, the conversation’s small talk but the best thing about “Sworcery” may be how, musically and visually, it encourages you to meander and take your time. Sure, the Scythian-the female warrior on an unspecified, “woeful errand”-has an overarching mission, but the player’s not prodded on in any real way. You’re going to see things on this quest. Go down that path and check out those graves. Oh, look, sheep! And you can shout out nearly everything you see on Twitter.

Underneath all of the aesthetics and gameplay is a great downtempo electronica soundtrack by Jim Guthrie, with just enough renaissance-fair flourish to keep it on message. The soundtrack itself is a meta-construct, too, video game music made from a video game (“MTV Music Generator,” as detailed here).

That fits for “Sworcery.” It’s a game full of its own self-consciousness and traffics in intellectual indulgences that pulls in Jungian dream theory, Conan the Barbarian references–the original Robert E. Howard books, thank you very much–and old-school NES games like the classic “Legend of Zelda.” But, every time you want smirk at its admitted preciousness , some undeniably cute animation or wry dialogue ping off your heartstrings. Like when the mystical Megatome book lets you read your canine companion’s thoughts, which go something like, “Bark, bark, bark. Sometimes I grow weary of barking all the time but a dog’s gotta do what a dog’s gotta do.”


Super-decompressed genre conventions (like the girl named Girl or sentences like “The wood-chopping woodsman chopped wood.”) and built-in social networking make it a game that creates its own collective subconscious. All of a sudden, people know that other people know about this game. Granted, it does so very willfully, which drains some of the charm out of it. Nevertheless, the elegant design and the unalloyed delight that “Sword & Sworcery” evinces about games, philosophy and music draws you in and grab hold.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….


IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.


IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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