DID YOU READ

“Small, Beautifully Moving Parts,” Reviewed

“Small, Beautifully Moving Parts,” Reviewed (photo)

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There isn’t much of a better way to describe Lisa Robinson and Annie J. Howell’s “Small, Beautifully Moving Parts” than its title, which concisely suggests its size and function and though it’s unmistakably human in its warmth, it’s an indie road movie that runs like clockwork in the tradition of other such films.

The title is also a reference to the profession of Sarah Sparks (Anna Margaret Hollyman), a “freelance technologist” as she bills herself in the ad she posts in the opening frames of the film, a job that requires her to ask people about their connection to technology and have an insatiable curiosity about how things work. And soon after unhinging the backs of iMacs and old radios, giving the latter a come hither “well, hello there,” Sarah is so obsessed with the electronic configuration of a pregnancy test that she barely notices it reads positive, setting her off on a journey across the country to visit her father (Richard Hoag) and find her estranged mother (Mary Beth Peil) to reassure her about parenthood.

It’s a clever way into territory where Sarah may not have been before, but audiences likely have and while it’s not as manic as David O. Russell’s “Flirting with Disaster” or as melancholy as Sam Mendes’ “Away We Go,” Robinson and Howell mostly strike the right notes in exploring what’s passed on between parents and children without ever being too on the nose. This might seem impossible when it’s revealed that Sarah’s mother retreated into the desert or “off the grid,” as Sarah’s sister informs her, far from a world of cell phones and computers, but the writing/directing duo allow the story to breathe and trusts viewers to gradually see in what ways Sarah has her parents’ DNA and which ways she doesn’t.

Much of the film’s charm can be attributed to the film’s lead Hollyman, who is indefatigably upbeat without being annoyingly so, a feat made more impressive considering she’s nearly in every frame. Whether the film was actually built around the actress or not, Robinson and Howell get away a sparser screenplay just by relying on Hollyman’s facility for expressing so much with just her eyes, from delight to confusion, and in exchange, the actress gets the intriguing challenge of playing a woman who embraces isolation so long as she has her gadgets nearby, yet appears to be completely comfortable in the company of others. (That dichotomy brings up the nagging question of why it’s so important for Sarah to reunite with her mother when she seems so self-dependent, but the film engenders enough good will to overlook it.)

Although saying “Small, Beautifully Moving Parts” somehow taps into the zeitgeist with the ways in which we connect to each other wouldn’t be completely off the mark, it is thankfully far too humble to think of itself as some great statement, settling instead for a simple story well told.

“Small, Beautifully Moving Parts” does not yet have U.S. distribution.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.